The human body might well be regarded as a mere simulacrum; but it envelopes our reality, it darkens our light, and broadens the shadow in which we live. The soul is the reality of our existence. Strictly speaking, the human visage is a mask. The true man is that which exists under what is called man. If that being, which thus exists sheltered and secreted behind that illusion which we call the flesh, could be approached, more than one strange revelation would be made. The vulgar error is to mistake the outward husk for the living spirit. Yonder maiden, for example, if we could see her as she really is, might she not figure as some bird of the air?
A bird transmuted into a young maiden, what could be more exquisite? Picture it in your own home, and call it Déruchette. Delicious creature! One might be almost tempted to say, “Good-morning, Mademoiselle Goldfinch.” The wings are invisible, but the chirping may still be heard. Sometimes, too, she pipes a clear, loud song. In her childlike prattle, the creature is, perhaps, inferior; but in her song, how superior to humanity! When womanhood dawns, this angel flies away; but sometimes returns, bringing back a little one to a mother. Meanwhile, she who is one day to be a mother is for a long while a child; the girl becomes a maiden, fresh and joyous as the lark. Noting her movements, we feel as if it was good of her not to fly away. The dear familiar companion moves at her own sweet will about the house; flits from branch to branch, or rather from room to room; goes to and fro; approaches and retires; plumes her wings, or rather combs her hair, and makes all kinds of gentle noises — murmurings of unspeakable delight to certain ears. She asks a question, and is answered; is asked something in return, and chirps a reply. It is delightful to chat with her when tired of serious talk; for this creature carries with her something of her skyey element. She is, as it were, a thread of gold interwoven with your sombre thoughts; you feel almost grateful to her for her kindness in not making herself invisible, when it would be so easy for her to be even impalpable; for the beautiful is a necessary of life. There is, in this world, no function more important than that of being charming. The forest-glade would be incomplete without the humming-bird. To shed joy around, to radiate happiness, to cast light upon dark days, to be the golden thread of our destiny, and the very spirit of grace and harmony, is not this to render a service? Does not beauty confer a benefit upon us, even by the simple fact of being beautiful? Here and there we meet with one who possesses that fairy-like power of enchanting all about her; sometimes she is ignorant herself of this magical influence, which is, however, for that reason, only the more perfect. Her presence lights up the home; her approach is like a cheerful warmth; she passes by; and we are content; she stays awhile, and we are happy. To behold her is to live: she is the Aurora with a human face. She has no need to do more than simply to be: she makes an Eden of the house; Paradise breathes from her; and she communicates this delight to all, without taking any greater trouble than that of existing beside them. Is it not a thing divine to have a smile which, none know how, has the power to lighten the weight of that enormous chain which all the living, in common, drag behind them? Déruchette possessed this smile: we may even say that this smile was Déruchette herself. There is one thing which has more resemblance to ourselves than even our face, and that is our expression: but there is yet another thing which more resembles us than this, and that is our smile. Déruchette smiling was simply Déruchette.
There is something peculiarly attractive in the Jersey and Guernsey race. The women, particularly the young, are remarkable for a pure and exquisite beauty. Their complexion is a combination of the Saxon fairness, with the proverbial ruddiness of the Norman people — rosy cheeks and blue eyes; but the eyes want brilliancy. The English training dulls them. Their liquid glances will be irresistible whenever the secret is found of giving them that depth which is the glory of the Parisienne. Happily Englishwomen are not yet quite transformed into the Parisian type. Déruchette was not a Parisian; yet she was certainly not a Guernesiaise. Lethierry had brought her up to be neat and delicate and pretty; and so she was.
Déruchette had, at times, an air of bewitching langour, and a certain mischief in the eye, which were altogether involuntary. She scarcely knew, perhaps, the meaning of the word love, and yet not unwillingly ensnared those about her in the toils. But all this in her was innocent. She never thought of marrying.
Déruchette had the prettiest little hands in the world, and little feet to match them. Sweetness and goodness reigned throughout her person; her family and fortune were her uncle Mess Lethierry; her occupation was only to live her daily life; her accomplishments were the knowledge of a few songs; her intellectual gifts were summed up in her simple innocence; she had the graceful repose of the West Indian woman, mingled at times with giddiness and vivacity, with the teasing playfulness of a child, yet with a dash of melancholy. Her dress was somewhat rustic, and like that peculiar to her country — elegant, though not in accordance with the fashions of great cities; for she wore flowers in her bonnet all the year round. Add to all this an open brow, a neck supple and graceful, chestnut hair, a fair skin slightly freckled with exposure to the sun, a mouth somewhat large, but well-defined, and visited from time to time by a dangerous smile. This was Déruchette.
Sometimes in the evening, a little after sunset, at the moment when the dusk of the sky mingles with the dusk of the sea, and twilight invests the waves with a mysterious awe, the people beheld, entering the harbour of St. Sampson, upon the dark rolling waters, a strange, undefined thing, a monstrous form which puffed and blew; a horrid machine which roared like a wild beast, and smoked like a volcano; a species of Hydra foaming among the breakers, and leaving behind it a dense cloud, as it rushed on towards the town with a frightful beating of its fins, and a throat belching forth flame. This was Durande.
A steamboat was a prodigious novelty in the waters of the Channel in 182-. The whole coast of Normandy was long strangely excited by it. Now-a-days, ten or a dozen steam vessels, crossing and recrossing within the bounds of the horizon, scarcely attract a glance from loiterers on the shore. At the most, some persons, whose interest or business it is to note such things, will observe the indications in their smoke of whether they burn Welsh or Newcastle coal. They pass, and that is all. “Welcome,” if coming home; “a pleasant passage,” if outward bound.
Folks were less calm on the subject of these wonderful inventions in the first quarter of the present century; and the new and strange machines, and their long lines of smoke regarded with no good-will by the Channel Islanders. In that Puritanical Archipelago, where the Queen of England has been censured for violating the Scriptures2 by using chloroform during her accouchments, the first steam-vessel which made its appearance received the name of the “Devil Boat.” In the eyes of these worthy fishermen, once Catholics, now Calvinists, but always bigots, it seemed to be a portion of the infernal regions which had been somehow set afloat. A local preacher selected for his discourse the question of “Whether man has the right to make fire and water work together when God had divided them.3 This beast, composed of iron and fire, did it not resemble Leviathan? Was it not an attempt to bring chaos again into the universe? This is not the only occasion on which the progress of civilisation has been stigmatised as a return to chaos.
“A mad notion — a gross delusion — an absurdity!” Such was the verdict of the Academy of Sciences when consulted by Napoleon on the subject of steamboats, early in the present century. The poor fishermen of St. Sampson may be excused for not being, in scientific matters, any wiser than the mathematicians of Paris; and in religious matters, a little island like Guernsey is not bound to be more enlightened than a great continent like America. In the year 1807, when the first steamboat of Fulton, commanded by Livingston, furnished with one of Watt’s engines, sent from England, and manoeuvred, besides her ordinary crew, by two Frenchmen only, André Michaux and another, made her first voyage from New York to Albany, it happened that she set sail on the 17th of August. The Methodists took up this important fact, and in numberless chapels, preachers were heard calling down a malediction on the machine, and declaring that this number 17 was no other than the total of the ten horns and seven heads of the beast of the Apocalypse. In America, they invoked against the steamboats the beast from the book of Revelation; in Europe, the reptile of the book of Genesis. This was the simple difference.
