IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later.
I will say at once that Stepan Trofimovitch had always filled a particular role among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part — so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a “persecuted” man and, so to speak, an “exile.” There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man.
I am even inclined to suppose that towards the end he had been entirely forgotten everywhere; but still it cannot be said that his name had never been known. It is beyond question that he had at one time belonged to a certain distinguished constellation of celebrated leaders of the last generation, and at one time — though only for the briefest moment — his name was pronounced by many hasty persons of that day almost as though it were on a level with the names of Tchaadaev, of Byelinsky. of Granovsky, and of Herzen, who had only just begun to write abroad. But Stepan Trofimovitch's activity ceased almost at the moment it began, owing, so to say, to a “vortex of combined circumstances.” And would you believe it? It turned out afterwards that there had been no “vortex” and even no “circumstances,” at least in that connection. I only learned the other day to my intense amazement, though on the most unimpeachable authority, that Stepan Trofimovitch had lived among us in our province not as an “exile” as we were accustomed to believe, and had never even been under police supervision at all. Such is the force of imagination! All his life he sincerely believed that in certain spheres he was a constant cause of apprehension, that every step he took was watched and noted, and that each one of the three governors who succeeded one another during twenty years in our province came with special and uneasy ideas concerning him, which had, by higher powers, been impressed upon each before everything else, on receiving the appointment. Had anyone assured the honest man on the most irrefutable grounds that he had nothing to be afraid of, he would certainly have been offended. Yet Stepan Trofimovitch was a most intelligent and gifted man, even, so to say, a man of science, though indeed, in science . . . well, in fact he had not done such great things in science. I believe indeed he had done nothing at all. But that's very often the case, of course, with men of science among us in Russia.
He came back from abroad and was brilliant in the capacity of lecturer at the university, towards the end of the forties. He only had time to deliver a few lectures, I believe they were about the Arabs; he maintained, too, a brilliant thesis on the political and Hanseatic importance of the German town Hanau, of which there was promise in the epoch between 1413 and 1428, and on the special and obscure reasons why that promise was never fulfilled. This dissertation was a cruel and skilful thrust at the Slavophils of the day, and at once made him numerous and irreconcilable enemies among them. Later on — after he had lost his post as lecturer, however — he published (by way of revenge, so to say, and to show them what a man they had lost) in a progressive monthly review, which translated Dickens and advocated the views of George Sand, the beginning of a very profound investigation into the causes, I believe, of the extraordinary moral nobility of certain knights at a certain epoch or something of that nature.
Some lofty and exceptionally noble idea was maintained in it, anyway. It was said afterwards that the continuation was hurriedly forbidden and even that the progressive review had to suffer for having printed the first part. That may very well have been so, for what was not possible in those days? Though, in this case, it is more likely that there was nothing of the kind, and that the author himself was too lazy to conclude his essay. He cut short his lectures on the Arabs because, somehow and by some one (probably one of his reactionary enemies) a letter had been seized giving an account of certain circumstances, in consequence of which some one had demanded an explanation from him. I don't know whether the story is true, but it was asserted that at the same time there was discovered in Petersburg a vast, unnatural, and illegal conspiracy of thirty people which almost shook society to its foundations. It was said that they were positively on the point of translating Fourier. As though of design a poem of Stepan Trofimovitch's was seized in Moscow at that very time, though it had been written six years before in Berlin in his earliest youth, and manuscript copies had been passed round a circle consisting of two poetical amateurs and one student. This poem is lying now on my table. No longer ago than last year I received a recent copy in his own handwriting from Stepan Trofimovitch himself, signed by him, and bound in a splendid red leather binding. It is not without poetic merit, however, and even a certain talent. It's strange, but in those days (or to be more exact, in the thirties) people were constantly composing in that style. I find it difficult to describe the subject, for I really do not understand it. It is some sort of an allegory in lyrical-dramatic form, recalling the second part of Faust. The scene opens with a chorus of women, followed by a chorus of men, then a chorus of incorporeal powers of some sort, and at the end of all a chorus of spirits not yet living but very eager to come to life. All these choruses sing about something very indefinite, for the most part about somebody's curse, but with a tinge of the higher humour. But the scene is suddenly changed. There begins a sort of “festival of life” at which even insects sing, a tortoise comes on the scene with certain sacramental Latin words, and even, if I remember aright, a mineral sings about something that is a quite inanimate object. In fact, they all sing continually, or if they converse, it is simply to abuse one another vaguely, but again with a tinge of higher meaning. At last the scene is changed again; a wilderness appears, and among the rocks there wanders a civilized young man who picks and sucks certain herbs. Asked by a fairy why he sucks these herbs, he answers that, conscious of a superfluity of life in himself, he seeks forgetfulness, and finds it in the juice of these herbs, but that his great desire is to lose his reason at once (a desire possibly superfluous). Then a youth of indescribable beauty rides in on a black steed, and an immense multitude of all nations follow him. The youth represents death, for whom all the peoples are yearning. And finally, in the last scene we are suddenly shown the Tower of Babel, and certain athletes at last finish building it with a song of new hope, and when at length they complete the topmost pinnacle, the lord (of Olympia, let us say) takes flight in a comic fashion, and man, grasping the situation and seizing his place, at once begins a new life with new insight into things. Well, this poem was thought at that time to be dangerous. Last year I proposed to Stepan Trofimovitch to publish it, on the ground of its perfect harmlessness nowadays, but he declined the suggestion with evident dissatisfaction. My view of its complete harmlessness evidently displeased him, and I even ascribe to it a certain coldness on his part, which lasted two whole months.
And what do you think? Suddenly, almost at the time I proposed printing it here, our poem was published abroad in a collection of revolutionary verse, without the knowledge of Stepan Trofimovitch. He was at first alarmed, rushed to the governor, and wrote a noble letter in self-defence to Petersburg. He read it to me twice, but did not send it, not knowing to whom to address it. In fact he was in a state of agitation for a whole month, but I am convinced that in the secret recesses of his heart he was enormously flattered. He almost took the copy of the collection to bed with him, and kept it hidden under his mattress in the daytime; he positively would not allow the women to turn his bed, and although he expected every day a telegram, he held his head high. No telegram came. Then he made friends with me again, which is a proof of the extreme kindness of his gentle and unresentful heart.
Of course I don't assert that he had never suffered for his convictions at all, but I am fully convinced that he might have gone on lecturing on his Arabs as long as he liked, if he had only given the necessary explanations. But he was too lofty, and he proceeded with peculiar haste to assure himself that his career was ruined for ever “by the vortex of circumstance.” And if the whole truth is to be told the real cause of the change in his career was the very delicate proposition which had been made before and was then renewed by Varvara Petrovna Stavrogin, a lady of great wealth, the wife of a lieutenant-general, that he should undertake the education and the whole intellectual development of her only son in the capacity of a superior sort of teacher and friend, to say nothing of a magnificent salary. This proposal had been made to him the first time in Berlin, at the moment when he was first left a widower. His first wife was a frivolous girl from our province, whom he married in his early and unthinking youth, and apparently he had had a great deal of trouble with this young person, charming as she was, owing to the lack of means for her support; and also from other, more delicate, reasons. She died in Paris after three years' separation from him, leaving him a son of five years old; “the fruit of our first, joyous, and unclouded love,” were the words the sorrowing father once let fall in my presence.
