Boccaccio. Remaining among us, I doubt not that you would soon receive the same distinctions in your native country as others have conferred upon you: indeed, in confidence I may promise it. For greatly are the Florentines ashamed that the most elegant of their writers and the most independent of their citizens lives in exile, by the injustice he had suffered in the detriment done to his property, through the intemperate administration of their laws.
Petrarca. Let them recall me soon and honourably: then perhaps I may assist them to remove their ignominy, which I carry about with me wherever I go, and which is pointed out by my exotic laurel.
Boccaccio. There is, and ever will be, in all countries and under all governments, an ostracism for their greatest men.
Petrarca. At present we will talk no more about it. To-morrow I pursue my journey towards Padua, where I am expected; where some few value and esteem me, honest and learned and ingenious men; although neither those Transpadane regions, nor whatever extends beyond them, have yet produced an equal to Boccaccio.
Boccaccio. Then, in the name of friendship, do not go thither! — form such rather from your fellow-citizens. I love my equals heartily; and shall love them the better when I see them raised up here, from our own mother earth, by you.
Petrarca. Let us continue our walk.
Boccaccio. If you have been delighted (and you say you have been) at seeing again, after so long an absence, the house and garden wherein I have placed the relaters of my stories, as reported in the Decameron, come a little way farther up the ascent, and we will pass through the vineyard on the west of the villa. You will see presently another on the right, lying in its warm little garden close to the roadside, the scene lately of somewhat that would have looked well, as illustration, in the midst of your Latin reflections. It shows us that people the most serious and determined may act at last contrariwise to the line of conduct they have laid down.
Petrarca. Relate it to me, Messer Giovanni; for you are able to give reality the merits and charms of fiction, just as easily as you give fiction the semblance, the stature, and the movement of reality.
Boccaccio. I must here forgo such powers, if in good truth I possess them.
Petrarca. This long green alley, defended by box and cypresses, is very pleasant. The smell of box, although not sweet, is more agreeable to me than many that are: I cannot say from what resuscitation of early and tender feeling. The cypress, too, seems to strengthen the nerves of the brain. Indeed, I delight in the odour of most trees and plants.
Will not that dog hurt us? — he comes closer.
Boccaccio. Dog! thou hast the colours of a magpie and the tongue of one; prithee be quiet: art thou not ashamed?
Petrarca. Verily he trots off, comforting his angry belly with his plenteous tail, flattened and bestrewn under it. He looks back, going on, and puffs out his upper lip without a bark.
Boccaccio. These creatures are more accessible to temperate and just rebuke than the creatures of our species, usually angry with less reason, and from no sense, as dogs are, of duty. Look into that white arcade! Surely it was white the other day; and now I perceive it is still so: the setting sun tinges it with yellow.
Petrarca. The house has nothing of either the rustic or the magnificent about it; nothing quite regular, nothing much varied. If there is anything at all affecting, as I fear there is, in the story you are about to tell me, I could wish the edifice itself bore externally some little of the interesting that I might hereafter turn my mind toward it, looking out of the catastrophe, though not away from it. But I do not even find the peculiar and uncostly decoration of our Tuscan villas: the central turret, round which the kite perpetually circles in search of pigeons or smaller prey, borne onward, like the Flemish skater, by effortless will in motionless progression. The view of Fiesole must be lovely from that window; but I fancy to myself it loses the cascade under the single high arch of the Mugnone.
Boccaccio. I think so. In this villa — come rather farther off: the inhabitants of it may hear us, if they should happen to be in the arbour, as most people are at the present hour of day — in this villa, Messer Francesco, lives Monna Tita Monalda, who tenderly loved Amadeo degli Oricellari. She, however, was reserved and coy; and Father Pietro de’ Pucci, an enemy to the family of Amadeo, told her nevermore to think of him, for that, just before he knew her, he had thrown his arm round the neck of Nunciata Righi, his mother’s maid, calling her most immodestly a sweet creature, and of a whiteness that marble would split with envy at.
Monna Tita trembled and turned pale. ‘Father, is the girl really so very fair?’ said she anxiously.
‘Madonna,’ replied the father, ‘after confession she is not much amiss: white she is, with a certain tint of pink not belonging to her, but coming over her as through the wing of an angel pleased at the holy function; and her breath is such, the very ear smells it: poor, innocent, sinful soul! Hei! The wretch, Amadeo, would have endangered her salvation.’