The savants had rejected steamboats as impossible; the priests had anathematised them as impious. Science had condemned, and religion consigned them to perdition. Fulton was a new incarnation of Lucifer. The simple people on the coasts and in the villages were confirmed in their prejudice by the uneasiness which they felt at the outlandish sight. The religious view of steamboats may be summed up as follows: Water and fire were divorced at the creation. This divorce was enjoined by God himself. Man has no right to join what his Maker has put asunder; to reunite what he has disunited. The peasants’ view was simply, “I don’t like the look of this thing.”
No one but Mess Lethierry, perhaps, could have been found at that early period daring enough to dream of such an enterprise as the establishment of a steam-vessel between Guernsey and St. Malo. He, alone, as an independent thinker, was capable of conceiving such an idea, or, as a hardy mariner, of carrying it out. The French part of his nature, probably, conceived the idea; the English part supplied the energy to put it in execution.
How and when this was, we are about to inform the reader.
2 Genesis, chap. iii. v. 16.
3 Genesis, chap. i. v. 4.
About forty years before the period of the commencement of our narrative, there stood in the suburbs of Paris, near the city wall, between the Fosse-aux-Loups and the Tombe–Issoire, a house of doubtful reputation. It was a lonely, ruinous building, evidently a place for dark deeds on an occasion. Here lived, with his wife and child, a species of town bandit; a man who had been clerk to an attorney practising at the Châtelet — he figured somewhat later at the Assize Court; the name of this family was Rantaine. On a mahogany chest of drawers in the old house were two china cups, ornamented with flowers, on one of which appeared, in gilt letters, the words, “A souvenir of friendship;” on the other, “A token of esteem.” The child lived in an atmosphere of vice in this miserable home. The father and mother having belonged to the lower middle class, the boy had learnt to read, and they brought it up in a fashion. The mother, pale and almost in rags, gave “instruction,” as she called it, mechanically, to the little one, heard it spell a few words to her, and interrupted the lesson to accompany her husband on some criminal expedition, or to earn the wages of prostitution. Meanwhile, the book remained open on the table as she had left it, and the boy sat beside it, meditating in his way.
The father and mother, detected one day in one of their criminal enterprises, suddenly vanished into that obscurity in which the penal laws envelop convicted malefactors. The child, too, disappeared.
Lethierry, in his wanderings about the world, stumbled, one day, on an adventurer like himself; helped him out of some scrape; rendered him a kindly service, and was apparently repaid with gratitude. He took a fancy to the stranger, picked him up, and brought him to Guernsey, where, finding him intelligent in learning the duties of a sailor aboard a coasting vessel, he made him a companion. This stranger was the little Rantaine, now grown up to manhood.
Rantaine, like Lethierry, had a bull neck, a large and powerful breadth of shoulders for carrying burdens, and loins like those of the Farnese Hercules. Lethierry and he had a remarkable similarity of appearance: Rantaine was the taller. People who saw their forms behind as they were walking side by side along the port, exclaimed, “There are two brothers.” On looking them in the face the effect was different: all that was open in the countenance of Lethierry was reserved and cautious in that of Rantaine. Rantaine was an expert swordsman, played on the harmonica, could snuff a candle at twenty paces with a pistol-ball, could strike a tremendous blow with the fist, recite verses from Voltaire’s Henriade, and interpret dreams; he knew by heart Les Tombeaux de Saint Denis, by Treneuil. He talked sometimes of having had relations with the Sultan of Calicut, “whom the Portuguese call the Zamorin.” If any one had seen the little memorandum-book which he carried about with him, he would have found notes and jottings of this kind: “At Lyons in a fissure of the wall of one of the cells in the prison of St. Joseph, a file.” He spoke always with a grave deliberation; he called himself the son of a Chevalier de Saint Louis. His linen was of a miscellaneous kind, and marked with different initials. Nobody was ever more tender than he was on the point of honour; he fought and killed his man. The mother of a pretty actress could not have an eye more watchful for an insult.
He might have stood for the personification of subtlety under an outer garb of enormous strength.
It was the power of his fist, applied one day at a fair, upon a cabeza de moro, which had originally taken the fancy of Lethierry. No one in Guernsey knew anything of his adventures. They were of a chequered kind. If the great theatre of destiny had a special wardrobe, Rantaine ought to have taken the dress of harlequin. He had lived, and had seen the world. He had run through the gamut of possible trades and qualities; had been a cook at Madagascar, trainer of birds at Honolulu, a religious journalist at the Galapagos Islands, a poet at Oomrawuttee, a freeman at Haiti. In this latter character he had delivered at Grand Goave a funeral oration, of which the local journals have preserved this fragment: “Farewell, then, noble spirit. In the azure vault of the heavens, where thou wingest now thy flight, thou wilt, no doubt, rejoin the good Abbé Leander Crameau, of Little Goave. Tell him that, thanks to ten years of glorious efforts, thou hast completed the church of the Ansa-à-Veau. Adieu! transcendent genius, model mason!” His freemason’s mask did not prevent him, as we see, wearing a little of the Roman Catholic. The former won to his side the men of progress, and the latter the men of order. He declared himself a white of pure caste, and hated the negroes; though, for all that, he would certainly have been an admirer of the Emperor Soulouque. In 1815, at Bordeaux, the glow of his royalist enthusiasm broke forth in the shape of a huge white feather in his cap. His life had been a series of eclipses — of appearances, disappearances, and reappearances. He was a sort of revolving light upon the coasts of scampdom. He knew a little Turkish: instead of “guillotined,” would say “néboïssé.” He had been a slave in Tripoli, in the house of a Thaleb, and had learnt Turkish by dint of blows with a stick. His employment had been to stand at evenings at the doors of the mosque, there to read aloud to the faithful the Koran inscribed upon slips of wood, or pieces of camel leather. It is not improbable that he was a renegade.
He was capable of everything, and something worse.
He had a trick of laughing loud and knitting his brows at the same time. He used to say, “In politics, I esteem only men inaccessible to influences;” or, “I am for decency and good morals;” or, “The pyramid must be replaced upon its base.” His manner was rather cheerful and cordial than otherwise. The expression of his mouth contradicted the sense of his words. His nostrils had an odd way of distending themselves. In the corners of his eyes he had a little network of wrinkles, in which all sorts of dark thoughts seemed to meet together. It was here alone that the secret of his physiognomy could be thoroughly studied. His flat foot was a vulture’s claw. His skull was low at the top and large about the temples. His ill-shapen ear, bristled with hair, seemed to say, “Beware of speaking to the animal in this cave.”
One fine day, in Guernsey, Rantaine was suddenly missing.
Lethierry’s partner had absconded, leaving the treasury of their partnership empty.
In this treasury there was some money of Rantaine’s, no doubt, but there were also fifty thousand francs belonging to Lethierry.
By forty years of industry and probity as a coaster and ship carpenter, Lethierry had saved one hundred thousand francs. Rantaine robbed him of half the sum.
