The party was given either in 1777 or in 1778; on which day or month of the year is not known, but the night was cold. Fanny Burney, from whom we get much of our information, was accordingly either twenty-five or twenty-six, as we choose. But in order to enjoy the party to the full it is necessary to go back some years and to scrape acquaintance with the guests.
Fanny, from the earliest days, had always been fond of writing. There was a cabin at the end of her stepmother’s garden at King’s Lynn, where she used to sit and write of an afternoon till the oaths of the seamen sailing up and down the river drove her in. But it was only in the afternoon and in remote places that her half-suppressed, uneasy passion for writing had its way. Writing was held to be slightly ridiculous in a girl; rather unseemly in a woman. Besides, one never knew, if a girl kept a diary, whether she might not say something indiscreet — so Miss Dolly Young warned her; and Miss Dolly Young, though exceedingly plain, was esteemed a woman of the highest character in King’s Lynn. Fanny’s stepmother also disapproved of writing. Yet so keen was the joy —“I cannot express the pleasure I have in writing down my thoughts at the very moment, and my opinion of people when I first see them”— that scribble she must. Loose sheets of paper fell from her pocket and were picked up and read by her father to her agony and shame; once she was forced to make a bonfire of all her papers in the back garden. At last some kind of compromise seems to have been arrived at. The morning was sacred to serious tasks like sewing; it was only in the afternoon that she allowed herself to scribble — letters, diaries, stories, verses in the look-out place which overhung the river, till the oaths of the sailors drove her in.
There was something strange in that, perhaps, for the eighteenth century was the age of oaths. Fanny’s early diary is larded with them. “God help me”, “Split me”, “Stap my vitals”, together with damneds and devilishes, dropped daily and hourly from the lips of her adored father and her venerated Daddy Crisp. Perhaps Fanny’s attitude to language was altogether a little abnormal. She was immensely susceptible to the power of words, but not nervously or acutely as Jane Austen was. She adored fluency and the sound of language pouring warmly and copiously over the printed page. Directly she read Rasselas, enlarged and swollen sentences formed on the tip of her childish pen in the manner of Dr. Johnson. Quite early in life she would go out of her way to avoid the plain name of Tomkins. Thus, whatever she heard from her cabin at the end of the garden was sure to affect her more than most girls, and it is also clear that while her ears were sensitive to sound, her soul was sensitive to meaning. There was something a little prudish in her nature. Just as she avoided the name of Tomkins, so she avoided the roughnesses, the asperities, the plainnesses of daily life. The chief fault that mars the extreme vivacity and vividness of the early diary is that the profusion of words tends to soften the edges of the sentences, and the sweetness of the sentiment to smooth out the outlines of the thought. Thus, when she heard the sailors swearing, though Maria Allen, her half-sister, would, one believes, have liked to stay and toss a kiss over the water — her future history allows us to take the liberty of thinking so — Fanny went indoors.
Fanny went indoors, but not to solitary meditation. The house, whether it was in Lynn or in London — and by far the greater part of the year was spent in Poland Street — hummed with activity. There was the sound of the harpsichord; the sound of singing; there was the sound — for such concentration seems to pervade a whole house with its murmur — of Dr. Burney writing furiously, surrounded by notebooks, in his study; and there were great bursts of chatter and laughter when, returning from their various occupations, the Burney children met together. Nobody enjoyed family life more than Fanny did. For there her shyness only served to fasten the nickname of Old Lady upon her; there she had a familiar audience for her humour; there she need not bother about her clothes; there — perhaps the fact that their mother had died when they were all young was partly the cause of it — was that intimacy which expresses itself in jokes and legends and a private language (“The wig is wet”, they would say, winking at each other); there were endless confabulations, and confidences between sisters and brothers and brothers and sisters. Nor could there be any doubt that the Burneys — Susan and James and Charles and Fanny and Hetty and Charlotte — were a gifted race. Charles was a scholar; James was a humorist; Fanny was a writer; Susan was musical — each had some special gift or characteristic to add to the common stock. And besides their natural gifts they were happy in the fact that their father was a very popular man; a man, too, so admirably situated by his talents, which were social, and his birth, which was gentle, that they could mix without difficulty either with lords or with bookbinders, and had, in fact, as free a run of life as could be wished.
