Dear good adored master,
I have wanted for several days to write you a long letter in which I should tell you all that I have felt for a month. It is funny. I have passed through different and strange states. But I have neither the time nor the repose of mind to gather myself together enough.
Don’t be disturbed about your troubadour. He will always have “his independence and his liberty” because he will always do as he has always done. He has left everything rather than submit to any obligation whatsoever, and then, with age, one’s needs lessen. I suffer no longer from not living in the Alhambra.
What would do me good now, would be to throw myself furiously into Saint-Antoine, but I have not even the time to read.
Listen to this: in the very beginning, your play was to come after Aisse; then it was agreed that it should come BEFORE. Now Chilly and Duquesnel want it to come after, simply and solely “to profit by the occasion,” to profit by my poor Bouilhet’s death. They will give you a “sort of compensation.” Well, I am the owner and the master of Aisse just as if I were the author, and I do not want that. You understand, I do not want you to inconvenience yourself in anything.
You think that I am as sweet as a lamb! Undeceive yourself, and act as if Aisse had never existed; and above all no sensitiveness? That would offend me. Between simple friends, one needs manners and politenesses; but between you and me, that would not seem at all suitable; we do not owe each other anything at all except to love each other.
I think that the directors of the Odeon will regret Bouilhet in every way. I shall be less easy than he was at rehearsals. I should very much like to read Aisse to you so as to talk a little about it; some of the actors whom they propose are, to my way of thinking, impossible. It is hard to have to do with uneducated people.
Last updated Sunday, March 27, 2016 at 11:54