Half ruined, Lethierry did not lose heart, but began at once to think how to repair his misfortune. A stout heart may be ruined in fortune, but not in spirit. It was just about that time that people began to talk of the new kind of boat to be moved by steam-engines. Lethierry conceived the idea of trying Fulton’s invention, so much disputed about; and by one of these fire-boats to connect the Channel Islands with the French coast. He staked his all upon this idea; he devoted to it the wreck of his savings. Accordingly, six months after Rantaine’s flight, the astonished people of St. Sampson beheld, issuing from the port, a vessel discharging huge volumes of smoke, and looking like a ship a-fire at sea. This was the first steam-vessel to navigate the Channel.
This vessel, to which the people in their dislike and contempt for novelty immediately gave the nickname of “Lethierry’s Galley,” was announced as intended to maintain a constant communication between Guernsey and St. Malo.
It may be well imagined that the new enterprise did not prosper much at first. The owners of cutters passing between the Island of Guernsey and the French coast were loud in their outcries. They denounced this attack upon the Holy Scriptures and their monopoly. The chapels began to fulminate against it. One reverend gentleman, named Elihu, stigmatised the new steam-vessel as an “atheistical construction,” and the sailing-boat was declared the only orthodox craft. The people saw the horns of the devil among the beasts which the fireship carried to and fro. This storm of protest continued a considerable time. At last, however, it began to be perceived that these animals arrived less tired and sold better, their meat being superior; that the sea risk was less also for passengers; that this mode of travelling was less expensive, shorter, and more sure; that they started at a fixed time, and arrived at a fixed time; that consignments of fish travelling faster arrived fresher, and that it was now possible to find a sale in the French markets for the surplus of great takes of fish so common in Guernsey. The butter, too, from the far-famed Guernsey cows, made the passage quicker in the “Devil Boat” than in the old sailing vessels, and lost nothing of its good quality, insomuch that Dinan, in Brittany, began to become a customer for it, as well as St. Brieuc and Rennes. In short, thanks to what they called “Lethierry’s Galley,” the people enjoyed safe travelling, regular communication, prompt and easy passages to and fro, an increase of circulation, an extension of markets and of commerce, and, finally, it was felt that it was necessary to patronise this “Devil Boat,” which flew in the face of the Holy Scriptures, and brought wealth to the island. Some daring spirits even went so far as to express a positive satisfaction at it. Sieur Landoys, the registrar, bestowed his approval upon the vessel — an undoubted piece of impartiality on his part, as he did not like Lethierry. For, first of all, Lethierry was entitled to the dignity of “Mess,” while Landoys was merely “Sieur Landoys.” Then, although registrar of St. Peter’s Port, Landoys was a parishioner of St. Sampson. Now, there was not in the entire parish another man besides them devoid of prejudices. It seemed little enough, therefore, to indulge themselves with a detestation of each other. Two of a trade, says the proverb, rarely agree.
Sieur Landoys, however, had the honesty to support the steamboat. Others followed Landoys. By little and little, these facts multiplied. The growth of opinion is like the rising tide. Time and the continued and increasing success of the venture, with the evidence of real service rendered and the improvement in the general welfare, gradually converted the people; and the day at length arrived when, with the exception of a few wiseacres, every one admired “Lethierry’s Galley.”
It would probably win less admiration now-a-days. This steamboat of forty years since would doubtless provoke a smile among our modern boat-builders; for this marvel was ill-shaped; this prodigy was clumsy and infirm.
The distance between our grand Atlantic steam-vessels of the present day and the boats with wheel-paddles which Denis Papin floated on the Fulda in 1707, is not greater than that between a three-decker, like the Montebello, 200 feet long, having a mainyard of 115 feet, carrying a weight of 3000 tons, 1100 men, 120 guns, 10,000 cannon-balls, and 160 packages of canister, belching forth at every broadside, when in action, 3300 pounds of iron, and spreading to the wind, when it moves, 5600 square mètres of canvas, and the old Danish galley of the second century, discovered, full of stone hatchets, and bows and clubs, in the mud of the seashore, at Wester–Satrup, and preserved at the Hotel de Ville at Flensburg.
Exactly one hundred years — from 1707 to 1807 — separate the first paddle-boat of Papin from the first steamboat of Fulton. “Lethierry’s Galley” was assuredly a great improvement upon those two rough sketches; but it was itself only a sketch. For all that, it was a masterpiece in its way. Every scientific discovery in embryo presents that double aspect — a monster in the foetus, a marvel in the germ.
“Lethierry’s Galley” was not masted with a view to sailing well; a fact which was not a defect; it is, indeed, one of the laws of naval construction. Besides, her motive power being steam, her sails were only accessory. A paddle steamboat, moreover, is almost insensible to sails. The new steam-vessel was too short, round, and thick-set. She had too much bow, and too great a breadth of quarter. The daring of inventors had not yet reached the point of making a steam-vessel light; Lethierry’s boat had some of the defects of Gilliatt’s Dutch sloop. She pitched very little, but she rolled a good deal. Her paddle-boxes were too high. She had too much beam for her length. The massive machinery encumbered her, and to make her capable of carrying a heavy cargo, her constructors had raised her bulwarks to an unusual height, giving to the vessel the defects of old seventy-fours, a bastard model which would have to be cut down to render them really seaworthy, or fit to go into action. Being short, she ought to have been able to veer quickly — the time employed in a manoeuvre of that kind being in proportion to the length of the vessel — but her weight deprived her of the advantage of her shortness. Her midship-frame was too broad, a fact which retarded her; the resistance of the sea being proportioned to the largest section below the water-line, and to the square of the speed. Her prow was vertical, which would not be regarded as a fault at the present day, but at that period this portion of the construction was invariably sloped at an angle of forty-five degrees. All the curving lines of the hull agreed well together, but it was not long enough for oblique sailing, or for lying parallel with the water displaced, which should always be thrown off laterally. In rough weather she drew too much water, sometimes fore, sometimes aft, which showed that her centre of gravity was not rightly adjusted. Owing to the weight of the engine, the cargo shifted, so that the centre of gravity was often aft of the mainmast, and then steam power had to be resorted to, for at such times the mainsail had to be furled as it only made the vessel fall off. If close to the wind, very careful manoeuvring was required. The rudder was the old-fashioned bar-rudder, not the wheeled one of the present time. Two skiffs, a species of you-yous, were suspended to the davits. The vessel had four anchors; the sheet-anchor, the second or working anchor, and two bower-anchors. These four anchors, slung by chains, were moved, according to the occasion, by the great capstan of the poop, or by the small capstan at the prow. At that period the pump windlass had not superseded the intermitting efforts of the old handspike. Having only two bower-anchors, one on the starboard and the other on the larboard side, the vessel could not move conveniently in certain winds, though she could aid herself at such times with the second anchor. Her buoys were normal, and so constructed that they carried the weight of the buoy-ropes without dipping. The launch was of a useful size, of service in all cases of need, and able to raise the main anchor. A novelty about her was that she was rigged with chains, which in no way detracted, however, from the mobility of the running rigging, or from the firmness of the standing rigging. The masts, yards, etc., although not of first-rate quality, were not in any way amiss, and the rigging at the mast-head was not very noticeable. The ribs were solid, but coarse, less delicacy of wood being required for steam than for sail. Her speed was six knots an hour. When lying-to she rode well. Take her as she was, “Lethierry’s Galley” was a good sea boat; but people felt, that in moments of danger from reefs or waterspouts, she would be hardly manageable. Unhappily her build made her roll about on the waves, with a perpetual creaking like that of a new shoe.
