Mounting the bark, they cleft the watery ways. — Homer.
Four beautiful cabined pinnaces, one for the ladies, one for the gentlemen, one for kitchen and servants, one for a dining-room and band of music, weighed anchor, on a fine July morning, from below Crotchet Castle, and were towed merrily, by strong trotting horses, against the stream of the Thames. They passed from the district of chalk, successively into the districts of clay, of sand-rock, of oolite, and so forth. Sometimes they dined in their floating dining-room, sometimes in tents, which they pitched on the dry, smooth-shaven green of a newly-mown meadow: sometimes they left their vessels to see sights in the vicinity; sometimes they passed a day or two in a comfortable inn.
At Oxford, they walked about to see the curiosities of architecture, painted windows, and undisturbed libraries. The Reverend Doctor Folliott laid a wager with Mr. Crotchet “that in all their perlustrations they would not find a man reading,” and won it. “Ay,” said the reverend gentleman, “this is still a seat of learning, on the principle of — once a captain, always a captain. We may well ask, in these great reservoirs of books whereof no man ever draws a sluice, Quorsum pertinuit stipere Platona Menandro? What is done here for the classics? Reprinting German editions on better paper. A great boast, verily! What for mathematics? What for metaphysics? What for history? What for anything worth knowing? This was a seat of learning in the days of Friar Bacon. But the Friar is gone, and his learning with him. Nothing of him is left but the immortal nose, which, when his brazen head had tumbled to pieces, crying “Time’s Past,” was the only palpable fragment among its minutely pulverised atoms, and which is still resplendent over the portals of its cognominal college. That nose, sir, is the only thing to which I shall take off my hat, in all this Babylon of buried literature.
MR. CROTCHET. But, doctor, it is something to have a great reservoir of learning, at which some may draw if they please.
REV. DR. FOLLIOTT. But, here, good care is taken that nobody shall please. If even a small drop from the sacred fountain, [Greek text], as Callimachus has it, were carried off by any one, it would be evidence of something to hope for. But the system of dissuasion from all good learning is brought here to a pitch of perfection that baffles the keenest aspirant. I run over to myself the names of the scholars of Germany, a glorious catalogue: but ask for those of Oxford — Where are they? The echoes of their courts, as vacant as their heads, will answer, Where are they? The tree shall be known by its fruit: and seeing that this great tree, with all its specious seeming, brings forth no fruit, I do denounce it as a barren fig.
MR. MAC QUEDY. I shall set you right on this point. We do nothing without motives. If learning get nothing but honour, and very little of that; and if the good things of this world, which ought to be the rewards of learning, become the mere gifts of self-interested patronage; you must not wonder if, in the finishing of education, the science which takes precedence of all others, should be the science of currying favour.
REV. DR. FOLLIOTT. Very true, sir. Education is well finished, for all worldly purposes, when the head is brought into the state whereinto I am accustomed to bring a marrow-bone, when it has been set before me on a toast, with a white napkin wrapped round it. Nothing trundles along the high road of preferment so trimly as a well-biassed sconce, picked clean within and polished without; totus teres atque rotundus. The perfection of the finishing lies in the bias, which keeps it trundling in the given direction. There is good and sufficient reason for the fig being barren, but it is not therefore the less a barren fig.
At Godstow, they gathered hazel on the grave of Rosamond; and, proceeding on their voyage, fell into a discussion on legendary histories.
LADY CLARINDA. History is but a tiresome thing in itself: it becomes more agreeable the more romance is mixed up with it. The great enchanter has made me learn many things which I should never have dreamed of studying, if they had not come to me in the form of amusement.
REV. DR. FOLLIOTT. What enchanter is that? There are two enchanters: he of the north, and he of the south.
MR. TRILLO. Rossini!
REV. DR. FOLLIOTT. Ay, there is another enchanter. But I mean the great enchanter of Covent Garden: he who, for more than a quarter of a century, has produced two pantomimes a year, to the delight of children of all ages; including myself at all ages. That is the enchanter for me. I am for the pantomimes. All the northern enchanter’s romances put together would not furnish materials for half the Southern enchanter’s pantomimes.
LADY CLARINDA. Surely you do not class literature with pantomime?