As for Dr. Burney himself, there are some points about which, at this distance of time, one may feel dubious. It is difficult to be sure what, had one met him now, one would have felt for him. One thing is certain — one would have met him everywhere. Hostesses would be competing to catch him. Notes would wait for him. Telephone bells would interrupt him. For he was the most sought-after, the most occupied of men. He was always dashing in and dashing out. Sometimes he dined off a box of sandwiches in his carriage. Sometimes he went out at seven in the morning, and was not back from his round of music lessons till eleven at night. The “habitual softness of his manners”, his great social charm, endeared him to everybody. His haphazard untidy ways — everything, notes, money, manuscripts, was tossed into a drawer, and he was robbed of all his savings once, but his friends were delighted to make it up for him; his odd adventures — did he not fall asleep after a bad crossing at Dover, and so return to France and so have to cross the Channel again? — gave him a claim upon people’s kindness and sympathy. It is, perhaps, his diffuseness that makes him a trifle nebulous. He seems to be for ever writing and then rewriting, and requiring his daughters to write for him, endless books and articles, while over him, unchecked, unfiled, unread perhaps, pour down notes, letters, invitations to dinner which he cannot destroy and means some day to annotate and collect, until he seems to melt away at last in a cloud of words. When he died at the age of eighty-eight, there was nothing to be done by the most devoted of daughters but to burn the whole accumulation entire. Even Fanny’s love of language was suffocated. But if we fumble a little as to our feeling for Dr. Burney, Fanny certainly did not. She adored her father. She never minded how many times she had to lay aside her own writing in order to copy out his. And he returned her affection. Though his ambition for her success at Court was foolish, perhaps, and almost cost her her life, she had only to cry when a distasteful suitor was pressed on her, “Oh, Sir, I wish for nothing! Only let me live with you!” for the emotional doctor to reply, “My Life! Thou shall live with me for ever if thou wilt. Thou canst not think I meant to get rid of thee?” And not only were his eyes full of tears, but, what was more remarkable, he never mentioned Mr. Barlow again. Indeed, the Burneys were a happy family; a mixed composite, oddly assorted family; for there were the Aliens, too, and little half-brothers and half-sisters were being born and growing up.
So time passed, and the passage of the years made it impossible for the family to continue in Poland Street any longer. First they moved to Queen Square, and then, in 1774, to the house where Newton had lived, in St. Martin’s Street, Leicester Fields; where his Observatory still stood, and his room with the painted panels was still to be seen. Here in a mean street, but in the centre of the town, the Burneys set up their establishment. Here Fanny went on scribbling, stealing to the Observatory as she had stolen to the cabin at Lynn, for she exclaimed, “I cannot any longer resist what I find to be irresistible, the pleasure of popping down my thoughts from time to time upon paper”. Here came so many famous people either to be closeted with the doctor, or, like Garrick, to sit with him while his fine head of natural hair was brushed, or to join the lively family dinner, or, more formally, to gather together in a musical party, where all the Burney children played and their father “dashed away” on the harpsichord, and perhaps some foreign musician of distinction performed a solo — so many people came for one reason or another to the house in St. Martin’s Street that it is only the eccentrics, the grotesques, that catch the eye. One remembers, for instance, the Ajujari, the astonishing soprano, because she had been “mauled as an infant by a pig, in consequence of which she is reported to have a silver side”. One remembers Bruce, the traveller, because he had a
most extraordinary complaint. When he attempted to speak, his whole stomach suddenly seemed to heave like an organ bellows. He did not wish to make any secret about it, but spoke of it as having originated in Abyssinia. However, one evening, when he appeared rather agitated, it lasted much longer than usual, and was so violent that it alarmed the company.