The child had, from the first, been sent back to Russia, where he was brought up in the charge of distant cousins in some remote region. Stepan Trofimovitch had declined Varvara Petrovna's proposal on that occasion and had quickly married again, before the year was over, a taciturn Berlin girl, and, what makes it more strange, there was no particular necessity for him to do so. But apart from his marriage there were, it appears, other reasons for his declining the situation. He was tempted by the resounding fame of a professor, celebrated at that time, and he, in his turn, hastened to the lecturer's chair for which he had been preparing himself, to try his eagle wings in flight. But now with singed wings he naturally remembered the proposition which even then had made him hesitate. The sudden death of his second wife, who did not live a year with him, settled the matter decisively. To put it plainly it was all brought about by the passionate sympathy and priceless, so to speak, classic friendship of Varvara Petrovna, if one may use such an expression of friendship. He flung himself into the arms of this friendship, and his position was settled for more than twenty years. I use the expression “flung himself into the arms of,” but God forbid that anyone should fly to idle and superfluous conclusions. These embraces must be understood only in the most loftily moral sense. The most refined and delicate tie united these two beings, both so remarkable, for ever.
The post of tutor was the more readily accepted too, as the property — a very small one — left to Stepan Trofimovitch by his first wife was close to Skvoreshniki, the Stavrogins' magnificent estate on the outskirts of our provincial town. Besides, in the stillness of his study, far from the immense burden of university work, it was always possible to devote himself to the service of science, and to enrich the literature of his country with erudite studies. These works did not appear. But on the other hand it did appear possible to spend the rest of his life, more than twenty years, “a reproach incarnate,” so to speak, to his native country, in the words of a popular poet:
Reproach incarnate thou didst stand
Erect before thy Fatherland,
0 Liberal idealist!
But the person to whom the popular poet referred may perhaps have had the right to adopt that pose for the rest of his life if he had wished to do so, though it must have been tedious. Our Stepan Trofimovitch was, to tell the truth, only an imitator compared with such people; moreover, he had grown weary of standing erect and often lay down for a while. But, to do him justice, the “incarnation of reproach” was preserved even in the recumbent attitude, the more so as that was quite sufficient for the province. You should have seen him at our club when he sat down to cards. His whole figure seemed to exclaim “Cards! Me sit down to whist with you! Is it consistent? Who is responsible for it? Who has shattered my energies and turned them to whist? Ah, perish, Russia!” and he would majestically trump with a heart.
And to tell the truth he dearly loved a game of cards, which led him, especially in later years, into frequent and unpleasant skirmishes with Varvara Petrovna, particularly as he was always losing. But of that later. I will only observe that he was a man of tender conscience (that is, sometimes) and so was often depressed. In the course of his twenty years' friendship with Varvara Petrovna he used regularly, three or four times a year, to sink into a state of “patriotic grief,” as it was called among us, or rather really into an attack of spleen, but our estimable Varvara Petrovna preferred the former phrase. Of late years his grief had begun to be not only patriotic, but at times alcoholic too; but Varvara Petrovna's alertness succeeded in keeping him all his life from trivial inclinations. And he needed some one to look after him indeed, for he sometimes behaved very oddly: in the midst of his exalted sorrow he would begin laughing like any simple peasant. There were moments when he began to take a humorous tone even about himself. But there was nothing Varvara Petrovna dreaded so much as a humorous tone. She was a woman of the classic type, a female Maecenas, invariably guided only by the highest considerations. The influence of this exalted lady over her poor friend for twenty years is a fact of the first importance. I shall need to speak of her more particularly, which I now proceed to do.
There are strange friendships. The two friends are always ready to fly at one another, and go on like that all their lives, and yet they cannot separate. Parting, in fact, is utterly impossible. The one who has begun the quarrel and separated will be the first to fall ill and even die, perhaps, if the separation comes off. I know for a positive fact that several times Stepan Trofimovitch has jumped up from the sofa and beaten the wall with his fists after the most intimate and emotional tete-a-tete with Varvara Petrovna.
This proceeding was by no means an empty symbol; indeed, on one occasion, he broke some plaster off the wall. It may be asked how I come to know such delicate details. What if I were myself a witness of it? What if Stepan Trofimovitch himself has, on more than one occasion, sobbed on my shoulder while he described to me in lurid colours all his most secret feelings. (And what was there he did not say at such times!) But what almost always happened after these tearful outbreaks was that next day he was ready to crucify himself for his ingratitude. He would send for me in a hurry or run over to see me simply to assure me that Varvara Petrovna was “an angel of honour and delicacy, while he was very much the opposite.” He did not only run to confide in me, but, on more than one occasion, described it all to her in the most eloquent letter, and wrote a full signed confession that no longer ago than the day before he had told an outsider that she kept him out of vanity, that she was envious of his talents and erudition, that she hated him and was only afraid to express her hatred openly, dreading that he would leave her and so damage her literary reputation, that this drove him to self-contempt, and he was resolved to die a violent death, and that he was waiting for the final word from her which would decide everything, and so on and so on in the same style. You can fancy after this what an hysterical pitch the nervous outbreaks of this most innocent of all fifty-year-old infants sometimes reached! I once read one of these letters after some quarrel between them, arising from a trivial matter, but growing venomous as it went on. I was horrified and besought him not to send it.
“I must . . . more honourable . . . duty . . . I shall die if I don't confess everything, everything!” he answered almost in delirium, and he did send the letter.
That was the difference between them, that Varvara Petrovna never would have sent such a letter. It is true that he was passionately fond of writing, he wrote to her though he lived in the same house, and during hysterical interludes he would write two letters a day. I know for a fact that she always read these letters with the greatest attention, even when she received two a day, and after reading them she put them away in a special drawer, sorted and annotated; moreover, she pondered them in her heart. But she kept her friend all day without an answer, met him as though there were nothing the matter, exactly as though nothing special had happened the day before. By degrees she broke him in so completely that at last he did not himself dare to allude to what had happened the day before, and only glanced into her eyes at times. But she never forgot anything, while he sometimes forgot too quickly, and encouraged by her composure he would not infrequently, if friends came in, laugh and make jokes over the champagne the very same day. With what malignancy she must have looked at him at such moments, while he noticed nothing! Perhaps in a week's time, a month's time, or even six months later, chancing to recall some phrase in such a letter, and then the whole letter with all its attendant circumstances, he would suddenly grow hot with shame, and be so upset that he fell ill with one of his attacks of “summer cholera.” These attacks of a sort of “summer cholera” were, in some cases, the regular consequence of his nervous agitations and were an interesting peculiarity of his physical constitution.
No doubt Varvara Petrovna did very often hate him. But there was one thing he had not discerned up to the end: that was that he had become for her a son, her creation, even, one may say, her invention; he had become flesh of her flesh, and she kept and supported him not simply from “envy of his talents.” And how wounded she must have been by such suppositions! An inexhaustible love for him lay concealed in her heart in the midst of continual hatred, jealousy, and contempt. She would not let a speck of dust fall upon him, coddled him up for twenty-two years, would not have slept for nights together if there were the faintest breath against his reputation as a poet, a learned man, and a public character. She had invented him, and had been the first to believe in her own invention. He was, after a fashion, her day-dream. . . . But in return she exacted a great deal from him, sometimes even slavishness. It was incredible how long she harboured resentment. I have two anecdotes to tell about that.
