“This is a charming book, full of free breezes, and mountain torrents, and pictures of romantic interest. Mr. Borrow is a self-sufficing man of free nature, his mind is always in the fresh air; he is not unworthy to climb the sierras and rest beneath the cork trees where we have so often enjoyed the company of Don Quixote. And he has the merit, almost miraculous to-day, of leaving us almost always to draw our own inferences from what he gives us. We can wander on in peace, secure against being forced back upon ourselves, or forced sideways to himself. It is as good to read through this book of pictures, as to stay in a house hung with Gobelin tapestry. The Gipsies are introduced here with even more spirit than in his other book. He sketches men and nature with the same bold and clear, though careless touch. Cape Finisterre and the entrance into Gallicia are as good parts as any to look at.
Mr. Browning was known to us before, by a little book called “Pippa Passes,” full of bold openings, motley with talent like this, and rich in touches of personal experience. A version of the thought of the day so much less penetrating than Faust and Festus cannot detain us long; yet we are pleased to see each man in his kind bearing witness, that neither sight nor thought will enable to attain that golden crown which is the reward of life, of profound experiences and gradual processes, the golden crown of wisdom. The artist nature is painted with great vigor in Aprile. The author has come nearer that, than to the philosophic nature. There is music in the love of Festus for his friend, especially in the last scene, the thought of his taking sides with him against the divine judgment is true as poesy.
Last updated Sunday, March 27, 2016 at 11:54