One seems to remember, for she paints herself while she paints the others, Fanny herself slipping eagerly and lightly in and out of all this company, with her rather prominent gnat-like eyes, and her shy, awkward manners. But the gnat-like eyes, the awkward manners, concealed the quickest observation, the most retentive memory. As soon as the company had gone, she stole to the Observatory and wrote down every word, every scene, in letters twelve pages long, for her beloved Daddy Crisp at Chessington. That old hermit — he had retired to a house in a field in dudgeon with society — though professing to be better pleased with a bottle of wine in his cellar and a horse in his stable, and a game of backgammon at night, than with all the fine company in the world, was always agog for news. He scolded his Fannikin if she did not tell him all about her fine goings-on. And he scolded her again if she did not write at full tilt exactly as the words came into her head.
Mr. Crisp wanted to know in particular “about Mr. Greville and his notions”. For, indeed, Mr. Greville was a perpetual source of curiosity. It is a thousand pities that time with her poppy dust has covered Mr. Greville so that only his most prominent features, his birth, his person, and his nose emerge. Fulke Greville was the descendant — he must, one fancies, have emphasised the fact from the way in which it is repeated — of the friend of Sir Philip Sidney. A coronet, indeed, “hung almost suspended over his head”. In person he was tall and well proportioned. “His face, features, and complexion were striking for masculine beauty.” “His air and carriage were noble with conscious dignity”; his bearing was “lofty, yet graceful”. But all these gifts and qualities, to which one must add that he rode and fenced and danced and played tennis to admiration, were marred by prodigious faults. He was supercilious in the extreme; he was selfish; he was fickle. He was a man of violent temper. His introduction to Dr. Burney in the first place was due to his doubt whether a musician could be fit company for a gentleman. When he found that young Burney not only played the harpsichord to perfection, but curved his finger and rounded his hand as he played; that he answered plain “Yes, Sir,” or “No, Sir,” being more interested in the music than in his patron; that it was only indeed when Greville himself thrummed pertinaciously from memory that he could stand it no longer, and broke into vivacious conversation — it was only when he found that young Burney was both gifted and well bred that, being himself a very clever man, he no longer stood upon his dignity. Burney became his friend and his equal. Burney, indeed, almost became his victim. For if there was one thing that the descendant of the friend of Sir Philip Sidney detested it was what he called “fogrum”. By that expressive word he seems to have meant the middle-class virtues of discretion and respectability, as opposed to the aristocratic virtues of what he called “ton”. Life must be lived dashingly, daringly, with perpetual display, even if the display was extremely expensive, and, as seemed possible to those who trailed dismally round his grounds praising the improvements, as boring to the man who made it as to the unfortunate guests whose admiration he insisted upon extorting. But Greville could not endure fogrum in himself or in his friends. He threw the obscure young musician into the fast life of White’s and Newmarket, and watched with amusement to see if he sank or swam. Burney, most adroit of men, swam as if born to the water, and the descendant of the friend of Sir Philip Sidney was pleased. From being his protégé, Burney became his confidant. Indeed, the splendid gentleman, for all his high carriage, was in need of one. For Greville, could one wipe away the poppy dust that covers him, was one of those tortured and unhappy souls who find themselves torn asunder by opposite desires. On the one hand he was consumed with the wish to be in the first flight of fashion and to do “the thing”, however costly or dreary “the thing” might be. On the other, he was secretly persuaded that “the proper bent of his mind and understanding was for metaphysics”. Burney, perhaps, was a link between the world of ton and the world of fogrum. He was a man of breeding who could dice and bet with the bloods; he was also a musician who could talk of intellectual things and ask clever people to his house.
Thus Greville treated the Burneys as his equals, and came to their house, though his visits were often interrupted by the violent quarrels which he managed to pick even with the amiable Dr. Burney himself. Indeed, as time went on there was nobody with whom Greville did not quarrel. He had lost heavily at the gambling-tables. His prestige in society was sunk. His habits were driving his family from him. Even his wife, by nature gentle and conciliatory, though excessive thinness made her seem fitted to sit for a portrait “of a penetrating, puissant and sarcastic fairy queen”, was wearied by his infidelities. Inspired by them she had suddenly produced that famous Ode to Indifference, “which had passed into every collection of fugitive pieces in the English language” and (it is Madam D’Arblay who speaks) “twined around her brow a garland of wide-spreading and unfading fragrance”. Her fame, it may be, was another thorn in her husband’s side; for he, too, was an author. He himself had produced a volume of Maxims and Characters; and having “waited for fame with dignity rather than anxiety, because with expectation unclogged with doubt”, was beginning perhaps to become a little impatient when fame delayed. Meanwhile he was fond of the society of clever people, and it was largely at his desire that the famous party in St. Martin’s Street met together that very cold night.
