THE WRONGS OF WOMAN, like the wrongs of the oppressed part of mankind, may be deemed necessary by their oppressors: but surely there are a few, who will dare to advance before the improvement of the age, and grant that my sketches are not the abortion of a distempered fancy, or the strong delineations of a wounded heart.
In writing this novel, I have rather endeavoured to pourtray passions than manners.
In many instances I could have made the incidents more dramatic, would I have sacrificed my main object, the desire of exhibiting the misery and oppression, peculiar to women, that arise out of the partial laws and customs of society.
In the invention of the story, this view restrained my fancy; and the history ought rather to be considered, as of woman, than of an individual.
The sentiments I have embodied.
In many works of this species, the hero is allowed to be mortal, and to become wise and virtuous as well as happy, by a train of events and circumstances. The heroines, on the contrary, are to be born immaculate, and to act like goddesses of wisdom, just come forth highly finished Minervas from the head of Jove.
[The following is an extract of a letter from the author to a friend, to whom she communicated her manuscript.]
For my part, I cannot suppose any situation more distressing, than for a woman of sensibility, with an improving mind, to be bound to such a man as I have described for life; obliged to renounce all the humanizing affections, and to avoid cultivating her taste, lest her perception of grace and refinement of sentiment, should sharpen to agony the pangs of disappointment. Love, in which the imagination mingles its bewitching colouring, must be fostered by delicacy. I should despise, or rather call her an ordinary woman, who could endure such a husband as I have sketched.
These appear to me (matrimonial despotism of heart and conduct) to be the peculiar Wrongs of Woman, because they degrade the mind. What are termed great misfortunes, may more forcibly impress the mind of common readers; they have more of what may justly be termed stage-effect; but it is the delineation of finer sensations, which, in my opinion, constitutes the merit of our best novels. This is what I have in view; and to show the wrongs of different classes of women, equally oppressive, though, from the difference of education, necessarily various.
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