‘She must be a wicked girl to let him,’ said Monna Tita. ‘A young man of good parentage and education would not dare to do such a thing of his own accord. I will see him no more, however. But it was before he knew me: and it may not be true. I cannot think any young woman would let a young man do so, even in the last hour before Lent. Now in what month was it supposed to be?’
‘Supposed to be!’ cried the father indignantly: ‘in June; I say in June.’
‘Oh! that now is quite impossible: for on the second of July, forty-one days from this, and at this very hour of it, he swore to me eternal love and constancy. I will inquire of him whether it is true: I will charge him with it.’
She did. Amadeo confessed his fault, and, thinking it a venial one, would have taken and kissed her hand as he asked forgiveness.
Petrarca. Children! children! I will go into the house, and if their relatives, as I suppose, have approved of the marriage, I will endeavour to persuade the young lady that a fault like this, on the repentance of her lover, is not unpardonable. But first, is Amadeo a young man of loose habits?
Boccaccio. Less than our others: in fact, I never heard of any deviation, excepting this.
Petrarca. Come, then, with me.
Boccaccio. Wait a little.
Petrarca. I hope the modest Tita, after a trial, will not be too severe with him.
Boccaccio. Severity is far from her nature; but, such is her purity and innocence, she shed many and bitter tears at his confession, and declared her unalterable determination of taking the veil among the nuns of Fiesole. Amadeo fell at her feet, and wept upon them. She pushed him from her gently, and told him she would still love him if he would follow her example, leave the world, and become a friar of San Marco. Amadeo was speechless; and, if he had not been so, he never would have made a promise he intended to violate. She retired from him. After a time he arose, less wounded than benumbed by the sharp uncovered stones in the garden-walk; and, as a man who fears to fall from a precipice goes farther from it than is necessary, so did Amadeo shun the quarter where the gate is, and, oppressed by his agony and despair, throw his arms across the sundial and rest his brow upon it, hot as it must have been on a cloudless day in August. When the evening was about to close, he was aroused by the cries of rooks overhead; they flew towards Florence, and beyond; he, too, went back into the city.
Tita fell sick from her inquietude. Every morning ere sunrise did Amadeo return; but could hear only from the labourers in the field that Monna Tita was ill, because she had promised to take the veil and had not taken it, knowing, as she must do, that the heavenly bridegroom is a bridegroom never to be trifled with, let the spouse be young and beautiful as she may be. Amadeo had often conversed with the peasant of the farm, who much pitied so worthy and loving a gentleman; and, finding him one evening fixing some thick and high stakes in the ground, offered to help him. After due thanks, ‘It is time,’ said the peasant, ‘to rebuild the hovel and watch the grapes.’
‘This is my house,’ cried he. ‘Could I never, in my stupidity, think about rebuilding it before? Bring me another mat or two: I will sleep here to-night, tomorrow night, every night, all autumn, all winter.’
He slept there, and was consoled at last by hearing that Monna Tita was out of danger, and recovering from her illness by spiritual means. His heart grew lighter day after day. Every evening did he observe the rooks, in the same order, pass along the same track in the heavens, just over San Marco; and it now occurred to him, after three weeks, indeed, that Monna Tita had perhaps some strange idea, in choosing his monastery, not unconnected with the passage of these birds. He grew calmer upon it, until he asked himself whether he might hope. In the midst of this half-meditation, half-dream, his whole frame was shaken by the voices, however low and gentle, of two monks, coming from the villa and approaching him. He would have concealed himself under this bank whereon we are standing; but they saw him, and called him by name. He now perceived that the younger of them was Guiberto Oddi, with whom he had been at school about six or seven years ago, and who admired him for his courage and frankness when he was almost a child.
‘Do not let us mortify poor Amadeo,’ said Guiberto to his companion. ‘Return to the road: I will speak a few words to him, and engage him (I trust) to comply with reason and yield to necessity.’ The elder monk, who saw he should have to climb the hill again, assented to the proposal, and went into the road. After the first embraces and few words, ‘Amadeo! Amadeo!’ said Guiberto, ‘it was love that made me a friar; let anything else make you one.’
‘Kind heart!’ replied Amadeo. ‘If death or religion, or hatred of me, deprives me of Tita Monalda, I will die, where she commanded me, in the cowl. It is you who prepare her, then, to throw away her life and mine!’