On one occasion, just at the time when the first rumours of the emancipation of the serfs were in the air, when all Russia was exulting and making ready for a complete regeneration, Varvara Petrovna was visited by a baron from Petersburg, a man of the highest connections, and very closely associated with the new reform. Varvara Petrovna prized such visits highly, as her connections in higher circles had grown weaker and weaker since the death of her husband, and had at last ceased altogether. The baron spent an hour drinking tea with her. There was no one else present but Stepan Trofimovitch, whom Varvara Petrovna invited and exhibited. The baron had heard something about him before or affected to have done so, but paid little attention to him at tea. Stepan Trofimovitch of course was incapable of making a social blunder, and his manners were most elegant. Though I believe he was by no means of exalted origin, yet it happened that he had from earliest childhood been brought up in a Moscow household — of high rank, and consequently was well bred. He spoke French like a Parisian. Thus the baron was to have seen from the first glance the sort of people with whom Varvara Petrovna surrounded herself, even in provincial seclusion. But things did not fall out like this. When the baron positively asserted the absolute truth of the rumours of the great reform, which were then only just beginning to be heard, Stepan Trofimovitch could not contain himself, and suddenly shouted “Hurrah!” and even made some gesticulation indicative of delight. His ejaculation was not over-loud and quite polite, his delight was even perhaps premeditated, and his gesture purposely studied before the looking-glass half an hour before tea. But something must have been amiss with it, for the baron permitted himself a faint smile, though he, at once, with extraordinary courtesy, put in a phrase concerning the universal and befitting emotion of all Russian hearts in view of the great event. Shortly afterwards he took his leave and at parting did not forget to hold out two fingers to Stepan Trofimovitch. On returning to the drawing-room Varvara Petrovna was at first silent for two or three minutes, and seemed to be looking for something on the table. Then she turned to Stepan Trofimovitch, and with pale face and flashing eyes she hissed in a whisper:
“I shall never forgive you for that!”
Next day she met her friend as though nothing had happened, she never referred to the incident, but thirteen years afterwards, at a tragic moment, she recalled it and reproached him with it, and she turned pale, just as she had done thirteen years before. Only twice in the course of her life did she say to him:
“I shall never forgive you for that!”
The incident with the baron was the second time, but the first incident was so characteristic and had so much influence on the fate of Stepan Trofimovitch that I venture to refer to that too.
It was in 1855, in spring-time, in May, just after the news had reached Skvoreshniki of the death of Lieutenant-General Gavrogin, a frivolous old gentleman who died of a stomach ailment on the way to the Crimea, where he was hastening to join the army on active service. Varvara Petrovna was left a widow and put on deep mourning. She could not, it is true, deplore his death very deeply, since, for the last four years, she had been completely separated from him owing to incompatibility of temper, and was giving him an allowance. (The Lieutenant-General himself had nothing but one hundred and fifty serfs and his pay, besides his position and his connections. All the money and Skvoreshniki belonged to Varvara Petrovna, the only daughter of a very rich contractor.) Yet she was shocked by the suddenness of the news, and retired into complete solitude. Stepan Trofimovitch, of course, was always at her side.
May was in its full beauty. The evenings were exquisite. The wild cherry was in flower. The two friends walked every evening in the garden and used to sit till nightfall in the arbour, and pour out their thoughts and feelings to one another. They had poetic moments. Under the influence of the change in her position Varvara Petrovna talked more than usual. She, as it were, clung to the heart of her friend, and this continued for several evenings. A strange idea suddenly came over Stepan Trofimovitch: “Was not the inconsolable widow reckoning upon him, and expecting from him, when her mourning was over, the offer of his hand?” A cynical idea, but the very loftiness of a man's nature sometimes increases a disposition to cynical ideas if only from the many-sidedness of his culture. He began to look more deeply into it, and thought it seemed like it. He pondered: “Her fortune is immense, of course, but . . .” Varvara Petrovna certainly could not be called a beauty. She was a tall, yellow, bony woman with an extremely long face, suggestive of a horse. Stepan Trofimovitch hesitated more and more, he was tortured by doubts, he positively shed tears of indecision once or twice (he wept not infrequently). In the evenings, that is to say in the arbour, his countenance involuntarily began to express something capricious and ironical, something coquettish and at the same time condescending. This is apt to happen as it were by accident, and the more gentlemanly the man the more noticeable it is. Goodness only knows what one is to think about it, but it's most likely that nothing had begun working in her heart that could have fully justified Stepan Trofimovitch's suspicions. Moreover, she would not have changed her name, Stavrogin, for his name, famous as it was. Perhaps there was nothing in it but the play of femininity on her side; the manifestation of an unconscious feminine yearning so natural in some extremely feminine types. However, I won't answer for it; the depths of the female heart have not been explored to this day. But I must continue.
It is to be supposed that she soon inwardly guessed the significance of her friend's strange expression; she was quick and observant, and he was sometimes extremely guileless. But the evenings went on as before, and their conversations were just as poetic and interesting. And behold on one occasion at nightfall, after the most lively and poetical conversation, they parted affectionately, warmly pressing each other's hands at the steps of the lodge where Stepan Trofimovitch slept. Every summer he used to move into this little lodge which stood adjoining the huge seignorial house of Skvoreshniki, almost in the garden. He had only just gone in, and in restless hesitation taken a cigar, and not having yet lighted it, was standing weary and motionless before the open window, gazing at the light feathery white clouds gliding around the bright moon, when suddenly a faint rustle made him start and turn round. Varvara Petrovna, whom he had left only four minutes earlier, was standing before him again. Her yellow face was almost blue. Her lips were pressed tightly together and twitching at the corners. For ten full seconds she looked him in the eyes in silence with a firm relentless gaze, and suddenly whispered rapidly:
“I shall never forgive you for this!”
When, ten years later, Stepan Trofimovitch, after closing the doors, told me this melancholy tale in a whisper, he vowed that he had been so petrified on the spot that he had not seen or heard how .Varvara Petrovna had disappeared. As she never once afterwards alluded to the incident and everything went on as though nothing had happened, he was all his life inclined to the idea that it was all an hallucination, a symptom of illness, the more so as he was actually taken ill that very night and was indisposed for a fortnight, which, by the way, cut short the interviews in the arbour.
But in spite of his vague theory of hallucination he seemed every day, all his life, to be expecting the continuation, and, so to say, the denouement of this affair. He could not believe that that was the end of it! And if so he must have looked strangely sometimes at his friend.
She had herself designed the costume for him which he wore for the rest of his life. It was elegant and characteristic; a long black frock-coat, buttoned almost to the top, but stylishly cut; a soft hat (in summer a straw hat) with a wide brim, a white batiste cravat with a full bow and hanging ends, a cane with a silver knob; his hair flowed on to his shoulders. It was dark brown, and only lately had begun to get a little grey. He was clean-shaven. He was said to have been very handsome in his youth. And, to my mind, he was still an exceptionally impressive figure even in old age. Besides, who can talk of old age at fifty-three? From his special pose as a patriot, however, he did not try to appear younger, but seemed rather to pride himself on the solidity of his age, and, dressed as described, tall and thin with flowing hair, he looked almost like a patriarch, or even more like the portrait of the poet Kukolnik, engraved in the edition of his works published in 1830 or thereabouts. This resemblance was especially striking when he sat in the garden in summertime, on a seat under a bush of flowering lilac, with both hands propped on his cane and an open book beside him, musing poetically over the setting sun. In regard to books I may remark that he came in later years rather to avoid reading. But that was only quite towards the end. The papers and magazines ordered in great profusion by Varvara Petrovna he was continually reading. He never lost interest in the successes of Russian literature either, though he always maintained a dignified attitude with regard to them. He was at one time engrossed in the study of our home and foreign politics, but he soon gave up the undertaking with a gesture of despair. It sometimes happened that he would take De Tocqueville with him into the garden while he had a Paul de Kock in his pocket. But these are trivial matters.
