Lost Man’s Lane, by Anna Katharine Green


The Flower Parlor

The lower hall did not correspond exactly with the one above. It was larger, and through its connection with the front door, presented the shape of a letter T— that is, to the superficial observer who was not acquainted with the size of the house and had not had the opportunity of remarking that at the extremities of the upper hall making this T, were two imposing doors usually found shut except at meal-times, when the left-hand one was thrown open, disclosing a long and dismal corridor similar to the ones above. Half-way down this corridor was the dining-room, into which I had now been taken three times.

The right-hand one, I had no doubt, led the way into the great drawing-room or dancing-hall which I had started out to see.

Proceeding first to the front of the house, where some glimmer of light penetrated from the open sitting-room door, I looked the keys over and read what was written on the several tags attached to them. They were seven in number, and bore some such names as these: “Blue Chamber,” “Library,” “Flower Parlor,” “Shell Cabinet,” “Dark Parlor”— all of which was very suggestive, and, to an antiquarian like myself, most alluring.

But it was upon a key marked “A” I first fixed my attention. This, I had been told, would open the large door at the extremity of the upper hall, and when I made a trial with it I found it to move easily, though somewhat gratingly, in the lock, releasing the great doors, which in another moment swung inward with a growling sound which might have been startling to a nervous person filled with the legends of the place.

But in me the only emotion awakened was one of disgust at the nauseous character of the air which instantly enveloped me. Had I wished for any further proof than was afforded by the warning given me by the condition of the hinges, that the foot of man had not lately invaded these precincts, I would have had it in the mouldy atmosphere and smell of dust that greeted me on the threshold. Neither human breath nor a ray of outdoor sunshine seemed to have disturbed its gloomy quiet for years, and when I moved, as I presently did, to open one of the windows I dimly discerned at my right, I felt such a movement of something foul and noisome amid the decaying rags of the carpet through which I was stumbling that I had to call into use the stronger elements of my character not to back out of a place so given over to rot and the creatures that infest it.

“What a spot,” thought I, “for Amelia Butterworth to find herself in!” and wondered if I could ever wear again the three-dollar-a-yard silk dress in which I was then enveloped. Of my shoes I took no account. They were ruined, of course.

I reached the window in safety, but could not open it; neither could I move the adjoining one. There were sixteen in all, or so I afterwards found, and not till I reached the last (you see, I am very persistent) did I succeed in loosening the bar that held its inner shutter in place. This done, I was able to lift the window, and for the first time in years, perhaps, let in a ray of light into this desolated apartment.

The result was disappointing. Mouldy walls, worm-eaten hangings, two very ancient and quaint fireplaces, met my eyes, and nothing more. The room was absolutely empty. For a few minutes I allowed my eyes to roam over the great rectangular space in which so much that was curious and interesting had once taken place, and then, with a vague sense of defeat, turned my eyes outward, anxious to see what view could be obtained from the window I had opened. To my astonishment, I saw before me a high wall with here and there a window in it, all tightly barred and closed, till by a careful inspection about me I realized that I was looking upon the other wing of the building, and that between these wings extended a court so narrow and long that it gave to the building the shape, as I have before said, of the letter U. A dreary prospect, reminding one of the view from a prison, but it had its point of interest, for in the court below me, the brick pavement of which was half obliterated by grass, I caught sight of William in an attitude so different from any I had hitherto seen him assume that I found it difficult to account for it till I caught sight of the jaws of a dog protruding from under his arms, and then I realized he was hugging Saracen.

The dog was tied, but the comfort which William seemed to take in just this physical contact with his rough skin was something worth seeing. It made me quite thoughtful for a moment.

I detest dogs, and it gives me a creepy sensation to see them fondled, but sincerity of feeling appeals to me, and no one could watch William Knollys with his dogs without seeing that he really loved the brutes. Thus in one day I had witnessed the best and worst side of this man. But wait! Had I seen the worst? I was not so sure that I had.

He had not noticed my peering, for which I was duly thankful, and after another fruitless survey of the windows in the wall before me, I drew back and prepared to leave the place. This was by no means a pleasant undertaking. I could now see what I had only felt before, and to traverse the space before me amid beetles and spiders required a determination of no ordinary nature. I was glad when I reached the great doors and more than glad when they closed behind me.

“So much for Room A,” thought I.