‘Hold! Amadeo!’ said Guiberto, ‘I officiate together with good Father Fontesecco, who invariably falls asleep amid our holy function.’
Now, Messer Francesco, I must inform you that Father Fontesecco has the heart of a flower. It feels nothing, it wants nothing; it is pure and simple, and full of its own little light. Innocent as a child, as an angel, nothing ever troubled him but how to devise what he should confess. A confession costs him more trouble to invent than any Giornata in my Decameron cost me. He was once overheard to say on this occasion, ‘God forgive me in His infinite mercy, for making it appear that I am a little worse than He has chosen I should be!’ He is temperate; for he never drinks more than exactly half the wine and water set before him. In fact, he drinks the wine and leaves the water, saying: ‘We have the same water up at San Domenico; we send it hither: it would be uncivil to take back our own gift, and still more to leave a suspicion that we thought other people’s wine poor beverage.’ Being afflicted by the gravel, the physician of his convent advised him, as he never was fond of wine, to leave it off entirely; on which he said, ‘I know few things; but this I know well — in water there is often gravel, in wine never. It hath pleased God to afflict me, and even to go a little out of His way in order to do it, for the greater warning to other sinners. I will drink wine, brother Anselmini, and help His work.’
I have led you away from the younger monk.
‘While Father Fontesecco is in the first stage of beatitude, chanting through his nose the Benedicite, I will attempt,’ said Guiberto, ‘to comfort Monna Tita.’
‘Good, blessed Guiberto!’ exclaimed Amadeo in a transport of gratitude, at which Guiberto smiled with his usual grace and suavity. ‘O Guiberto! Guiberto! my heart is breaking. Why should she want you to comfort her? — but — comfort her then!’ and he covered his face within his hands.
‘Remember,’ said Guiberto placidly, ‘her uncle is bedridden; her aunt never leaves him; the servants are old and sullen, and will stir for nobody. Finding her resolved, as they believe, to become a nun, they are little assiduous in their services. Humour her, if none else does, Amadeo; let her fancy that you intend to be a friar; and, for the present, walk not on these grounds.’
‘Are you true, or are you traitorous?’ cried Amadeo, grasping his friend’s hand most fiercely.
‘Follow your own counsel, if you think mine insincere,’ said the young friar, not withdrawing his hand, but placing the other on Amadeo’s. ‘Let me, however, advise you to conceal yourself; and I will direct Silvestrina to bring you such accounts of her mistress as may at least make you easy in regard to her health. Adieu.’
Amadeo was now rather tranquil; more than he had ever been, not only since the displeasure of Monna Tita, but since the first sight of her. Profuse at all times in his gratitude to Silvestrina, whenever she brought him good news, news better than usual, he pressed her to his bosom. Silvestrina Pioppi is about fifteen, slender, fresh, intelligent, lively, good-humoured, sensitive; and any one but Amadeo might call her very pretty.
Petrarca. Ah, Giovanni! here I find your heart obtaining the mastery over your vivid and volatile imagination. Well have you said, the maiden being really pretty, any one but Amadeo might think her so. On the banks of the Sorga there are beautiful maids; the woods and the rocks have a thousand times repeated it. I heard but one echo; I heard but one name: I would have fled from them for ever at another.
Boccaccio. Francesco, do not beat your breast just now: wait a little. Monna Tita would take the veil. The fatal certainty was announced to Amadeo by his true Guiberto, who had earnestly and repeatedly prayed her to consider the thing a few months longer.
‘I will see her first! By all the saints of heaven I will see her!’ cried the desperate Amadeo, and ran into the house, toward the still apartment of his beloved. Fortunately Guiberto was neither less active nor less strong than he, and overtaking him at the moment, drew him into the room opposite. ‘If you will be quiet and reasonable, there is yet a possibility left you,’ said Guiberto in his ear, although perhaps he did not think it. ‘But if you utter a voice or are seen by any one, you ruin the fame of her you love, and obstruct your own prospects for ever. It being known that you have not slept in Florence these several nights, it will be suspected by the malicious that you have slept in the villa with the connivance of Monna Tita. Compose yourself; answer nothing; rest where you are: do not add a worse imprudence to a very bad one. I promise you my assistance, my speedy return, and best counsel: you shall be released at daybreak.’ He ordered Silvestrina to supply the unfortunate youth with the cordials usually administered to the uncle, or with the rich old wine they were made of; and she performed the order with such promptitude and attention, that he was soon in some sort refreshed.