She was, above all, a merchandise boat, and, like all ships built more for commerce than for fighting, was constructed exclusively with a view to stowage. She carried few passengers. The transport of cattle rendered stowage difficult and very peculiar. Vessels carried bullocks at that time in the hold, which was a complication of the difficulty. At the present day they are stowed on the fore-deck. The paddle-boxes of Lethierry’s “Devil Boat” were painted white, the hull, down to the water-line, red, and all the rest of the vessel black, according to the somewhat ugly fashion of this century. When empty she drew seven feet of water, and when laden fourteen.
With regard to the engine, it was of considerable power. To speak exactly, its power was equal to that of one horse to every three tons burden, which is almost equal to that of a tugboat. The paddles were well placed, a little in advance of the centre of gravity of the vessel. The maximum pressure of the engine was equal to two atmospheres. It consumed a great deal of coal, although it was constructed on the condensation and expansion principles. It had no fly-wheel on account of the instability of the point of support, but this was then, as now, compensated for by two cranks at the extremities of the revolving shaft, so arranged that one was always at right angles when the other was at dead-point. The whole rested on a single sheet of cast-iron, so that even in case of any serious damage, no shock of the waves could upset its equilibrium, and even if the hull were injured the engine would remain intact. To render it stronger still, the connecting-rod had been placed near the steam-cylinders, so that the centre of oscillation of the working-beam was transferred from the middle to the end. Since then oscillating cylinders have been invented which do away with the necessity of connecting-rods, but in those days the placing of the connecting-rod near the cylinder was thought a triumph of engineering. The boiler was in sections and provided with a salt-water pump. The wheels were very large, which lessened the loss of power; the smoke-stack was lofty, which increased the draught. On the other hand, the size of the wheels exposed them to the force of the waves, and the height of the smoke-stack to the violence of the wind. Wooden paddle-floats, iron clamps, bosses of cast-iron — such were the wheels, which, well constructed, could, strange though it may seem, be taken to pieces. Three floats were always under water. The speed of the centre of the floats only exceeded by a sixth the speed of the vessel itself; this was the chief defect of the wheels. Moreover, the cranks were too long, and the slide-valve caused too much friction in the admission of steam into the cylinder. For that period the engine seemed, and indeed was, admirable. It had been constructed in France, at the works at Bercy. Mess Lethierry had roughly sketched it: the engineer who had constructed it in accordance with his diagram was dead, so that the engine was unique, and probably could not have been replaced. The designer still lived, but the constructor was no more.
The engine had cost forty thousand francs.
Lethierry had himself constructed the “Devil Boat” upon the great covered stocks by the side of the first tower between St. Peter’s Port and St. Sampson. He had been to Brême to buy the wood. All his skill as a shipwright was exhausted in its construction; his ingenuity might be seen in the planks, the seams of which were straight and even, and covered with sarangousti, an Indian mastic, better than resin. The sheathing was well beaten. To remedy the roundness of the hull, Lethierry had fitted out a boom at the bowsprit, which allowed him to add a false spritsail to the regular one. On the day of the launch, he cried aloud, “At last I am afloat!” The vessel was successful, in fact, as the reader has already learnt.
Either by chance or design she had been launched on the 14th of July, the anniversary of the taking of the Bastille. On that day, mounted upon the bridge between the two paddle-boxes, looked Lethierry upon the sea, and exclaimed, “It is your turn now! The Parisians took the Bastille, now science takes the sea.”
Lethierry’s boat made the voyage from Guernsey to St. Malo once a week. She started on the Tuesday morning, and returned on the Friday evening, in time for the Saturday market. She was a stronger craft than any of the largest coasting sloops in all the Archipelago, and her capacity being in proportion to her dimensions, one of her voyages was equal to four voyages of an ordinary boat in the same trade; hence they were very profitable. The reputation of a vessel depends on its stowage, and Lethierry was an admirable stower of cargo. When he was no longer able to work himself, he trained up a sailor to undertake this duty. At the end of two years, the steamboat brought in a clear seven hundred and fifty pounds sterling a year, or eighteen thousand francs. The pound sterling of Guernsey is worth twenty-four francs only, that of England twenty-five, and that of Jersey twenty-six. These differences are less unimportant than they seem: the banks, at all events, know how to turn them to advantage.
The “Devil Boat” prospered. Mess Lethierry began to look forward to the time when he should be called “Monsieur.” At Guernsey, people do not become “Monsieurs” at one bound. Between the plain man and the gentleman, there is quite a scale to climb. To begin with, we have the simple name, plain “Peter,” let us suppose; the second step is “Neighbour Peter;” the third, “Father Peter;” the fourth, “Sieur Peter;” the fifth, “Mess Peter;” and then we reach the summit in “Monsieur Peter.”
This scale ascending thus from the ground is carried to still greater heights. All the upper classes of England join on and continue it. Here are the various steps, becoming more and more glorious. Above the Monsieur, or “Mr.,” there is the “Esquire;” above the squire, the knight; above the knight, still rising, we have the baronet, the Scotch laird, the baron, the viscount, the earl (called count in France, and jarl in Norway); the marquis, the duke, the prince of the blood royal, and the king: so, by degrees, we ascend from the people to the middle class, from the middle class to the baronetage, from the baronetage to the peerage, from the peerage to royalty.
Thanks to his successful ingenuity, thanks to steam, and his engines, and the “Devil Boat,” Mess Lethierry was fast becoming an important personage. When building his vessel he had been compelled to borrow money. He had become indebted at Brême, he had become indebted at St. Malo; but every year he diminished his obligations.
He had, moreover, purchased on credit, at the very entrance to the port of St. Sampson, a pretty stone-built house, entirely new, situate between the sea and a garden. On the corner of this house was inscribed the name of the “Bravées.” Its front formed a part of the wall of the port itself, and it was remarkable for a double row of windows: on the north, alongside a little enclosure filled with flowers, and on the south commanding a view of the ocean. It had thus two façades, one open to the tempest and the sea, the other looking into a garden filled with roses.
These two frontages seemed made for the two inmates of the house — Mess Lethierry and Déruchette.
The “Bravées” was popular at St. Sampson, for Mess Lethierry had at length become a popular man. This popularity was due partly to his good nature, his devotedness, and his courage; partly to the number of lives he had saved; and a great deal to his success, and to the fact that he had awarded to St. Sampson the honour of being the port of the departure and arrival of the new steamboat. Having made the discovery that the “Devil Boat” was decidedly a success, St. Peter’s, the capital, desired to obtain it for that port, but Lethierry held fast to St. Sampson. It was his native town. “It was there that I was first pitched into the water,” he used to say; hence his great local popularity. His position as a small landed proprietor paying land-tax, made him, what they call in Guernsey, an unhabitant. He was chosen douzenier. The poor sailor had mounted five out of six steps of the Guernsey social scale; he had attained the dignity of “Mess”; he was rapidly approaching the Monsieur; and who could predict whether he might not even rise higher than that? who could say that they might not one day find in the almanack of Guernsey, under the heading of “Nobility and Gentry,” the astonishing and superb inscription — Lethierry, Esq.?