In those days, when London was so small, it was easier than now for people to stand on an eminence which they scarcely struggled to keep, but enjoyed by unanimous consent. Everybody knew and remembered when they saw her that Mrs. Greville had written an Ode to Indifference; everybody knew that Mr. Bruce had travelled in Abyssinia; so, too, everybody knew that there was a house at Streatham presided over by a lady called Mrs. Thrale. Without troubling to write an Ode, without hazarding her life among savages, without possessing either high rank or vast wealth, Mrs. Thrale was a celebrity. By the exercise of powers difficult to define — for to feel them one must have sat at table and noticed a thousand audacities and deftnesses and skilful combinations which die with the moment — Mrs. Thrale had the reputation of a great hostess. Her fame spread far beyond her house. People who had never seen her discussed her. People wanted to know what she was like; whether she was really so witty and so well read; whether it was a pose; whether she had a heart; whether she loved her husband the brewer, who seemed a dull dog; why she had married him; whether Dr. Johnson was in love with her — what, in short, was the truth of her story, the secret of her power. For power she had — that was indisputable.
Even then, perhaps, it would have been difficult to say in what it consisted. For she possessed the one quality which can never be named; she enjoyed the one gift which never ceases to excite discussion. Somehow or other she was a personality. The young Burneys, for instance, had never seen Mrs. Thrale or been to Streatham, but the stir which she set going round her had reached them in St. Martin’s Street. When their father came back from giving his first music lesson to Miss Thrale at Streatham they flocked about him to hear his account of her mother. Was she as brilliant as people made out? Was she kind? Was she cruel? Had he liked her? Dr. Burney was in high good temper — in itself a proof of his hostess’s power — and he replied, not, we may be sure, as Fanny rendered it, that she was a “star of the first constellation of female wits: surpassing, rather than equalising the reputation which her extraordinary endowments, and the splendid fortune which made them conspicuous, had blazoned abroad”— that was written when Fanny’s style was old and tarnished, and its leaves were fluttering and falling profusely to the ground; the doctor, we may suppose, answered briskly that he had enjoyed himself hugely; that the lady was a very clever lady; that she had interrupted the lesson all the time; that she had a very sharp tongue — there was no doubt of that; but he would go to the stake for it that she was a good-hearted woman at bottom. Then they must have pressed to know what she looked like. She looked younger than her age — which was about forty. She was rather plump, very small, fair with very blue eyes, and had a scar or cut on her lip. She painted her cheeks, which was unnecessary, because her complexion was rosy by nature. The whole impression she made was one of bustle and gaiety and good temper. She was, he said, a woman “full of sport”, whom nobody could have taken for a creature that the doctor could not bear, a learned lady. Less obviously, she was very observant, as her anecdotes were to prove; capable of passion, though that was not yet visible at Streatham; and, while curiously careless and good-tempered about her dues as a wit or a blue-stocking, had an amusing pride in being descended from a long line of Welsh gentry (whereas the Thrales were obscure), and drew satisfaction now and then from the reflection that in her veins ran the blood, as the College of Heralds acknowledged, of Adam of Salzburg.