I must observe in parenthesis about the portrait of Kukolnik; the engraving had first come into the hands of Varvara Petrovna when she was a girl in a high-class boarding-school in Moscow. She fell in love with the portrait at once, after the habit of all girls at school who fall in love with anything they come across, as well as with their teachers, especially the drawing and writing masters. What is interesting in this, though, is not the characteristics of girls but the fact that even at fifty Varvara Petrovna kept the engraving among her most intimate and treasured possessions, so that perhaps it was only on this account that she had designed for Stepan Trofimovitch a costume somewhat like the poet's in the engraving. But that, of course, is a trifling matter too.
For the first years or, more accurately, for the first half of the time he spent with Varvara Petrovna, Stepan Trofimovitch was still planning a book and every day seriously prepared to write it. But during the later period he must have forgotten even what he had done. More and more frequently he used to say to us:
“I seem to be ready for work, my materials are collected, yet the work doesn't get done! Nothing is done!”
And he would bow his head dejectedly. No doubt this was calculated to increase his prestige in our eyes as a martyr to science, but. he himself was longing for something else. “They have forgotten me! I'm no use to anyone!” broke from him more than once. This intensified depression took special hold of him towards the end of the fifties. Varvara Petrovna realised at last that it was a serious matter. Besides, she could not endure the idea that her friend was forgotten and useless. To distract him and at the same time to renew his fame she carried him off to Moscow, where she had fashionable acquaintances in the literary and scientific world; but it appeared that Moscow too was unsatisfactory.
It was a peculiar time; something new was beginning, quite unlike the stagnation of the past, something very strange too, though it was felt everywhere, even at Skvoreshniki. Rumours of all sorts reached us. The facts were generally more or less well known, but it was evident that in addition to the facts there were certain ideas accompanying them, and what's more, a great number of them. And this was perplexing. It was impossible to estimate and find out exactly what was the drift of these ideas. Varvara Petrovna was prompted by the feminine composition of her character to a compelling desire to penetrate the secret of them. She took to reading newspapers and magazines, prohibited publications printed abroad and even the revolutionary manifestoes which were just beginning to appear at the time (she was able to procure them all); but this only set her head in a whirl. She fell to writing letters; she got few answers, and they grew more incomprehensible as time went on. Stepan Trofimovitch was solemnly called upon to explain “these ideas” to her once for all, but she remained distinctly dissatisfied with his explanations.
Stepan Trofimovitch's view of the general movement was supercilious in the extreme. In his eyes all it amounted to was that he was forgotten and of no use. At last his name was mentioned, at first in periodicals published abroad as that of an exiled martyr, and immediately afterwards in Petersburg as that of a former star in a celebrated constellation. He was even for some reason compared with Radishtchev. Then some one printed the statement that he was dead and promised an obituary notice of him. Stepan Trofimovitch instantly perked up and assumed an air of immense dignity. All his disdain for his contemporaries evaporated and he began to cherish the dream of joining the movement and showing his powers. Varvara Petrovna's faith in everything instantly revived and she was thrown into a violent ferment. It was decided to go to Petersburg without a moment's delay, to find out everything on the spot, to go into everything personally, and, if possible, to throw themselves heart and soul into the new movement. Among other things she announced that she was prepared to found a magazine of her own, and henceforward to devote her whole life to it. Seeing what it had come to, Stepan Trofimovitch became more condescending than ever, and on the journey began to behave almost patronisingly to Varvara Petrovna — which she at once laid up in her heart against him. She had, however, another very important reason for the trip, which was to renew her connections in higher spheres. It was necessary, as far as she could, to remind the world of her existence, or at any rate to make an attempt to do so. The ostensible object of the journey was to see her only son, who was just finishing his studies at a Petersburg lyceum.
They spent almost the whole winter season in Petersburg. But by Lent everything burst like a rainbow-coloured soap-bubble.
Their dreams were dissipated, and the muddle, far from being cleared up, had become even more revoltingly incomprehensible. To begin with, connections with the higher spheres were not established, or only on a microscopic scale, and by humiliating exertions. In her mortification Varvara Petrovna threw herself heart and soul into the “new ideas,” and began giving evening receptions. She invited literary people, and they were brought to her at once in multitudes. Afterwards they came of themselves without invitation, one brought another. Never had she seen such literary men. They were incredibly vain, but quite open in their vanity, as though they were performing a duty by the display of it. Some (but by no means all) of them even turned up intoxicated, seeming, however, to detect in this a peculiar, only recently discovered, merit. They were all strangely proud of something. On every face was written that they had only just discovered some extremely important secret. They abused one another, and took credit to themselves for it. It was rather difficult to find out what they had written exactly, but among them there were critics, novelists, dramatists, satirists, and exposers of abuses. Stepan Trofimovitch penetrated into their very highest circle from which the movement was directed. Incredible heights had to be scaled to reach this group; but they gave him a cordial welcome, though, of course, no one of them had ever heard of him or knew anything about him except that he “represented an idea.” His manoeuvres among them were so successful that he got them twice to Varvara Petrovna's salon in spite of their Olympian grandeur. These people were very serious and very polite; they behaved nicely; the others were evidently afraid of them; but it was obvious that they had no time to spare. Two or three former literary celebrities who happened to be in Petersburg, and with whom Varvara Petrovna had long maintained a most refined correspondence, came also. But to her surprise these genuine and quite indubitable celebrities were stiller than water, humbler than the grass, and some of them simply hung on to this new rabble, and were shamefully cringing before them. At first Stepan Trofimovitch was a success. People caught at him and began to exhibit him at public literary gatherings. The first time he came on to the platform at some public reading in which he was to take part, he was received with enthusiastic clapping which lasted for five minutes. He recalled this with tears nine years afterwards, though rather from his natural artistic sensibility than from gratitude. “I swear, and I'm ready to bet,” he declared (but only to me, and in secret), “that not one of that audience knew anything whatever about me.” A noteworthy admission. He must have had a keen intelligence since he was capable of grasping his position so clearly even on the platform, even in such a state of exaltation; it also follows that he had not a keen intelligence if, nine years afterwards, he could not recall it without mortification, he was made to sign two or three collective protests (against what he did not know); he signed them. Varvara Petrovna too was made to protest against some “disgraceful action” and she signed too. The majority of these new people, however, though they visited Varvara Petrovna, felt themselves for some reason called upon to regard her with contempt, and with undisguised irony. Stepan Trofimovitch hinted to me at bitter moments afterwards that it was from that time she had been envious of him. She saw, of course, that she could not get on with these people, yet she received them eagerly, with all the hysterical impatience of her sex, and, what is more, she expected something. At her parties she talked little, although she could talk, but she listened the more. They talked of the abolition of the censorship, and of phonetic spelling, of the substitution of the Latin characters for the Russian alphabet, of some one's having been sent into exile the day before, of some scandal, of the advantage of splitting Russia into nationalities united in a free federation, of the abolition of the army and the navy, of the restoration of Poland as far as the Dnieper, of the peasant reforms, and of the manifestoes, of the abolition of the hereditary principle, of the family, of children, and of priests, of women's rights, of Kraevsky's house, for which no one ever seemed able to forgive Mr. Kraevsky, and so on, and so on. It was evident that in this mob of new people there were many impostors, but undoubtedly there were also many honest and very attractive people, in spite of some surprising characteristics in them. The honest ones were far more difficult to understand than the coarse and dishonest, but it was impossible to tell which was being made a tool of by the other. When Varvara Petrovna announced her idea of founding a magazine, people flocked to her in even larger numbers, but charges of being a capitalist and an exploiter of labour were showered upon her to her face. The rudeness of these accusations was only equalled by their unexpectedness. The aged General Ivan Ivanovitch Drozdov, an old friend and comrade of the late General Stavrogin's, known to us all here as an extremely stubborn and irritable, though very estimable, man (in his own way, of course), who ate a great deal, and was dreadfully afraid of atheism, quarrelled at one of Varvara Petrovna's parties with a distinguished young man. The latter at the first word exclaimed, “You must be a general if you talk like that,” meaning that he could find no word of abuse worse than “general.”