But Mess Lethierry had nothing of vanity in his nature, or he had no sense of it; or if he had, disdained it: to know that he was useful was his greatest pleasure; to be popular touched him less than being necessary; he had, as we have already said, only two objects of delight, and consequently only two ambitions: the Durande and Déruchette.
However this may have been, he had embarked in the lottery of the sea, and had gained the chief prize.
This chief prize was the Durande steaming away in all her pride.
Having created his steamboat, Lethierry had christened it: he had called it Durande —“La Durande.” We will speak of her henceforth by no other name; we will claim the liberty, also, in spite of typographical usage, of not italicising this name Durande; conforming in this to the notion of Mess Lethierry, in whose eyes La Durande was almost a living person.
Durande and Déruchette are the same name. Déruchette is the diminutive.
This diminutive is very common in France.
In the country the names of saints are endowed with all these diminutives as well as all their augmentatives. One might suppose there were several persons when there is, in fact, only one. This system of patrons and patronesses under different names is by no means rare. Lise, Lisette, Lisa, Elisa, Isabelle, Lisbeth, Betsy, all these are simply Elizabeth. It is probable that Mahout, Maclou, Malo, and Magloire are the same saint: this, however, we do not vouch for.
Saint Durande is a saint of l’Angoumois, and of the Charente; whether she is an orthodox member of the calendar is a question for the Bollandists: orthodox or not, she has been made the patron saint of numerous chapels.
It was while Lethierry was a young sailor at Rochefort that he had made the acquaintance of this saint, probably in the person of some pretty Charantaise, perhaps in that of the grisette with the white nails. The saint had remained sufficiently in his memory for him to give the name to the two things which he loved most — Durande to the steamboat, Déruchette to the girl.
Of one he was the father, of the other the uncle.
Déruchette was the daughter of a brother who had died: she was an orphan child: he had adopted her, and had taken the place both of father and mother.
Déruchette was not only his niece, she was his godchild; he had held her in his arms at the baptismal font; it was he who had chosen her patron saint, Durande, and her Christian name, Déruchette.
Déruchette, as we have said, was born at St. Peter’s Port. Her name was inscribed at its date on the register of the parish.
As long as the niece was a child, and the uncle poor, nobody took heed of her appellation of Déruchette; but when the little girl became a miss, and the sailor a gentleman, the name of Déruchette shocked the feelings of Guernsey society. The uncouthness of the sound astonished every one. Folks asked Mess Lethierry “why Déruchette?” He answered, “It is a very good name in its way.” Several attempts were made to get him to obtain a change in the baptismal name, but he would be no party to them. One day, a fine lady of the upper circle of society in St. Sampson, the wife of a rich retired ironfounder, said to Mess Lethierry, “In future, I shall call your daughter Nancy.”
“If names of country towns are in fashion,” said he, “why not Lons le Saulnier?” The fine lady did not yield her point, and on the morrow said, “We are determined not to have it Déruchette; I have found for your daughter a pretty name —Marianne.” “A very pretty name, indeed,” replied Mess Lethierry, “composed of two words which signify — a husband and an ass.”4 He held fast to Déruchette.
It would be a mistake to infer from Lethierry’s pun that he had no wish to see his niece married. He desired to see her married, certainly; but in his own way: he intended her to have a husband after his own heart, one who would work hard, and whose wife would have little to do. He liked rough hands in a man, and delicate ones in a woman. To prevent Déruchette spoiling her pretty hands he had always brought her up like a young lady; he had provided her with a music-master, a piano, a little library, and a few needles and threads in a pretty work-basket. She was, indeed, more often reading than stitching; more often playing than reading. This was as Mess Lethierry wished it. To be charming was all that he expected of her. He had reared the young girl like a flower. Whoever has studied the character of sailors will understand this: rude and hard in their nature, they have an odd partiality for grace and delicacy. To realise the idea of the uncle, the niece ought to have been rich; so indeed felt Mess Lethierry. His steamboat voyaged for this end. The mission of Durande was to provide a marriage portion for Déruchette.
4 A play upon the French words, mari and ane.
Déruchette occupied the prettiest room at the Bravées. It had two windows, was furnished with various articles made of fine-grained mahogany, had a bed with four curtains, green and white, and looked out upon the garden, and beyond it towards the high hill, on which stands the Vale Castle. Gilliatt’s house, the Bû de la Rue, was on the other side of this hill.
Déruchette had her music and piano in this chamber; she accompanied herself on the instrument when singing the melody which she preferred — the melancholy Scottish air of “Bonnie Dundee.” The very spirit of night breathes in this melody; but her voice was full of the freshness of dawn. The contrast was quaint and pleasing; people said, “Miss Déruchette is at her piano.”
The passers-by at the foot of the hill stopped sometimes before the wall of the garden of the Bravées to listen to that sweet voice and plaintive song.
Déruchette was the very embodiment of joy as she went to and fro in the house. She brought with her a perpetual spring. She was beautiful, but more pretty than beautiful; and still more graceful than pretty. She reminded the good old pilots, friends of Mess Lethierry, of that princess in the song which the soldiers and sailors sing, who was so beautiful:
“Qu’elle passait pour telle dans le regiment.”
Mess Lethierry used to say, “She has a head of hair like a ship’s cable.”
From her infancy she had been remarkable for beauty. The learned in such matters had grave doubts about her nose, but the little one having probably determined to be pretty, had finally satisfied their requirements. She grew to girlhood without any serious loss of beauty; her nose became neither too long nor too short; and when grown up, her critics admitted her to be charming.
She never addressed her uncle otherwise than as father.
Lethierry allowed her to soil her fingers a little in gardening, and even in some kind of household duties: she watered her beds of pink hollyhocks, purple foxgloves, perennial phloxes, and scarlet herb bennets. She took good advantage of the climate of Guernsey, so favourable to flowers. She had, like many other persons there, aloes in the open ground, and, what is more difficult, she succeeded in cultivating the Nepaulese cinquefoil. Her little kitchen-garden was scientifically arranged; she was able to produce from it several kinds of rare vegetables. She sowed Dutch cauliflower and Brussels cabbages, which she thinned out in July, turnips for August, endive for September, short parsnip for the autumn, and rampions for winter. Mess Lethierry did not interfere with her in this, so long as she did not handle the spade and rake too much, or meddle with the coarser kinds of garden labour. He had provided her with two servants, one named Grace, and the other Douce, which are favourite names in Guernsey. Grace and Douce did the hard work of the house and garden, and they had the right to have red hands.
With regard to Mess Lethierry, his room was a little retreat with a view over the harbour, and communicating with the great lower room of the ground floor, on which was situated the door of the house, near which the various staircases met.
His room was furnished with his hammock, his chronometer, and his pipe: there were also a table and a chair. The ceiling had been whitewashed, as well as the four walls. A fine marine map, bearing the inscription W. Faden, 5 Charing Cross, Geographer to His Majesty, and representing the Channel Islands, was nailed up at the side of the door, and on the left, stretched out and fastened with other nails, appeared one of those large cotton handkerchiefs on which are printed, in colours, the signals of all countries in the world, having at the four corners the standards of France, Russia, Spain, and the United States, and in the centre the union-jack of England.