The next most promising apartment was in the same corridor as the dining-room. It was called the Dark Parlor. Entering it, I found it dark indeed, but not because of lack of light, but because its hangings were all of a dismal red and its furniture of the blackest ebony. As this mainly consisted of shelves and cabinets placed against three of its four walls, the effect was gloomy indeed, and fully accounted for the name which the room had received. I lingered in it, however, longer than I had in the big drawing-room, chiefly because the shelves contained books.

Had anything better offered I might not have continued my explorations, but not seeing exactly how I could pass away the time more profitably, I chose out another key and began to search for the Flower Parlor. I found it beyond the dining-room in the same hall as the Dark Parlor.

It was, as I might have expected from the name, the brightest and most cheerful spot I had yet found in the whole house. The air in it was even good, as if sunshine and breeze had not been altogether shut out of it, yet I had no sooner taken one look at its flower-painted walls and pretty furniture than I felt an oppression difficult to account for. Something was wrong about this room. I am not superstitious and have no faith in premonitions, but once seized by a conviction, I have never known myself to be mistaken as to its import. Something was wrong about this room — what, it was my business to discover.

Letting in more light, I took a closer survey of the objects I had hitherto seen but dimly. They were many and somewhat contradictory in character. The floor was bare — the first bare floor I had come upon — but the shades in the windows, the chintz-covered lounges drawn up beside tables bestrewn with books and other objects of comfort and luxury, bespoke a place in common if not every-day use.

A faint smell of tobacco assured me in whose use, and from the minute I recognized that this was William’s sanctum, my curiosity grew unbounded and I neglected nothing which would be likely to attract the keenest-eyed detective in Mr. Gryce’s force. There were several things to be noted there: First, that this lumbering lout of a man read, but only on one topic — vivisection; secondly, that he was not a reader merely, for there were instruments in the cases heaped up on the tables about me, and in one corner — it made me a little sick, but I persevered in searching out the corners — a glass case with certain horrors in it which I took care to note, but which it is not necessary for me to describe. Another corner was blocked up by a closet which stood out in the room in a way to convince me it had been built in after the room was otherwise finished. As I crossed over to examine the door, which did not appear to me to be quite closed, I noticed on the floor at my feet a huge discoloration. This was the worst thing I had yet encountered, and while I did not feel quite justified in giving it a name, I could not but feel some regret for the worm-eaten rags of the drawing-room, which, after all, are more comfortable underfoot than bare boards with such suggestive marks upon them as these.

The door to the closet was, as I had expected, slightly ajar, a fact for which I was profoundly grateful, for, set it down to breeding or a natural recognition of other people’s rights, I would have found it most difficult to turn the knob of a closet door, inspection of which had not been offered me.

But finding it open, I gave it just a little pull and found — well, it was a surprise, much more so than the sight of a skeleton would have been — that the whole interior was taken up by a small circular staircase such as you find in public libraries where the books are piled up in tiers. It stretched from the floor to the ceiling, and dark as it was I thought I detected the outlines of a trap-door by means of which communication was established with the room above. Anxious to be convinced of this, I consulted with myself as to what a detective would do in my place. The answer came readily enough: “Mount the stairs and feel for yourself whether there is a lock there.” But my delicacy or — shall I acknowledge it for once? — an instinct of timidity seemed to restrain me, till a remembrance of Mr. Gryce’s sarcastic look which I had seen honoring lesser occasions than these, came to nerve me, and I put foot on the stairs which had last been trod — by whom, shall I say? William? Let us hope by William, and William only.

Being tall, I had to mount but a few steps before reaching the ceiling. Pausing for breath, the air being close and the stairs steep, I reached up and felt for the hinge or clasp I had every reason to expect to encounter. I found it almost immediately, and, satisfied now that nothing but a board separated me from the room above, I tried that board with my finger and was astonished to feel it yield. As this was a wholly unexpected discovery I drew back and asked myself if it would be wise to pursue it to the point of raising this door, and had hardly settled the question in my own mind, when the sound of a voice raised in a soothing murmur, revealed the fact that the room above was not empty, and that I would be committing a grave indiscretion in thus tampering with a means of entrance possibly under the very eye of the person speaking.