Ivan Ivanovitch flew into a terrible passion: “Yes, sir, I am a general, and a lieutenant-general, and I have served my Tsar, and you, sir, are a puppy and an infidel!”
An outrageous scene followed. Next day the incident was exposed in print, and they began getting up a collective protest against Varvara Petrovna's disgraceful conduct in not having immediately turned the general out. In an illustrated paper there appeared a malignant caricature in which Varvara Petrovna, Stepan Trofimovitch, and General Drozdov were depicted as three reactionary friends. There were verses attached to this caricature written by a popular poet especially for the occasion. I may observe, for my own part, that many persons of general's rank certainly have an absurd habit of saying, “I have served my Tsar “ . . . just as though they had not the same Tsar as all the rest of us, their simple fellow-subjects, but had a special Tsar of their own.
It was impossible, of course, to remain any longer in Petersburg, all the more so as Stepan Trofimovitch was overtaken by a complete fiasco. He could not resist talking of the claims of art, and they laughed at him more loudly as time went on. At his last lecture he thought to impress them with patriotic eloquence, hoping to touch their hearts, and reckoning on the respect inspired by his “persecution.” He did not attempt to dispute the uselessness and absurdity of the word “fatherland,” acknowledged the pernicious influence of religion, but firmly and loudly declared that boots were of less consequence than Pushkin; of much less, indeed. He was hissed so mercilessly that he burst into tears, there and then, on the platform. Varvara Petrovna took him home more dead than alive. “On m'a traits, comme un vieux bonnet de coton,” he babbled senselessly. She was looking after him all night, giving him laurel-drops and repeating to him till daybreak, “You will still be of use; you will still make your mark; you will be appreciated . . . in another place.”
Early next morning five literary men called on Varvara Petrovna, three of them complete strangers, whom she had ever set eyes on before. With a stern air they informed her that they had looked into the question of her magazine, and had brought her their decision on the subject. Varvara Petrovna had never authorised anyone to look into or decide anything concerning her magazine. Their decision was that, having founded the magazine, she should at once hand it over to them with the capital to run it, on the basis of a co-operative society. She herself was to go back to Skvoreshniki, not forgetting to take with her Stepan Trofimovitch, who was “out of date.” From delicacy they agreed to recognise the right of property in her case, and to send her every year a sixth part of the net profits. What was most touching about it was that of these five men, four certainly were not actuated by any mercenary motive, and were simply acting in the interests of the “cause.”
“We came away utterly at a loss,” Stepan Trofimovitch used to say afterwards. “I couldn't make head or tail of it, and kept muttering, I remember, to the rumble of the train:
'Vyek, and vyek, and Lyov Kambek, Lyov Kambek and vyek, and vyek.'
and goodness knows what, all the way to Moscow. It was only in Moscow that I came to myself — as though we really might find something different there.”
“Oh, my friends!” he would exclaim to us sometimes with fervour, '' you cannot imagine what wrath and sadness overcome your whole soul when a great idea, which you have long cherished as holy, is caught up by the ignorant and dragged forth before fools like themselves into the street, and you suddenly meet it in the market unrecognisable, in the mud, absurdly set up, without proportion, without harmony, the plaything of foolish louts! No! In our day it was not so, and it was not this for which we strove. No, no, not this at all. I don't recognise it. . . . Our day will come again and will turn all the tottering fabric of to-day into a true path. If not, what will happen? . . .”
Immediately on their return from Petersburg Varvara Petrovna sent her friend abroad to “recruit”; and, indeed, it was necessary for them to part for a time, she felt that. Stepan Trofimovitch was delighted to go.
“There I shall revive!” he exclaimed. “There, at last, I shall set to work!” But in the first of his letters from Berlin he struck his usual note:
“My heart is broken!” he wrote to Varvara Petrovna. “I can forget nothing! Here, in Berlin, everything brings back to me my old past, my first raptures and my first agonies. Where is she? Where are they both? Where are you two angels of whom I was never worthy? Where is my son, my beloved son? And last of all, where am I, where is my old self, strong as steel. firm as a rock, when now some Andreev, our orthodox clown with a beard, pent briser man existence en deux”— and so on.
As for Stepan Trofimovitch's son, he had only seen him twice in his life, the first time when he was born and the second time lately in Petersburg, where the young man was preparing to enter the university. The boy had been all his life, as we have said already, brought up by his aunts (at Varvara Petrovna's expense) in a remote province, nearly six hundred miles from Skvoreshniki. As for Andreev, he was nothing more or less than our local shopkeeper, a very eccentric fellow, a self-taught archaeologist who had a passion for collecting Russian antiquities and sometimes tried to outshine Stepan Trofimovitch in erudition and in the progressiveness of his opinions. This worthy shopkeeper, with a grey beard and silver-rimmed spectacles, still owed Stepan Trofimovitch four hundred roubles for some acres of timber he had bought on the latter's little estate (near Skvoreshniki). Though Varvara Petrovna had liberally provided her friend with funds when she sent him to Berlin, yet Stepan Trofimovitch had, before starting, particularly reckoned on getting that four hundred roubles, probably for his secret expenditure, and was ready to cry when Andreev asked leave to defer payment for a month, which he had a right to do, since he had brought the first installments of the money almost six months in advance to meet Stepan Trofimovitch's special need at the time.
Varvara Petrovna read this first letter greedily, and underlining in pencil the exclamation: “Where are they both?” numbered it and put it away in a drawer. He had, of course, referred to his two deceased wives. The second letter she received from Berlin was in a different strain:
“I am working twelve hours out of the twenty-four.” (“Eleven would be enough,” muttered Varvara Petrovna.) “I'm rummaging in the libraries, collating, copying, rushing about. I've visited the professors. I have renewed my acquaintance with the delightful Dundasov family. What a charming creature Lizaveta Mkolaevna is even now! She sends you her greetings. Her young husband and three nephews are all in Berlin. I sit up talking till daybreak with the young people and we have almost Athenian evenings, Athenian, I mean, only in their intellectual subtlety and refinement. Everything is in noble style; Â» great deal of music, Spanish airs, dreams of the regeneration of all humanity, ideas of eternal beauty, of the Sistine Madonna, light interspersed with darkness, but there are spots even on the sun! Oh, my friend, my noble, faithful friend! In heart I am with you and am yours; with you alone, always, en tout pays, even in le pays de Makar et de ses veaux, of which we often used to talk in agitation in Petersburg, do you remember, before we came away. I think of it with a smile. Crossing the frontier I felt myself in safety, a sensation, strange and new, for the first time after so many years”— and so on and so on.