Many women might have possessed these qualities without being remembered for them. Mrs. Thrale possessed besides one that has given her immortality: the power of being the friend of Dr. Johnson. Without that addition, her life might have fizzled and flamed to extinction, leaving nothing behind it. But the combination of Dr. Johnson and Mrs. Thrale created something as solid, as lasting, as remarkable in its way as a work of art. And this was an achievement that called for much rarer powers on the part of Mrs. Thrale than the qualities of a good hostess. When the Thrales first met Johnson he was in a state of profound gloom, crying out such lost and terrible words that Mr. Thrale put his hand before his mouth to silence him. Physically, too, he was afflicted with asthma and dropsy; his manners were rough; his habits were gross; his clothes were dirty; his wig was singed; his linen was soiled; and he was the rudest of men. Yet Mrs. Thrale carried this monster off with her to Brighton and then domesticated him in her house at Streatham, where he was given a room to himself, and where he spent habitually some days in the middle of every week. This might have been, it is true, but the enthusiasm of a curiosity hunter, ready to put up with a host of disagreeables for the sake of having at her house the original Dr. Johnson, whom anybody in England would gladly pay to see. But it is clear that her connoisseurship was of a finer type. She understood — her anecdotes prove it — that Dr. Johnson was somehow a rare, an important, an impressive human being whose friendship might be a burden but was certainly an honour. And it was not by any means so easy to know this then as it is now. What one knew then was that Dr. Johnson was coming to dinner. And when Dr. Johnson came to dinner one had to ask one’s self who was coming too? For if it was a Cambridge man there might be an outburst. If it was a Whig there would certainly be a scene. If it was a Scotsman anything might happen. Such were his whims and prejudices. Next one would have to bethink one, what food had been ordered for dinner? For the food never went uncriticised; and even when one had provided him with young peas from the garden, one must not praise them. Were not the young peas charming, Mrs. Thrale asked once? and he turned upon her, after gobbling down masses of pork and veal pie with lumps of sugar in it, and snapped, “Perhaps they would be so — to a pig”. Then what would the talk be about — that was another cause for anxiety. If it got upon painting or music he was apt to dismiss it with scorn, for both arts were indifferent to him. Then if a traveller told a tale he was sure to pooh-pooh it, because he believed nothing that he had not seen himself. Then if anyone were to express sympathy in his presence it might well draw down upon one a rebuke for insincerity.
When, one day, I lamented the loss of a cousin killed in America: “Prithee, my dear,” said he, “have done with canting: how would the world be the worse for it, I may ask, if all your relations were at once spitted like larks, and roasted for Presto’s supper?”
In short, the meal would be strewn with difficulties; the whole affair might run upon the rocks at any moment.
Had Mrs. Thrale been a shallow curiosity hunter she would have shown him for a season or so and then let him drop. But Mrs. Thrale realised even at the moment that one must submit to be snubbed and bullied and irritated and offended by Dr. Johnson because — well, what was the force that sent an impudent and arrogant young man like Boswell slinking back to his chair like a beaten boy when Johnson bade him? Why did she herself sit up till four in the morning pouring out tea for him? There was a force in him that awed even a competent woman of the world, that subdued even a thick-skinned, conceited boy. He had a right to scold Mrs. Thrale for inhumanity, when she knew that he spent only seventy pounds a year on himself and with the rest of his income supported a houseful of decrepit and ungrateful lodgers. If he gobbled at table and tore the peaches from the wall, he went back punctually to London to see that his wretched inmates had their three good meals over the week-end. Moreover, he was a warehouse of knowledge. If the dancing-master talked about dancing, Johnson could out-talk him. He could keep one amused by the hour with his tales of the underworld, of the topers and scallywags who haunted his lodgings and claimed his bounty. He said things casually that one never forgot. But what was perhaps more engaging than all this learning and virtue, was his love of pleasure, his detestation of the mere bookworm, his passion for life and society. And then, as a woman would, Mrs. Thrale loved him for his courage — that he had separated two fierce dogs that were tearing each other to pieces in Mr. Beauclerc’s sitting-room; that he had thrown a man, chair and all, into the pit of a theatre; that, blind and twitching as he was, he rode to hounds on Brighthelmstone Downs, and followed the hunt as if he had been a gay dog instead of a huge and melancholy old man. Moreover, there was a natural affinity between them. She drew him out: she made him say what without her he would never have said; indeed, he had confessed to her some painful secret of his youth which she never revealed to anybody. Above all, they shared the same passion. Of talk they could neither of them ever have enough.