Douce and Grace were two faithful creatures within certain limits. Douce was good-natured enough, and Grace was probably good-looking. Douce was unmarried, and had secretly “a gallant.” In the Channel Islands the word is common, as indeed is the fact itself. The two girl’s regarded as servants had something of the Creole in their character, a sort of slowness in their movements, not out of keeping with the Norman spirit pervading the relations of servant and master in the Channel Islands. Grace, coquettish and good-looking, was always scanning the future with a nervous anxiety. This arose from the fact of her not only having, like Douce, “a gallant,” but also, as the scandal-loving averred, a sailor husband, whose return one day was a thing she dreaded. This, however, does not concern us. In a household less austere and less innocent, Douce would have continued to be the servant, but Grace would have become the soubrette. The dangerous talents of Grace were lost upon a young mistress so pure and good as Déruchette. For the rest, the intrigues of Douce and Grace were cautiously concealed. Mess Lethierry knew nothing of such matters, and no token of them had ever reached Déruchette.
The lower room of the ground floor, a hall with a large fireplace and surrounded with benches and tables, had served in the last century as a meeting-place for a conventicle of French Protestant refugees. The sole ornament of the bare stone wall was a sheet of parchment, set in a frame of black wood, on which were represented some of the charitable deeds of the great Bossuet, Bishop of Meaux. Some poor diocesans of this famous orator, surnamed the “Eagle,” persecuted by him at the time of the Revocation of the Edict of Nantes, and driven to take shelter at Guernsey, had hung this picture on the wall to preserve the remembrance of those facts. The spectator who had the patience to decipher a rude handwriting in faded ink might have learnt the following facts, which are but little known:—“29th October, 1685, Monsieur the Bishop of Meaux, appeals to the king to destroy the temples of Morcef and Nanteuil”—“2nd April, 1686, Arrest of Cochard, father and son, for their religious opinions, at the request of Monsieur the Bishop of Meaux. Released: the Cochards having recanted.”—“28th October, 1699, Monsieur the Bishop of Meaux sent to Mde. Pontchartrain a petition of remonstrance, pointing out that it will be necessary to place the young ladies named Chalandes and de Neuville, who are of the reformed religion, in the House of the ‘New Catholics’ at Paris.”—“7th July, 1703, the king’s order executed as requested by Monsieur the Bishop of Meaux, for shutting up in an asylum Baudouin and his wife, two bad Catholics of Fublaines.”
At the end of the hall, near the door of Mess Lethierry’s room, was a little corner with a wooden partition, which had been the Huguenot’s sanctum, and had become, thanks to its row of rails and a small hole to pass paper or money through, the steamboat office; that is to say, the office of the Durande, kept by Mess Lethierry in person. Upon the old oaken reading-desk, where once rested the Holy Bible, lay a great ledger with its alternate pages headed Dr. and Cr.
As long as Mess Lethierry had been able to do duty, he had commanded the Durande, and had had no other pilot or captain but himself; but a time had come, as we have said, when he had been compelled to find a successor. He had chosen for that purpose Sieur Clubin, of Torteval, a taciturn man. Sieur Clubin had a character upon the coast for strict probity. He became the alter ego, the double, of Mess Lethierry.
Sieur Clubin, although he had rather the look of a notary than of a sailor, was a mariner of rare skill. He had all the talents which are required to meet dangers of every kind. He was a skilful stower, a safe man aloft, an able and careful boatswain, a powerful steersman, an experienced pilot, and a bold captain. He was prudent, and he carried his prudence sometimes to the point of daring, which is a great quality at sea. His natural apprehensiveness of danger was tempered by a strong instinct of what was possible in an emergency. He was one of those mariners who will face risks to a point perfectly well known to themselves, and who generally manage to come successfully out of every peril. Every certainty which a man can command, dealing with so fickle an element as the sea, he possessed. Sieur Clubin, moreover, was a renowned swimmer; he was one of that race of men broken into the buffeting of the waves, who can remain as long as they please in the water — who can start from the Havre-des-Pas at Jersey, double the Colettes, swim round the Hermitage and Castle Elizabeth, and return in two hours to the point from which they started. He came from Torteval, where he had the reputation of often having swum across the passage so much dreaded, from the Hanway rocks to the point of Pleinmont.
One circumstance which had recommended Sieur Clubin to Mess Lethierry more than any other, was his having judged correctly the character of Rantaine. He had pointed out to Lethierry the dishonesty of the man, and had said “Rantaine will rob you.” His prediction was verified. More than once — in matters, it is true, not very important — Mess Lethierry had put his ever-scrupulous honesty to the proof; and he freely communicated with him on the subject of his affairs. Mess Lethierry used to say, “A good conscience expects to be treated with perfect confidence.”
Mess Lethierry, for the sake of his own ease, always wore his seafaring clothes, and preferred his tarpaulin overcoat to his pilot jacket. Déruchette felt vexed, occasionally, about this peculiarity. Nothing is prettier than a pouting beauty. She laughed and scolded. “My dear father,” she would say, “what a smell of pitch!” and she would give him a gentle tap upon his broad shoulders.
This good old seaman had gathered from his voyages many wonderful stories. He had seen at Madagascar birds’ feathers, three of which sufficed to make a roof of a house. He had seen in India, field sorrel, the stalks of which were nine inches high. In New Holland he had seen troops of turkeys and geese led about and guarded by a bird, like a flock by a shepherd’s dog; this bird was called the Agami. He had visited elephants’ cemeteries. In Africa, he had encountered gorillas, a terrible species of man-monkey. He knew the ways of all the ape tribe, from the wild dog-faced monkey, which he called the Macaco-bravo, to the howling monkey or Macaco-barbado. In Chili, he had seen a pouched monkey move the compassion of the huntsman by showing its little one. He had seen in California a hollow trunk of a tree fall to the ground, so vast that a man on horseback could ride one hundred paces inside. In Morocco, he had seen the Mozabites and the Bisskris fighting with matraks and bars of iron — the Bisskris, because they had been called kelbs, which means dogs; and the Mozabites, because they had been treated as khamsi, which means people of the fifth sect. He had seen in China the pirate Chanh-thong-quan-larh-Quoi cut to pieces for having assassinated the Ap of a village. At Thu-dan-mot, he had seen a lion carry off an old woman in the open market-place. He was present at the arrival of the Great Serpent brought from Canton to Saigon to celebrate in the pagoda of Cho-len the fête of Quan-nam, the goddess of navigators. He had beheld the great Quan-Sû among the Moi. At Rio de Janeiro, he had seen the Brazilian ladies in the evening put little balls of gauze into their hair, each containing a beautiful kind of firefly; and the whole forming a head-dress of little twinkling lights. He had combated in Paraguay with swarms of enormous ants and spiders, big and downy as an infant’s head, and compassing with their long legs a third of a yard, and attacking men by pricking them with their bristles, which enter the skin as sharp as arrows, and raise painful blisters. On the river Arinos, a tributary of the Tocantins, in the virgin forests to the north of Diamantina, he had determined the existence of the famous bat-shaped people, the Murcilagos, or men who are born with white hair and red eyes, who live in the shady solitudes of the woods, sleep by day, awake by night, and fish and hunt in the dark, seeing better then than by the light of the moon. He told how, near Beyrout, once in an encampment of an expedition of which he formed part, a rain gauge belonging to one of the party happened to be stolen from a tent. A wizard, wearing two or three strips of leather only, and looking like a man having nothing on but his braces, thereupon rang a bell at the end of a horn so violently, that a hyena finally answered the summons by bringing back the missing instrument. The hyena was, in fact, the thief. These veritable histories bore a strong resemblance to fictions; but they amused Déruchette.