“Come, it's all nonsense!” Varvara Petrovna commented, folding up that letter too. “If he's up till daybreak with his Athenian nights, he isn't at his books for twelve hours a day. Was he drunk when he wrote it? That Dundasov woman dares to send me greetings! But there, let him amuse himself!”
The phrase “dans le pays de Makar et de ses veaux” meant: “wherever Makar may drive his calves.” Stepan Trofimovitch sometimes purposely translated Russian proverbs and traditional sayings into French in the most stupid way, though no doubt he was able to understand and translate them better. But he did it from a feeling that it was chic, and thought it witty.
But he did not amuse himself for long. He could not hold out for four months, and was soon flying back to Skvoreshniki. His last letters consisted of nothing but outpourings of the most sentimental love for his absent friend, and were literally wet with tears. There are natures extremely attached to home like lap-dogs. The meeting of the friends was enthusiastic. Within two days everything was as before and even duller than before. “My friend,” Stepan Trofimovitch said to me a fortnight after, m dead secret, “I have discovered something awful for me . . . something new: je suis un simple dependent, et rien de plus! Mais r-r-rien de plus .' “
After this we had a period of stagnation which lasted nine years. The hysterical outbreaks and sobbings on my shoulder that recurred at regular intervals did not in the least mar our prosperity. I wonder that Stepan Trofimovitch did not grow stout during this period. His nose was a little redder, and his manner had gained in urbanity, that was all. By degrees a circle of friends had formed around him, although it was never a very large one. Though Varvara Petrovna had little to do with the circle, yet we all recognised her as our patroness. After the lesson she had received in Petersburg, she settled down in our town for good. In winter she lived in her town house and spent the summer on her estate in the neighbourhood. She had never enjoyed so much consequence and prestige in our provincial society as during the last seven years of this period, that is up to the time of the appointment of our present governor. Our former governor, the mild Ivan Ossipovitch, who will never be forgotten among us, was a near relation of Varvara Petrovna's, and had at one time been under obligations to her. His wife trembled at the very thought of displeasing her, while the homage paid her by provincial society was carried almost to a pitch that suggested idolatry. So Stepan Trofimovitch, too, had a good time. He was a member of the club, lost at cards majestically, and was everywhere treated with respect, though many people regarded him only as a “learned man.” Later on, when Varvara Petrovna allowed him to live in a separate house, we enjoyed greater freedom than before. Twice a week we used to meet at his house. We were a merry party, especially when he was not sparing of the champagne. The wine came from the shop of the same Andreev. The bill was paid twice a year by Varvara Petrovna, and on the day it was paid Stepan Trofimoivitch almost invariably suffered from an attack of his “summer cholera.”
One of the first members of our circle was Liputin, an elderly provincial official, and a great liberal, who was reputed in the town to be an atheist. He had married for the second time a young and pretty wife with a dowry, and had, besides, three grown-up daughters. He brought up his family in the fear of God, and kept a tight hand over them. He was extremely stingy, and out of his salary had bought himself a house and amassed a fortune. He was an uncomfortable sort of man, and had not been in the service. He was not much respected in the town, and was not received in the best circles. Moreover, he was a scandal-monger, and had more than once had to smart for his back-biting, for which he had been badly punished by an officer, and again by a country gentleman, the respectable head of a family- But we liked his wit, his inquiring mind, his peculiar, malicious liveliness. Varvara Petrovna disliked him, but he always knew how to make up to her.
Nor did she care for Shatov, who became one of our circle during the last years of this period. Shatov had been a student and had been expelled from the university after some disturbance. In his childhood he had been a student of Stepan Trofimovitch's and was by birth a serf of Varvara Petrovna's, the son of a former valet of hers, Pavel Fyodoritch, and was greatly indebted to her bounty. She disliked him for his pride and ingratitude and could never forgive him for not having come straight to her on his expulsion from the university. On the contrary he had not even answered the letter she had expressly sent him at the time, and preferred to be a drudge in the family of a merchant of the new style, with whom he went abroad, looking after his children more in the position of a nurse than of a tutor. He was very eager to travel at the time. The children had a governess too, a lively young Russian lady, who also became one of the household on the eve of their departure, and had been engaged chiefly because she was so cheap. Two months later the merchant turned her out of the house for “free thinking.” Shatov took himself off after her and soon afterwards married her in Geneva. They lived together about three weeks, and then parted as free people recognising no bonds, though, no doubt, also through poverty. He wandered about Europe alone for a long time afterwards, living God knows how; he is said to have blacked boots in the street, and to have been a porter in some dockyard. At last, a year before, he had returned to his native place among us and settled with an old aunt, whom he buried a month later. His sister Dasha, who had also been brought up by Varvara Petrovna, was a favourite of hers, and treated with respect and consideration in her house. He saw his sister rarely and was not on intimate terms with her. In our circle he was always sullen, and never talkative; but from time to time, when his convictions were touched upon, he became morbidly irritable and very unrestrained in his language.
“One has to tie Shatov up and then argue with him,” Stepan Trofimovitch would sometimes say in joke, but he liked him.
Shatov had radically changed some of his former socialistic convictions abroad and had rushed to the opposite extreme. He was one of those idealistic beings common in Russia, who are suddenly struck by some overmastering idea which seems, as it were, to crush them at once, and sometimes for ever. They are never equal to coping with it, but put passionate faith in it, and their whole life passes afterwards, as it were, in the last agonies under the weight of the stone that has fallen upon them and half crushed them. In appearance Shatov was in complete harmony with his convictions: he was short, awkward, had a shock of flaxen hair, broad shoulders, thick lips, very thick overhanging white eyebrows, a wrinkled forehead, and a hostile, obstinately downcast, as it were shamefaced, expression in his eyes. His hair was always in a wild tangle and stood up in a shock which nothing could smooth. He was seven- or eight-and-twenty.
“I no longer wonder that his wife ran away from him,” Varvara Petrovna enunciated on one occasion after gazing intently at him. He tried to be neat in his dress, in spite of his extreme poverty. He refrained again from appealing to Varvara Petrovna, and struggled along as best he could, doing various jobs for tradespeople. At one time he served in a shop, at another he was on the point of going as an assistant clerk on a freight steamer, but he fell ill just at the time of sailing. It is hard to imagine what poverty he was capable of enduring without thinking about it at all. After his illness Varvara Petrovna sent him a hundred roubles, anonymously and in secret. He found out the secret, however, and after some reflection took the money and went to Varvara Petrovna to thank her. She received him with warmth, but on this occasion, too, he shamefully disappointed her. He only stayed five minutes, staring blankly at the ground and smiling stupidly in profound silence, and suddenly, at the most interesting point, without listening to what she was saying, he got up, made an uncouth sideways bow, helpless with confusion, caught against the lady's expensive inlaid work-table, upsetting it on the floor and smashing it to atoms, and walked out nearly dead with shame. Liputin blamed him severely afterwards for having accepted the hundred roubles and having even gone to thank Varvara Petrovna for them, instead of having returned the money with contempt, because it had come from his former despotic mistress. He lived in solitude on the outskirts of the town, and did not like any of us to go and see him. He used to turn up invariably at Stepan Trofimovitch's evenings, and borrowed newspapers and books from him.