Thus Mrs. Thrale could always be counted on to produce Dr. Johnson; and it was, of course, Dr. Johnson whom Mr. Greville most particularly wished to meet. As it happened, Dr. Burney had renewed his acquaintance with Dr. Johnson after many years, when he went to Streatham to give his first music lesson, and Dr. Johnson had been there, “wearing his mildest aspect”. For he remembered Dr. Burney with kindness. He remembered a letter that Dr. Burney had written to him in praise of the dictionary; he remembered, too, that Dr. Burney having called upon him, years ago, and found him out, had dared to cut some bristles from the hearth broom to send to an admirer. When he met Dr. Burney again at Streatham, he had instantly taken a liking to him; soon he was brought by Mrs. Thrale to see Dr. Burney’s books; it was quite easy, therefore, for Dr. Burney to arrange that on a certain night in the early spring of 1777 or 1778, Mr. Greville’s great wish to meet Dr. Johnson and Mrs. Thrale should be gratified. A day was fixed and the engagement was made.
Whatever the day was it must have been marked in the host’s calendar with a note of interrogation. Anything might happen. Any extreme of splendour or disaster might spring from the meeting of so many marked and distinguished characters. Dr. Johnson was formidable. Mr. Greville was domineering. Mrs. Greville was a celebrity in one way; Mrs. Thrale was a celebrity in another. Then it was an occasion. Everybody felt it to be so. Wits would be on the strain; expectation on tiptoe. Dr. Burney foresaw these difficulties and took steps to avert them, but there was, one vaguely feels, something a little obtuse about Dr. Burney. The eager, kind, busy man, with his head full of music and his desk stuffed with notes, lacked discrimination. The precise outline of people’s characters was covered with a rambling pink haze. To his innocent mind music was the universal specific. Everybody must share his own enthusiasm for music. If there was going to be any difficulty, music could solve it. He therefore asked Signor Piozzi to be of the party.
The night arrived and the fire was lit. The chairs were placed and the company arrived. As Dr. Burney had foreseen, the awkwardness was great. Things indeed seemed to go wrong from the start. Dr. Johnson had come in his worsted wig, very clean and prepared evidently for enjoyment. But after one look at him, Mr. Greville seemed to decide that there was something formidable about the old man; it would be better not to compete; it would be better to play the fine gentleman, and leave it to literature to make the first advances. Murmuring, apparently, something about having the toothache, Mr. Greville “assumed his most supercilious air of distant superiority and planted himself, immovable as a noble statue, upon the hearth”. He said nothing. Then Mrs. Greville, though longing to distinguish herself, judged it proper for Dr. Johnson to begin, so that she said nothing. Mrs. Thrale, who might have been expected to break up the solemnity, felt, it seemed, that the party was not her party and, waiting for the principals to engage, resolved to say nothing either. Mrs. Crewe, the Grevilles’ daughter, lovely and vivacious as she was, had come to be entertained and instructed and therefore very naturally she, too, said nothing. Nobody said anything. Complete silence reigned. Here was the very moment for which Dr. Burney in his wisdom had prepared. He nodded to Signor Piozzi; and Signor Piozzi stepped to the instrument and began to sing. Accompanying himself on the pianoforte, he sang an aria parlante. He sang beautifully, he sang his best. But far from breaking the awkwardness and loosing the tongues, the music increased the constraint. Nobody spoke. Everybody waited for Dr. Johnson to begin. There, indeed, they showed their fatal ignorance, for if there was one thing that Dr. Johnson never did, it was to begin. Somebody had always to start a topic before he consented to pursue it or to demolish it. Now he waited in silence to be challenged. But he waited in vain. Nobody spoke. Nobody dared speak. The roulades of Signor Piozzi continued uninterrupted. As he saw his chance of a pleasant evening’s talk drowned in the rattle of a piano, Dr. Johnson sank into silent abstraction and sat with his back to the piano gazing at the fire. The aria parlante continued uninterrupted. At last the strain became unendurable. At last Mrs. Thrale could stand it no longer. It was the attitude of Mr. Greville, apparently, that roused her resentment. There he stood on the hearth in front of the fire “staring around him at the whole company in curious silence sardonically”. What right had he, even if he were the descendant of the friend of Sir Philip Sidney, to despise the company and absorb the fire? Her own pride of ancestry suddenly asserted itself. Did not the blood of Adam of Salzburg run