The poupée or “doll” of the Durande, as the people of the Channel Islands call the figure-head of a ship, was the connecting link between the vessel and Lethierry’s niece. In the Norman Islands the figure-head of a ship, a roughly-carved wooden statue, is called the Poupée. Hence the local saying, meaning to sail, “être entre poupe et poupée.”
The poupée of the Durande was particularly dear to Mess Lethierry. He had instructed the carver to make it resemble Déruchette. It looked like a rude attempt to cut out a face with a hatchet; or like a clumsy log trying hard to look like a girl.
This unshapely block produced a great effect upon Mess Lethierry’s imagination. He looked upon it with an almost superstitious admiration. His faith in it was complete. He was able to trace in it an excellent resemblance to Déruchette. Thus the dogma resembles the truth, and the idol the deity.
Mess Lethierry had two grand fête days in every week; one was Tuesday, the other Friday. His first delight consisted in seeing the Durande weigh anchor; his second in seeing her enter the port again. He leaned upon his elbows at the window contemplating his work, and was happy.
On Fridays, the presence of Mess Lethierry at his window was a signal. When people passing the Bravées saw him lighting his pipe, they said, “Ay! the steamboat is in sight.” One kind of smoke was the herald of the other.
The Durande, when she entered the port, made her cable fast to a huge iron ring under Mess Lethierry’s window, and fixed in the basement of the house. On those nights Lethierry slept soundly in his hammock, with a soothing consciousness of the presence of Déruchette asleep in her room near him, and of the Durande moored opposite.
The moorings of the Durande were close to the great bell of the port. A little strip of quay passed thence before the door of the Bravées.
The quay, the Bravées and its house, the garden, the alleys bordered with edges, and the greater part even of the surrounding houses, no longer exist. The demand for Guernsey granite has invaded these too. The whole of this part of the town is now occupied by stone-cutters’ yards.
Déruchette was approaching womanhood, and was still unmarried.
Mess Lethierry in bringing her up to have white hands had also rendered her somewhat fastidious. A training of that kind has its disadvantages; but Lethierry was himself still more fastidious. He would have liked to have provided at the same time for both his idols; to have found in the guide and companion of the one a commander for the other. What is a husband but the pilot on the voyage of matrimony? Why not then the same conductor for the vessel and for the girl? The affairs of a household have their tides, their ebbs and flows, and he who knows how to steer a bark, ought to know how to guide a woman’s destiny, subject as both are to the influences of the moon and the wind. Sieur Clubin being only fifteen years younger than Lethierry, would necessarily be only a provisional master for the Durande. It would be necessary to find a young captain, a permanent master, a true successor of the founder, inventor, and creator of the first channel steamboat. A captain for the Durande who should come up to his ideal, would have been, already, almost a son-in-law in Lethierry’s eyes. Why not make him son-in-law in a double sense? The idea pleased him. The husband in posse of Déruchette haunted his dreams. His ideal was a powerful seaman, tanned and browned by weather, a sea athlete. This, however, was not exactly the ideal of Déruchette. Her dreams, if dreams they could even be called, were of a more ethereal character.
The uncle and the niece were at all events agreed in not being in haste to seek a solution of these problems. When Déruchette began to be regarded as a probable heiress, a crowd of suitors had presented themselves. Attentions under these circumstances are not generally worth much. Mess Lethierry felt this. He would grumble out the old French proverb, “A maiden of gold, a suitor of brass.” He politely showed the fortune-seekers to the door. He was content to wait, and so was Déruchette.
It was, perhaps, a singular fact, that he had little inclination for the local aristocracy. In that respect Mess Lethierry showed himself not entirely English. It will hardly be believed that he even refused for Déruchette a Ganduel of Jersey, and a Bugnet Nicolin of Sark. People were bold enough to affirm, although we doubt if this were possible, that he had even declined the proposals of a member of the family of Edou, which is evidently descended from “Edou-ard” (Anglicè Edward) the Confessor.
Mess Lethierry had a failing, and a serious one. He detested a priest; though not as an individual, but as an institution. Reading one day — for he used to read — in a work of Voltaire — for he would even read Voltaire — the remark, that priests “have something cat-like in their nature,” he laid down the book and was heard to mutter, “Then, I suppose, I have something dog-like in mine.”
It must be remembered that the priests — Lutheran and Calvinist, as well as Catholic — had vigorously combated the new “Devil Boat,” and had persecuted its inventor. To be a sort of revolutionist in the art of navigation, to introduce a spirit of progress in the Norman Archipelago, to disturb the peace of the poor little island of Guernsey with a new invention, was in their eyes, as we have not concealed from the reader, an abominable and most condemnable rashness. Nor had they omitted to condemn it pretty loudly. It must not be forgotten that we are now speaking of the Guernsey clergy of a bygone generation, very different from that of the present time, who in almost all the local places of worship display a laudable sympathy with progress. They had embarrassed Lethierry in a hundred ways; every sort of resisting force which can be found in sermons and discourses had been employed against him. Detested by the churchmen, he naturally came to detest them in his turn. Their hatred was the extenuating circumstance to be taken into account in judging of his.
But it must be confessed that his dislike for priests was, in some degree, in his very nature. It was hardly necessary for them to hate him in order to inspire him with aversion. As he said, he moved among them like the dog among cats. He had an antipathy to them, not only in idea, but in what is more difficult to analyse, his instincts. He felt their secret claws, and showed his teeth; sometimes, it must be confessed, a little at random and out of season. It is a mistake to make no distinctions: a dislike in the mass is a prejudice. The good Savoyard curé would have found no favour in his eyes. It is not certain that a worthy priest was even a possible thing in Lethierry’s mind. His philosophy was carried so far that his good sense sometimes abandoned him. There is such a thing as the intolerance of tolerants, as well as the violence of moderates. But Lethierry was at bottom too good-natured to be a thorough hater. He did not attack so much as avoid. He kept the church people at a distance. He suffered evil at their hands; but he confined himself to not wishing them any good. The shade of difference, in fact, between his aversion and theirs, lay in the fact that they bore animosity, while he had only a strong antipathy. Small as is the island of Guernsey, it has, unfortunately, plenty of room for differences of religion; there, to take the broad distinction, is the Catholic faith and the Protestant faith; every form of worship has its temple or chapel. In Germany, at Heidelberg, for example, people are not so particular; they divide a church in two, one half for St. Peter, the other half for Calvin, and between the two is a partition to prevent religious variances terminating in fisticuffs. The shares are equal; the Catholics have three altars, the Huguenots three altars. As the services are at the same hours, one bell summonses both denominations to prayers; it rings, in fact, both for God and for Satan, according as each pleases to regard it. Nothing can be more simple.