If the voice I had heard had been all that had come to my ears, I might have ventured after a moment of hesitation to brave the displeasure of Miss Knollys by an attempt which would have at once satisfied me as to the correctness of the suspicions which were congealing my blood as I stood there, but another voice — the heavy and threatening voice of William — had broken into this murmur, and I knew that if I so much as awakened in him the least suspicion of my whereabouts, I would have to dread an anger that might not know where to stop.

I therefore rested from further efforts in this direction, and fearing he might bethink him of some errand which would bring him to the trap-door himself, I began a retreat which I made slow only from my desire not to make any noise. I succeeded as well as if my feet had been shod in velvet and my dress had been made of wool instead of a rustling silk, and when once again I found myself planted in the centre of the Flower Parlor, the closet door closed, and no evidence remaining of my late attempt to probe this family secret, I drew a deep breath of relief that was but a symbol of my devout thankfulness.

I did not mean to remain much longer in this spot of evil suggestions, but spying the corner of a book protruding from under a cushion of one of the lounges, I had a curiosity to see if it were similar to the others I had handled. Drawing it out, I took one look at it.

I need not tell what it was, but after a hasty glance here and there through its pages, I put it back, shuddering. If any doubt remained in my breast that William was one of those monsters who feed their morbid cravings by experiments upon the weak and defenceless, it had been dispelled by what I had just seen in this book.

However, I did not leave the room immediately. As it was of the greatest importance that I should be able to locate in which of the many apartments on the floor above, the supposed prisoner was lodged, I cast about me for the means of doing this through the location of the room in which I then was. As this could only be done by affixing some token to the window, which could be recognized from without, I thought, first, of thrusting the end of my handkerchief through one of the slats of the outside blinds; secondly, of simply leaving one of these blinds ajar; and finally, of chipping off a piece with the penknife I always carry with innumerable other small things in the bag I invariably wear at my side. (Fashion, I hold, counts for nothing against convenience.)

This last seemed by much the best device. A handkerchief could be discovered and pulled out, an open blind could be shut, but a sliver once separated from the wood of the casement, nothing could replace it or even cover it up without itself attracting attention.

Taking out my knife, I glanced at the door leading into the hall, found it still shut and everything quiet behind it. Then I took a look into the shrubs and bushes of the yard outside, and, observing nothing to disturb me, snipped off a bit from one of the outer edges of the slats and then carefully reclosed the blinds and the window.

I was crossing the threshold when I heard a rapid footstep in the hall. Miss Knollys was hastening down the hall to my side.

“Oh, Miss Butterworth,” she exclaimed, with one quick look into the room I was leaving, “this is William’s den, the one spot he never allows any of us to enter. I don’t know how the key came to be upon the string. It never was before, and I am afraid he never will forgive me.”

“He need never know that I have been the victim of such a mistake,” said I. “My feet leave no trail, and as I use no perfumes he will never suspect that I have enjoyed a glimpse of these old-fashioned walls and ancient cabinets.”

“The slats of the blinds are a little open,” she remarked, her eyes searching my face for some sign that I am sure she did not find there. “Were they so when you came in?”

“I hardly think so; it was very dark. Shall I put them as I found them?”

“No. He will not notice.” And she hurried me out, still eying me breathlessly as if she half distrusted my composure.

“Come, Amelia,” I now whispered in self-admonition, “the time for exertion has come. Show this young woman, who is not much behind you in self-control, some of the lighter phases of your character. Charm her, Amelia, charm her, or you may live to rue this invasion into family secrets more than you may like to acknowledge at the present moment.”

A task of some difficulty, but I rejoice in difficult tasks, and before another half-hour had passed, I had the satisfaction of seeing Miss Knollys entirely restored to that state of placid melancholy which was the natural expression of her calm but unhappy nature.

We visited the Shell Cabinet, the Blue Parlor, and another room, the peculiarities of which I have forgotten. Frightened by the result of leaving me to my own devices, she did not quit me for an instant, and when, my curiosity quite satisfied, I hinted that a short nap in my own room would rest me for the evening, she proceeded with me to the door of my apartment.

“The locksmith whom I saw this morning has not kept his word,” I remarked as she was turning away.

“None of the tradesmen here do that,” was her cold answer. “I have given up expecting having any attention paid to my wants.”

“Humph,” thought I. “Another pleasant admission. Amelia Butterworth, this has not been a cheerful day.”


Last updated Sunday, March 27, 2016 at 11:55