There was another young man who always came, one Virginsky, a clerk in the service here, who had something in common with Shatov, though on the surface he seemed his complete opposite in every respect. He was a “family man” too. He was a pathetic and very quiet young man though he was thirty; he had considerable education though he was chiefly self-taught. He was poor, married, and in the service, and supported the aunt and sister of his wife. His wife and all the ladies of his family professed the very latest convictions, but in rather a crude form. It was a case of “an idea dragged forth into the street,” as Stepan Trofimovitch had expressed it upon a former occasion. They got it all out of books, and at the first hint coming from any of our little progressive corners in Petersburg they were prepared to throw anything overboard, so soon as they were advised to do so, Madame Virginsky practised as a midwife in the town. She had lived a long while in Petersburg as a girl. Virginsky himself was a man of rare single-heartedness, and I have seldom met more honest fervour.
“I will never, never, abandon these bright hopes,” he used to say to me with shining eyes. Of these “bright hopes” he always spoke quietly, in a blissful half-whisper, as it were secretly. He was rather tall, but extremely thin and narrow-shouldered, and had extraordinarily lank hair of a reddish hue. All Stepan Trofimovitch's condescending gibes at some of his opinions he accepted mildly, answered him sometimes very seriously, and often nonplussed him. Stepan Trofimovitch treated him very kindly, and indeed he behaved like a father to all of us. “You are all half-hearted chickens,” he observed to Virginsky in joke. “All who are like you, though in you, Virginsky, I have not observed that narrow-mindedness I found in Petersburg, chez ces siminaristes. But you're a half-hatched chicken all the same. Shatov would give anything to hatch out,, but he's half-hatched too.”
“And I?” Liputin inquired.
” You're simply the golden mean which will get on anywhere in its own way.” Liputin was offended.
The story was told of Virginsky, and it was unhappily only too true, that before his wife had spent a year in lawful wedlock with him she announced that he was superseded and that she preferred Lebyadkin. This Lebyadkin, a stranger to the town, turned out afterwards to be a very dubious character, and not a retired captain as he represented himself to be. He could do nothing but twist his moustache, drink, and chatter the most inept nonsense that can possibly be imagined. This fellow, who was utterly lacking in delicacy, at once settled in his house, glad to live at another man's expense, ate and slept there and came, in the end, to treating the master of the house with condescension. It was asserted that when Virginsky's wife had announced to him that he was superseded he said to her:
“My dear, hitherto I have only loved you, but now I respect you,” but I doubt whether this renunciation, worthy of ancient Home, was ever really uttered. On the contrary they say that he wept violently. A fortnight after he was superseded, all of them, in a “family party,” went one day for a picnic to a wood outside the town to drink tea with their friends. Virginsky was in a feverishly lively mood and took part in the dances. But suddenly, without any preliminary quarrel, he seized the giant Lebyadkin with both hands, by the hair, just as the latter was dancing a can-can solo, pushed him down, and began dragging him along with shrieks, shouts, and tears. The giant was so panic-stricken that he did not attempt to defend himself, and hardly uttered a sound all the time he was being dragged along. But afterwards he resented it with all the heat of an honourable man. Virginsky spent a whole night on his knees begging his wife's forgiveness. But this forgiveness was not granted, as he refused to apologise to Lebyadkin; moreover, he was upbraided for the meanness of his ideas and his foolishness, the latter charge based on the fact that he knelt down in the interview with his wife. The captain soon disappeared and did not reappear in our town till quite lately, when he came with his sister, and with entirely different aims; but of him later. It was no wonder that the poor young husband sought our society and found comfort in it. But he never spoke of his home-life to us. On one occasion only, returning with me from Stepan Trofimovitch's, he made a remote allusion to his position, but clutching my hand at once he cried ardently:
“It's of no consequence. It's only a personal incident. It's no hindrance to the 'cause,' not the slightest!”
Stray guests visited our circle too; a Jew, called Lyamshin, and a Captain Kartusov came. An old gentleman of inquiring mind used to come at one time, but he died. Liputin brought an exiled Polish priest called Slontsevsky, and for a time we received him on principle, but afterwards we didn't keep it up.
At one time it was reported about the town that our little circle was a hotbed of nihilism, profligacy, and godlessness, and the rumour gained more and more strength. And yet we did nothing but indulge in the most harmless, agreeable, typically Russian, light-hearted liberal chatter. “The higher liberalism” and the “higher liberal,” that is, a liberal without any definite aim, is only possible in Russia.
Stepan Trofimovitch, like every witty man, needed a listener, and, besides that, he needed the consciousness that he was fulfilling the lofty duty of disseminating ideas. And finally he had to have some one to drink champagne with, and over the wine to exchange light-hearted views of a certain sort, about Russia and the “Russian spirit,” about God in general, and the “Russian God” in particular, to repeat for the hundredth time the same Russian scandalous stories that every one knew and everyone repeated. We had no distaste for the gossip of the town which often, indeed, led us to the most severe and loftily moral verdicts. We fell into generalising about humanity, made stern reflections on the future of Europe and mankind in general, authoritatively predicted that after Caesarism France would at once sink into the position of a second-rate power, and were firmly convinced that this might terribly easily and quickly come to pass. We had long ago predicted that the Pope would play the part of a simple archbishop in a united Italy, and were firmly convinced that this thousand-year-old question had, in our age of humanitarianism, industry, and railways, become a trifling matter. But, of course, “Russian higher liberalism” could not look at the question in any other way. Stepan Trofimovitch sometimes talked of art, and very well, though rather abstractly. He sometimes spoke of the friends of his youth — all names noteworthy in the history of Russian progress. He talked of them with emotion and reverence, though sometimes with envy. If we were very much bored, the Jew, Lyamshin (a little post-office clerk), a wonderful performer on the piano, sat down to play, and in the intervals would imitate a pig, a thunderstorm, a confinement with the first cry of the baby, and so on, and so on; it was only for this that he was invited, indeed. If we had drunk a great deal — and that did happen sometimes, though not often — we flew into raptures, and even on one occasion sang the “Marseillaise” in chorus to the accompaniment of Lyamshin, though I don't know how it went off. The great day, the nineteenth of February, we welcomed enthusiastically, and for a long time beforehand drank toasts in its honour. But that was long ago, before the advent of Shatov or Virginsky, when Stepan Trofimovitch was still living in the same house with Varvara Petrovna. For some time before the great day Stepan Trofimovitch fell into the habit of muttering to himself well-known, though rather far-fetched, lines which must have been written by some liberal landowner of the past:
“The peasant with his axe is coming,
Something terrible will happen.”
Something of that sort, I don't remember the exact words. Varvara Petrovna overheard him on one occasion, and crying, “Nonsense, nonsense!” she went out of the room in a rage. Liputin, who happened to be present, observed malignantly to Stepan Trofimovitch:
“It'll be a pity if their former serfs really do some mischief to messieurs les landowners to celebrate the occasion,” and he drew his forefinger round his throat.
“Cher ami,” Stepan Trofimovitch observed, “believe me that -this (he repeated the gesture) will never be of any use to our landowners nor to any of us in general. We shall never be capable of organising anything even without our heads, though our heads hinder our understanding more than anything.”
I may observe that many people among us anticipated that something extraordinary, such as Liputin predicted, would take place on the day of the emancipation, and those who held this view were the so-called “authorities” on the peasantry and the government. I believe Stepan Trofimovitch shared this idea, so much so that almost on the eve of the great day he began asking Varvara Petrovna's leave to go abroad; in fact he began to be uneasy. But the great day passed, and some time passed after it, and the condescending smile reappeared on Stepan Trofimovitch's lips. In our presence he delivered himself of some noteworthy thoughts on the character of the Russian in general, and the Russian peasant in particular.