The phlegmatic character of the Germans favours, I suppose, this peculiar arrangement, but in Guernsey every religion has its own domicile; there is the orthodox parish and the heretic parish; the individual may choose. “Neither one nor the other” was the choice of Mess Lethierry.
This sailor, workman, philosopher, and parvenu trader, though a simple man in appearance, was by no means simple at bottom. He had his opinions and his prejudices. On the subject of the priests he was immovable; he would have entered the lists with Montlosier.
Occasionally he indulged in rather disrespectful jokes upon this subject. He had certain odd expressions thereupon peculiar to himself, but significant enough. Going to confession he called “combing one’s conscience.” The little learning that he had — a certain amount of reading picked up here and there between the squalls at sea — did not prevent his making blunders in spelling. He made also mistakes in pronunciation, some of which, however, gave a double sense to his words, which might have been suspected of a sly intention. After peace had been brought about by Waterloo between the France of Louis XVIII. and the England of Wellington, Mess Lethierry was heard to say, “Bour mont a été le traître d’union entre les deux camps.” On one occasion he wrote pape ôté for papauté. We do not think these puns were intentional.
Though he was a strong anti-papist, that circumstance was far from conciliating the Anglicans. He was no more liked by the Protestant rectors than by the Catholic curés. The enunciation of the greatest dogmas did not prevent his anti-theological temper bursting forth. Accident, for example, having once brought him to hear a sermon on eternal punishment, by the Reverend Jaquemin Hérode — a magnificent discourse, filled from one end to the other with sacred texts, proving the everlasting pains, the tortures, the torments, the perditions, the inexorable chastisements, the burnings without end, the inextinguishable maledictions, the wrath of the Almighty, the celestial fury, the divine vengeance, and other incontestable realities — he was heard to say as he was going out in the midst of the faithful flock, “You see, I have an odd notion of my own on this matter; I imagine God as a merciful being.”
This leaven of atheism was doubtless due to his sojourn in France.
Although a Guernsey man of pure extraction, he was called in the island “the Frenchman;” but chiefly on account of his “improper” manner of speaking. He did not indeed conceal the truth from himself. He was impregnated with ideas subversive of established institutions. His obstinacy in constructing the “Devil Boat” had proved that. He used to say, “I was suckled by the ‘89”— a bad sort of nurse. These were not his only indiscretions. In France “to preserve appearances,” in England “to be respectable,” is the chief condition of a quiet life. To be respectable implies a multitude of little observances, from the strict keeping of Sunday down to the careful tying of a cravat. “To act so that nobody may point at you;” this is the terrible social law. To be pointed at with the finger is almost the same thing as an anathematisation. Little towns, always hotbeds of gossip, are remarkable for that isolating malignancy, which is like the tremendous malediction of the Church seen through the wrong end of the telescope. The bravest are afraid of this ordeal. They are ready to confront the storm, the fire of cannon, but they shrink at the glance of “Mrs. Grundy.” Mess Lethierry was more obstinate than logical; but under pressure even his obstinacy would bend. He put — to use another of his phrases, eminently suggestive of latent compromises, not always pleasant to avow —“a little water in his wine.” He kept aloof from the clergy, but he did not absolutely close his door against them. On official occasions, and at the customary epochs of pastoral visits, he received with sufficiently good grace both the Lutheran rector and the Papist chaplain. He had even, though at distant intervals, accompanied Déruchette to the Anglican parish church, to which Déruchette herself, as we have said, only went on the four great festivals of the year.
On the whole, these little concessions, which always cost him a pang, irritated him; and far from inclining him towards the Church people, only increased his inward disinclination to them. He compensated himself by more raillery. His nature, in general so devoid of bitterness, had no uncharitable side except this. To alter him, however, was impossible.
In fact, this was in his very temperament, and was beyond his own power to control.
Every sort of priest or clergyman was distasteful to him. He had a little of the old revolutionary want of reverence. He did not distinguish between one form of worship and another. He did not do justice to that great step in the progress of ideas, the denial of the real presence. His shortsightedness in these matters even prevented his perceiving any essential difference between a minister and an abbé. A reverend doctor and a reverend father were pretty nearly the same to him. He used to say, “Wesley is not more to my taste than Loyola.” When he saw a reverend pastor walking with his wife, he would turn to look at them, and mutter, “a married priest,” in a tone which brought out all the absurdity which those words had in the ears of Frenchmen at that time. He used to relate how, on his last voyage to England, he had seen the “Bishopess” of London. His dislike for marriages of that sort amounted almost to disgust. “Gown and gown do not mate well,” he would say. The sacerdotal function was to him in the nature of a distinct sex. It would have been natural to him to have said, “Neither a man nor a woman, only a priest;” and he had the bad taste to apply to the Anglican and the Roman Catholic clergy the same disdainful epithets. He confounded the two cassocks in the same phraseology. He did not take the trouble to vary in favour of Catholics or Lutherans, or whatever they might be, the figures of speech common among military men of that period. He would say to Déruchette, “Marry whom you please, provided you do not marry a parson.”
A word once said, Mess Lethierry remembered it: a word once said, Déruchette soon forgot it. Here was another difference between the uncle and the niece.
Brought up in the peculiar way already described, Déruchette was little accustomed to responsibility. There is a latent danger in an education not sufficiently serious, which cannot be too much insisted on. It is perhaps unwise to endeavour to make a child happy too soon.
So long as she was happy, Déruchette thought all was well. She knew, too, that it was always a pleasure to her uncle to see her pleased. The religious sentiment in her nature was satisfied with going to the parish church four times in the year. We have seen her in her Christmas-day toilet. Of life, she was entirely ignorant. She had a disposition which one day might lead her to love passionately. Meanwhile she was contented.
She sang by fits and starts, chatted by fits and starts, enjoyed the hour as it passed, fulfilled some little duty, and was gone again, and was delightful in all. Add to all this the English sort of liberty which she enjoyed. In England the very infants go alone, girls are their own mistresses, and adolescence is almost wholly unrestrained. Such are the differences of manners. Later, how many of these free maidens become female slaves? I use the word in its least odious sense; I mean that they are free in the development of their nature, but slaves to duty.
Déruchette awoke every morning with little thought of her actions of the day before. It would have troubled her a good deal to have had to give an account of how she had spent her time the previous week. All this, however, did not prevent her having certain hours of strange disquietude; times when some dark cloud seemed to pass over the brightness of her joy. Those azure depths are subject to such shadows! But clouds like these soon passed away. She quickly shook off such moods with a cheerful laugh, knowing neither why she had been sad, nor why she had regained her serenity. She was always at play. As a child, she would take delight in teasing the passers-by. She played practical jokes upon the boys. If the fiend himself had passed that way, she would hardly have spared him some ingenious trick. She was pretty and innocent; and she could abuse the immunity accorded to such qualities. She was ready with a smile, as a cat with a stroke of her claws. So much the worse for the victim of her scratches. She thought no more of them. Yesterday had no existence for her. She lived in the fullness of to-day. Such it is to have too much happiness fall to one’s lot! With Déruchette impressions vanished like the melted snow.
Last updated Monday, December 22, 2014 at 10:51