Mourning Becomes Electra, by Eugene O'Neill

General Scene of the Trilogy

The action of the trilogy, with the exception of an act of the second play, takes place in or immediately outside the Mannon residence, on the outskirts of one of the smaller New-England seaport towns.

A special curtain shows the house as seen from the street. From this, in each play, one comes to the exterior of the house in the opening act and enters it in the following act.

This curtain reveals the extensive grounds — about thirty acres — which surround the house, a heavily wooded ridge in the background, orchards at the right and in the immediate rear, a large flower garden and a greenhouse to the left.

In the foreground, along the street, is a line of locust and elm trees. The property is enclosed by a white picket fence and a tall hedge. A driveway curves up to the house from two entrances with white gates. Between the house and the street is a lawn. By the right corner of the house is a grove of pine trees. Farther forward, along the driveway, maples and locusts. By the left corner of the house is a big clump of lilacs and syringas.

The house is placed back on a slight rise of ground about three hundred feet from the street. It is a large building of the Greek temple type that was the vogue in the first half of the nineteenth century. A white wooden portico with six tall columns contrasts with the wall of the house proper which is of gray cut stone. There are five windows on the upper floor and four on the ground floor, with the main entrance in the middle, a doorway with squared transom and sidelights flanked by intermediate columns. The window shutters are painted a dark green. Before the doorway a flight of four steps leads from the ground to the portico.

The three plays take place in either spring or summer of the years 1865-1866.

Last updated Sunday, March 27, 2016 at 11:59