When I see how hard my old friend has to work in order to write a novel, it discourages my facility, and I tell myself that I write BOTCHED literature. I have finished Cadio; it has been in Buloz’ hands a long time. I am writing another thing,[Footnote: Mademoiselle Merquem.] but I don’t see it yet very clearly; what can one do without sun and without heat? I ought to be in Paris now, to see the Exposition again at my leisure, and to take your mother to walk with you; but I really must work, since I have only that to live on. And then the children; that Aurore is a wonder. You really must see her, perhaps I shall not see her long, If I don’t think I am destined to grow very old; I must lose no time in loving!
Yes, you are right, it is that that sustains me. This hypocritical fit has a rough disillusionment in store for it, and one will lose nothing by waiting. On the contrary, one will gain. You will see that, you who are old though still quite young. You are my son’s age. You will laugh together when you see this heap of rubbish collapse.
You must not be a Norman, you must come and see us for several days, you will make us happy; and it will restore the blood in my veins and the joy in my heart.
Love your old troubadour always and talk to him of Paris; a few words when you have the time.
Outline a scene for Nohant with four or five characters, we shall enjoy it. We embrace you and summon you.
Last updated Monday, December 22, 2014 at 10:50