Petrarca. I pity him from my innermost heart, poor young man! Alas, we are none of us, by original sin, free from infirmities or from vices.
Boccaccio. If we could find a man exempt by nature from vices and infirmities, we should find one not worth knowing: he would also be void of tenderness and compassion. What allowances then could his best friends expect from him in their frailties? What help, consolation, and assistance in their misfortunes? We are in the midst of a workshop well stored with sharp instruments: we may do ill with many, unless we take heed; and good with all, if we will but learn how to employ them.
Petrarca. There is somewhat of reason in this. You strengthen me to proceed with you: I can bear the rest.
Boccaccio. Guiberto had taken leave of his friend, and had advanced a quarter of a mile, which (as you perceive) is nearly the whole way, on his return to the monastery, when he was overtaken by some peasants who were hastening homeward from Florence. The information he collected from them made him determine to retrace his steps. He entered the room again, and, from the intelligence he had just acquired, gave Amadeo the assurance that Monna Tita must delay her entrance into the convent; for that the abbess had that moment gone down the hill on her way toward Siena to venerate some holy relics, carrying with her three candles, each five feet long, to burn before them; which candles contained many particles of the myrrh presented at the Nativity of our Saviour by the Wise Men of the East. Amadeo breathed freely, and was persuaded by Guiberto to take another cup of old wine, and to eat with him some cold roast kid, which had been offered him for merenda. After the agitation of his mind a heavy sleep fell upon the lover, coming almost before Guiberto departed: so heavy indeed that Silvestrina was alarmed. It was her apartment; and she performed the honours of it as well as any lady in Florence could have done.
Petrarca. I easily believe it: the poor are more attentive than the rich, and the young are more compassionate than the old.
Boccaccio. O Francesco! what inconsistent creatures are we!
Petrarca. True, indeed! I now foresee the end. He might have done worse.
Boccaccio. I think so.
Petrarca. He almost deserved it.
Boccaccio. I think that too.
Petrarca. Wretched mortals! our passions for ever lead us into this, or worse.
Boccaccio. Ay, truly; much worse generally.
Petrarca. The very twig on which the flowers grew lately scourges us to the bone in its maturity.
Boccaccio. Incredible will it be to you, and, by my faith, to me it was hardly credible. Certain, however, is it that Guiberto on his return by sunrise found Amadeo in the arms of sleep.
Petrarca. Not at all, not at all: the truest lover might suffer and act as he did.
Boccaccio. But, Francesco, there was another pair of arms about him, worth twenty such, divinity as he is. A loud burst of laughter from Guiberto did not arouse either of the parties; but Monna Tita heard it, and rushed into the room, tearing her hair, and invoking the saints of heaven against the perfidy of man. She seized Silvestrina by that arm which appeared the most offending: the girl opened her eyes, turned on her face, rolled out of bed, and threw herself at the feet of her mistress, shedding tears, and wiping them away with the only piece of linen about her. Monna Tita too shed tears. Amadeo still slept profoundly; a flush, almost of crimson, overspreading his cheeks. Monna Tita led away, after some pause, poor Silvestrina, and made her confess the whole. She then wept more and more, and made the girl confess it again, and explain her confession. ‘I cannot believe such wickedness,’ she cried: ‘he could not be so hardened. O sinful Silvestrina! how will you ever tell Father Doni one half, one quarter? He never can absolve you.’
Petrarca. Giovanni, I am glad I did not enter the house; you were prudent in restraining me. I have no pity for the youth at all: never did one so deserve to lose a mistress.
Boccaccio. Say, rather, to gain a wife.
Petrarca. Absurdity! impossibility!
Boccaccio. He won her fairly; strangely, and on a strange table, as he played his game. Listen! that guitar is Monna Tita’s. Listen! what a fine voice (do not you think it?) is Amadeo’s.
Oh, I have err’d!
I laid my hand upon the nest
(Tita, I sigh to sing the rest)
Of the wrong bird.
Petrarca. She laughs too at it! Ah! Monna Tita was made by nature to live on this side of Fiesole.
Last updated Monday, December 22, 2014 at 10:52