in her veins? Was it not as blue as that of the Grevilles and far more sparkling? Giving rein to the spirit of recklessness which sometimes bubbled in her, she rose, and stole on tiptoe to the pianoforte. Signor Piozzi was still singing and accompanying himself dramatically as he sang. She began a ludicrous mimicry of his gestures: she shrugged her shoulders, she cast up her eyes, she reclined her head on one side just as he did. At this singular display the company began to titter — indeed, it was a scene that was to be described “from coterie to coterie throughout London, with comments and sarcasms of endless variety”. People who saw Mrs. Thrale at her mockery that night never forgot that this was the beginning of that criminal affair, the first scene of that “most extraordinary drama” which lost Mrs. Thrale the respect of friends and children, which drove her in ignominy from England, and scarcely allowed her to show herself in London again — this was the beginning of her most reprehensible, her most unnatural passion for one who was not only a musician but a foreigner. But all this still lay on the laps of the gods. Nobody yet knew of what iniquity the vivacious lady was capable. She was still the respected wife of a wealthy brewer. Happily, Dr. Johnson was staring at the fire, and knew nothing of the scene at the piano. But Dr. Burney put a stop to the laughter instantly. He was shocked that a guest, even if a foreigner and a musician, should be ridiculed behind his back, and stealing to Mrs. Thrale he whispered kindly but with authority in her ear that if she had no taste for music herself she should consider the feelings of those who had. Mrs. Thrale took the rebuke with admirable sweetness, nodded her acquiescence and returned to her chair. But she had done her part. After that nothing more could be expected from her. Let them now do what they chose — she washed her hands of it, and seated herself “like a pretty little Miss”, as she said afterwards, to endure what yet remained to be endured “of one of the most humdrum evenings that she had ever passed”.
If no one had dared to tackle Dr. Johnson in the beginning, it was scarcely likely that they would dare now. He had apparently decided that the evening was a failure so far as talk was concerned. If he had not come dressed in his best clothes he might have had a book in his pocket which he could have pulled out and read. As it was, nothing but the resources of his own mind were left him; but these were huge; and these he explored as he sat with his back to the piano looking the very image of gravity, dignity, and composure.
At last the aria parlante came to an end. Signor Piozzi indeed, finding nobody to talk to, fell asleep in his solitude. Even Dr. Burney by this time must have been aware that music is not an infallible specific; but there was nothing for it now. Since people would not talk, the music must continue. He called upon his daughters to sing a duet. And then, when that was over, there was nothing for it but that they must sing another. Signor Piozzi still slept, or still feigned sleep. Dr. Johnson explored still further the magnificent resources of his own mind. Mr. Greville still stood superciliously upon the hearth-rug. And the night was cold.
But it was a grave mistake to suppose that because Dr. Johnson was apparently lost in thought, and certainly almost blind, he was not aware of anything, particularly of anything reprehensible, that was taking place in the room. His “starts of vision” were always astonishing and almost always painful. So it was on the present occasion. He suddenly woke up. He suddenly roused himself. He suddenly uttered the words for which the company had been waiting all the evening.
“If it were not for depriving the ladies of the fire”, he said, looking fixedly at Mr. Greville, “I should like to stand upon the hearth myself!” The effect of the outburst was prodigious. The Burney children said afterwards that it was as good as a comedy. The descendant of the friend of Sir Philip Sidney quailed before the Doctor’s glance. All the blood of all the Brookes rallied itself to overcome the insult. The son of a bookseller should be taught his place. Greville did his best to smile — a faint, scoffing smile. He did his best to stand where he had stood the whole evening. He stood smiling, he stood trying to smile, for two or perhaps for three minutes more. But when he looked round the room and saw all eyes cast down, all faces twitching with amusement, all sympathies plainly on the side of the bookseller’s son, he could stand there no longer. Fulke Greville slunk away, sloping even his proud shoulders, to a chair. But as he went, he rang the bell “with force”. He demanded his carriage.
“The party then broke up; and no one from amongst it ever asked, or wished for its repetition.”
Last updated Monday, December 22, 2014 at 10:56