She next day she said to herself that she would reply to Robert. It was raining. She listened languidly to the drops falling on the terrace. Vivian Bell, careful and refined, had placed on the table artistic stationery, sheets imitating the vellum of missals, others of pale violet powdered with silver dust; celluloid pens, white and light, which one had to manage like brushes; an iris ink which, on a page, spread a mist of azure and gold. Therese did not like such delicacy. It seemed to her not appropriate for letters which she wished to make simple and modest. When she saw that the name of “friend,” given to Robert on the first line, placed on the silvery paper, tinted itself like mother-of-pearl, a half smile came to her lips. The first phrases were hard to write. She hurried the rest, said a great deal of Vivian Bell and of Prince Albertinelli, a little of Choulette, and that she had seen Dechartre at Florence. She praised some pictures of the museums, but without discrimination, and only to fill the pages. She knew that Robert had no appreciation of painting; that he admired nothing except a little cuirassier by Detaille, bought at Goupil’s .
She saw again in her mind this cuirassier, which he had shown to her one day, with pride, in his bedroom, near the mirror, under family portraits. All this, at a distance, seemed to her petty and tiresome. She finished her letter with words of friendship, the sweetness of which was not feigned. Truly, she had never felt more peaceful and gentle toward her lover. In four pages she had said little and explained less. She announced only that she should stay a month in Florence, the air of which did her good. Then she wrote to her father, to her husband, and to Princess Seniavine. She went down the stairway with the letters in her hand. In the hall she threw three of them on the silver tray destined to receive papers for the post-office. Mistrusting Madame Marmet, she slipped into her pocket the letter to Le Menil, counting on chance to throw it into a post-box.
Almost at the same time Dechartre came to accompany the three friends in a walk through the city. As he was waiting he saw the letters on the tray.
Without believing that characters could be divined through penmanship, he was susceptible to the form of letters as to elegance of drawing. The writing of Therese charmed him, and he liked its openness, the bold and simple turn of its lines. He looked at the addresses without reading them, with an artist’s admiration.
They visited, that morning, Santa Maria Novella, where the Countess Martin had already gone with Madame Marmet. But Miss Bell had reproached them for not observing the beautiful Ginevra of Benci on a fresco of the choir. “You must visit that figure of the morning in a morning light,” said Vivian. While the poetess and Therese were talking together, Dechartre listened patiently to Madame Marmet’s conversation, filled with anecdotes, wherein academicians dined with elegant women, and shared the anxiety of that lady, much preoccupied for several days by the necessity to buy a tulle veil. She could find none to her taste in the shops of Florence.
As they came out of the church they passed the cobbler’s shop. The good man was mending rustic shoes. Madame Martin asked the old man whether he was well, whether he had enough work for a living, whether he was happy. To all these questions he replied with the charming affirmative of Italy, the musical si, which sounded melodious even in his toothless mouth. She made him tell his sparrow’s story. The poor bird had once dipped its leg in burning wax.
“I have made for my little companion a wooden leg out of a match, and he hops upon my shoulder as formerly,” said the cobbler.
“It is this good old man,” said Miss Bell, “who teaches wisdom to Monsieur Choulette. There was at Athens a cobbler named Simon, who wrote books on philosophy, and who was the friend of Socrates. I have always thought that Monsieur Choulette resembled Socrates.”
Therese asked the cobbler to tell his name and his history. His name was Serafino Stoppini, and he was a native of Stia. He was old. He had had much trouble in his life.
He lifted his spectacles to his forehead, uncovering blue eyes, very soft, and almost extinguished under their red lids.
“I have had a wife and children; I have none now. I have known things which I know no more.”
Miss Bell and Madame Marmet went to look for a veil.
“He has nothing in the world,” thought Therese, “but his tools, a handful of nails, the tub wherein he dips his leather, and a pot of basilick, yet he is happy.”
She said to him:
“This plant is fragrant, and it will soon be in bloom.”
“If the poor little plant comes into bloom it will die.”
Therese, when she left him, placed a coin on the table.
Dechartre was near her. Gravely, almost severely, he said to her:
“You know . . . ”
She looked at him and waited.
He finished his phrase:
“ . . . that I love you?”
She continued to fix on him, silently, the gaze of her clear eyes, the lids of which were trembling. Then she made a motion with her head that meant Yes. And, without his trying to stop her, she rejoined Miss Bell and Madame Marmet, who were waiting for her at the corner.
Last updated Monday, December 22, 2014 at 10:50