“Like hasty people we have been in too great a hurry with our peasants,” he said in conclusion of a series of remarkable utterances. “We have made them the fashion, and a whole section of writers have for several years treated them as though they were newly discovered curiosities. We have put laurel-wreaths on lousy heads. The Russian village has given us only 'Kamarinsky' in a thousand years. A remarkable Russian poet who was also something of a wit, seeing the great Rachel on the stage for the first time cried in ecstasy, 'I wouldn't exchange Rachel for a peasant! 'I am prepared to go further. I would'; give all the peasants in Russia for one Rachel. It's high time to look things in the face more soberly, and not to mix up our national rustic pitch with bouquet de I'lmpiratrice.”
Liputin agreed at once, but remarked that one had to perjure oneself and praise the peasant all the same for the sake of being progressive, that even ladies in good society shed tears reading “Poor Anton,” and that some of them even wrote from Paris to their bailiffs that they were, henceforward, to treat the peasants as humanely as possible.
It happened, and as ill-luck would have it just after the rumours of the Anton Petrov affair had reached us, that there was some disturbance in our province too, only about ten miles from Skvoreshniki, so that a detachment of soldiers was sent down in a hurry.
This time Stepan Trofimovitch was so much upset that he even frightened us. He cried out at the club that more troops were needed, that they ought to be telegraphed for from another province; he rushed off to the governor to protest that he had no hand in it, begged him not to allow his name on account of old associations to be brought into it, and offered to write about his protest to the proper quarter in Petersburg. Fortunately it all passed over quickly and ended in nothing, but I was surprised at Stepan Trofimovitch at the time.
Three years later, as every one knows, people were beginning to talk of nationalism, and “public opinion” first came upon the scene. Stepan Trofimovitch laughed a great deal.
“My friends,” he instructed us, “if our nationalism has 'dawned' as they keep repeating in the papers — it's still at school, at some German 'Peterschule,' sitting over a German book and repeating its everlasting German lesson, and its German teacher will make it go down on its knees when he thinks fit. I think highly of the German teacher. But nothing has happened and nothing of the kind has dawned and everything is going on in the old way, that is, as ordained by God. To my thinking that should be enough for Russia, pour notre Sainte Russie. Besides, all this Slavism and nationalism is too old to be new. Nationalism, if you like, has never existed among us except as a distraction for gentlemen's clubs, and Moscow ones at that. I'm not talking of the days of Igor, of course. And besides it all comes of idleness. Everything in Russia comes of idleness, everything good and fine even. It all springs from the charming, cultured, whimsical idleness of our gentry! I'm ready to repeat it for thirty thousand years. We don't know how to live by our own labour. And as for the fuss they're making now about the 'dawn' of some sort of public opinion, has it so suddenly dropped from heaven without any warning? How is it they don't understand that before we can have an opinion of our own we must have work, our own work, our own initiative in things, our own experience. Nothing is to be gained for nothing. If we work we shall have an opinion of our own. But as we never shall work, our opinions will be formed for us by those who have hitherto done the work instead of us, that is, as always, Europe, the everlasting Germans — our teachers for the last two centuries. Moreover, Russia is too big a tangle for us to unravel alone without the Germans, and without hard work. For the last twenty years I've been sounding the alarm, and the summons to work. I've given up my life to that appeal, and, in my folly I put faith in it. Now I have lost faith in it, but I sound the alarm still, and shall sound it to the' tomb. I will pull at the bell-ropes until they toll for my own requiem!”
“Alas! We could do nothing but assent. We applauded our teacher and with what warmth, indeed! And, after all, my friends, don't we still hear to-day, every hour, at every step, the game “charming,” “clever,” “liberal,” old Russian nonsense? Our teacher believed in God.
“I can't understand why they make me out an infidel here,” he used to say sometimes. “I believe in God, mais distinguons, I believe in Him as a Being who is conscious of Himself in me only. I cannot believe as my Nastasya (the servant) or like some country gentleman who believes 'to be on the safe side,' or like our dear Shatov — but no, Shatov doesn't come into it. Shitov believes 'on principle,' like a Moscow Slavophil. as for Christianity, for all my genuine respect for it, I'm not a Christian. I am more of an antique pagan, like the great Goethe, or like an ancient Greek. The very fact that Christianity has failed to understand woman is enough, as George Sand has so splendidly shown in one of her great 'novels. As for the bowings, fasting and all the rest of it, I don't understand what they have to do with me. However busy the informers may be here, I don't care to become a Jesuit. In the year 1847 Byelinsky, who was abroad, sent his famous letter to Gogol, and warmly reproached him for believing in some sort of God. Entre nous soit dit, I can imagine nothing more comic than the moment when Gogol (the Gogol of that period!) read that phrase, and . . . the whole letter! But dismissing the humorous aspect, and, as I am fundamentally in agreement, I point to them and say — these were men! They knew how to love their people, they knew how to suffer for them, they knew how to sacrifice everything for them, yet they knew how to differ from them when they ought, and did not filch certain ideas from them. Could Byelinsky have sought salvation in Lenten oil, or peas with radish! . . .” But at this point Shatov interposed.
“Those men of yours never loved the people, they didn't suffer for them, and didn't sacrifice anything for them, though they may have amused themselves by imagining it!” he growled sullenly, looking down, and moving impatiently in his chair.
“They didn't love the people!” yelled Stepan Trofimovitch. “Oh, how they loved Russia!”
“Neither Russia nor the people!” Shatov yelled too. with flashing eyes. “You can't love what you don't know and they had no conception of the Russian people. All of them peered at the Russian people through their fingers, and you do too; Byelinsky especially: from that very letter to Gogol one can see it. Byelinsky, like the Inquisitive Man in Krylov's fable, did not notice the elephant in the museum of curiosities, but concentrated his whole attention on the French Socialist beetles; he did not get beyond them. And yet perhaps he was cleverer than any of you. You've not only overlooked the people, you've taken up an attitude of disgusting contempt for them, if only because you could not imagine any but the French people, the Parisians indeed, and were ashamed that the Russians were not like them. That's the naked truth. And he who has no people has no God. You may be sure that all who cease to understand their own people and lose their connection with them at once lose to the same extent the faith of their fathers, and become atheistic or indifferent. I'm speaking the truth! This is a fact which will be realised. That's why all of you and all of us now are either beastly atheists or careless, dissolute imbeciles, and nothing more. And you too, Stepan Trofimovitch, I don't make an exception of you at all! In fact, it is on your account I am speaking, let me tell you that!”
As a rule, after uttering such monologues (which happened to him pretty frequently) Shatov snatched up his cap and rushed to the door, in the full conviction that everything was now over, and that he had cut short all friendly relations with Stepan Trofimovitch for ever. But the latter always succeeded in stopping him in time.
“Hadn't we better make it up, Shatov, after all these endearments,” he would say, benignly holding out his hand to him from his arm-chair.
Shatov, clumsy and bashful, disliked sentimentality. Externally he was rough, but inwardly, I believe, he had great delicacy. Although he often went too far, he was the first to suffer for it. Muttering something between his teeth in response to Stepan Trofimovitch's appeal, and shuffling with his feet like a bear, he gave a sudden and unexpected smile, put down his cap, and sat down in the same chair as before, with his eyes stubbornly fixed on the ground. Wine was, of course, brought in, and Stepan Trofimovitch proposed some suitable toast, for instance the memory of some leading man of the past.
Last updated Monday, December 22, 2014 at 10:49