REV. DR. FOLLIOTT. In these cases, I do. They are both one, with a slight difference. The one is the literature of pantomime, the other is the pantomime of literature. There is the same variety of character, the same diversity of story, the same copiousness of incident, the same research into costume, the same display of heraldry, falconry, minstrelsy, scenery, monkery, witchery, devilry, robbery, poachery, piracy, fishery, gipsy-astrology, demonology, architecture, fortification, castrametation, navigation; the same running base of love and battle. The main difference is, that the one set of amusing fictions is told in music and action; the other in all the worst dialects of the English language. As to any sentence worth remembering, any moral or political truth, anything having a tendency, however remote, to make men wiser or better, to make them think, to make them ever think of thinking; they are both precisely alike nuspiam, nequaquam, nullibi, nullimodis.
LADY CLARINDA. Very amusing, however.
REV. DR. FOLLIOTT. Very amusing, very amusing.
MR. CHAINMAIL. My quarrel with the northern enchanter is, that he has grossly misrepresented the twelfth century.
REV. DR. FOLLIOTT. He has misrepresented everything, or he would not have been very amusing. Sober truth is but dull matter to the reading rabble. The angler, who puts not on his hook the bait that best pleases the fish, may sit all day on the bank without catching a gudgeon.
MR. MAC QUEDY. But how do you mean that he has misrepresented the twelfth century? By exhibiting some of its knights and ladies in the colours of refinement and virtue, seeing that they were all no better than ruffians, and something else that shall be nameless?
MR. CHAINMAIL. By no means. By depicting them as much worse than they were, not, as you suppose, much better. No one would infer from his pictures that theirs was a much better state of society than this which we live in.
MR. MAC QUEDY. No, nor was it. It was a period of brutality, ignorance, fanaticism, and tyranny; when the land was covered with castles, and every castle contained a gang of banditti, headed by a titled robber, who levied contributions with fire and sword; plundering, torturing, ravishing, burying his captives in loathsome dungeons, and broiling them on gridirons, to force from them the surrender of every particle of treasure which he suspected them of possessing; and fighting every now and then with the neighbouring lords, his conterminal bandits, for the right of marauding on the boundaries. This was the twelfth century, as depicted by all contemporary historians and poets.
MR. CHAINMAIL. No, sir. Weigh the evidence of specific facts; you will find more good than evil. Who was England’s greatest hero — the mirror of chivalry, the pattern of honour, the fountain of generosity, the model to all succeeding ages of military glory? Richard the First. There is a king of the twelfth century. What was the first step of liberty? Magna Charta. That was the best thing ever done by lords. There are lords of the twelfth century. You must remember, too, that these lords were petty princes, and made war on each other as legitimately as the heads of larger communities did or do. For their system of revenue, it was, to be sure, more rough and summary than that which has succeeded it, but it was certainly less searching and less productive. And as to the people, I content myself with these great points: that every man was armed, every man was a good archer, every man could and would fight effectively, with sword or pike, or even with oaken cudgel; no man would live quietly without beef and ale if he had them not; he fought till he either got them, or was put out of condition to want them. They were not, and could not be, subjected to that powerful pressure of all the other classes of society, combined by gunpowder, steam, and fiscality, which has brought them to that dismal degradation in which we see them now. And there are the people of the twelfth century.
MR. MAC QUEDY. As to your king, the enchanter has done him ample justice, even in your own view. As to your lords and their ladies, he has drawn them too favourably, given them too many of the false colours of chivalry, thrown too attractive a light on their abominable doings. As to the people, he keeps them so much in the background, that he can hardly be said to have represented them at all, much less misrepresented them, which indeed he could scarcely do, seeing that, by your own showing, they were all thieves, ready to knock down any man for what they could not come by honestly.
MR. CHAINMAIL. No, sir. They could come honestly by beef and ale, while they were left to their simple industry. When oppression interfered with them in that, then they stood on the defensive, and fought for what they were not permitted to come by quietly.
MR. MAC QUEDY. If A., being aggrieved by B., knocks down C., do you call that standing on the defensive?
MR. CHAINMAIL. That depends on who or what C. is.
REV. DR. FOLLIOTT. Gentlemen, you will never settle this controversy till you have first settled what is good for man in this world; the great question, de finibus, which has puzzled all philosophers. If the enchanter has represented the twelfth century too brightly for one, and too darkly for the other of you, I should say, as an impartial man, he has represented it fairly. My quarrel with him is, that his works contain nothing worth quoting; and a book that furnishes no quotations, is me judice, no book — it is a plaything. There is no question about the amusement — amusement of multitudes; but if he who amuses us most is to be our enchanter [Greek text], then my enchanter is the enchanter of Covent Garden.
Last updated Tuesday, August 25, 2015 at 14:12