On Monday the Fourteenth of October, 1793, a Cause is pending in the Palais de Justice, in the new Revolutionary Court, such as these old stone-walls never witnessed: the Trial of Marie–Antoinette. The once brightest of Queens, now tarnished, defaced, forsaken, stands here at Fouquier Tinville’s Judgment-bar; answering for her life! The Indictment was delivered her last night. (Proces de la Reine, Deux Amis, xi. 251–381.) To such changes of human fortune what words are adequate? Silence alone is adequate.
There are few Printed things one meets with, of such tragic almost ghastly significance as those bald Pages of the Bulletin du Tribunal Revolutionnaire, which bear title, Trial of the Widow Capet. Dim, dim, as if in disastrous eclipse; like the pale kingdoms of Dis! Plutonic Judges, Plutonic Tinville; encircled, nine times, with Styx and Lethe, with Fire–Phlegethon and Cocytus named of Lamentation! The very witnesses summoned are like Ghosts: exculpatory, inculpatory, they themselves are all hovering over death and doom; they are known, in our imagination, as the prey of the Guillotine. Tall ci-devant Count d’Estaing, anxious to shew himself Patriot, cannot escape; nor Bailly, who, when asked If he knows the Accused, answers with a reverent inclination towards her, “Ah, yes, I know Madame.” Ex–Patriots are here, sharply dealt with, as Procureur Manuel; Ex–Ministers, shorn of their splendour. We have cold Aristocratic impassivity, faithful to itself even in Tartarus; rabid stupidity, of Patriot Corporals, Patriot Washerwomen, who have much to say of Plots, Treasons, August Tenth, old Insurrection of Women. For all now has become a crime, in her who has lost.
Marie–Antoinette, in this her utter abandonment and hour of extreme need, is not wanting to herself, the imperial woman. Her look, they say, as that hideous Indictment was reading, continued calm; ‘she was sometimes observed moving her fingers, as when one plays on the Piano.’ You discern, not without interest, across that dim Revolutionary Bulletin itself, how she bears herself queenlike. Her answers are prompt, clear, often of Laconic brevity; resolution, which has grown contemptuous without ceasing to be dignified, veils itself in calm words. “You persist then in denial?” — “My plan is not denial: it is the truth I have said, and I persist in that.” Scandalous Hebert has borne his testimony as to many things: as to one thing, concerning Marie–Antoinette and her little Son, — wherewith Human Speech had better not further be soiled. She has answered Hebert; a Juryman begs to observe that she has not answered as to this. “I have not answered,” she exclaims with noble emotion, “because Nature refuses to answer such a charge brought against a Mother. I appeal to all the Mothers that are here.” Robespierre, when he heard of it, broke out into something almost like swearing at the brutish blockheadism of this Hebert; (Vilate, Causes secretes de la Revolution de Thermidor (Paris, 1825), p. 179.) on whose foul head his foul lie has recoiled. At four o’clock on Wednesday morning, after two days and two nights of interrogating, jury-charging, and other darkening of counsel, the result comes out: Sentence of Death. “Have you anything to say?” The Accused shook her head, without speech. Night’s candles are burning out; and with her too Time is finishing, and it will be Eternity and Day. This Hall of Tinville’s is dark, ill-lighted except where she stands. Silently she withdraws from it, to die.
Two Processions, or Royal Progresses, three-and-twenty years apart, have often struck us with a strange feeling of contrast. The first is of a beautiful Archduchess and Dauphiness, quitting her Mother’s City, at the age of Fifteen; towards hopes such as no other Daughter of Eve then had: ‘On the morrow,’ says Weber an eye witness, ‘the Dauphiness left Vienna. The whole City crowded out; at first with a sorrow which was silent. She appeared: you saw her sunk back into her carriage; her face bathed in tears; hiding her eyes now with her handkerchief, now with her hands; several times putting out her head to see yet again this Palace of her Fathers, whither she was to return no more. She motioned her regret, her gratitude to the good Nation, which was crowding here to bid her farewell. Then arose not only tears; but piercing cries, on all sides. Men and women alike abandoned themselves to such expression of their sorrow. It was an audible sound of wail, in the streets and avenues of Vienna. The last Courier that followed her disappeared, and the crowd melted away.’ (Weber, i. 6.)
The young imperial Maiden of Fifteen has now become a worn discrowned Widow of Thirty-eight; grey before her time: this is the last Procession: ‘Few minutes after the Trial ended, the drums were beating to arms in all Sections; at sunrise the armed force was on foot, cannons getting placed at the extremities of the Bridges, in the Squares, Crossways, all along from the Palais de Justice to the Place de la Revolution. By ten o’clock, numerous patrols were circulating in the Streets; thirty thousand foot and horse drawn up under arms. At eleven, Marie–Antoinette was brought out. She had on an undress of pique blanc: she was led to the place of execution, in the same manner as an ordinary criminal; bound, on a Cart; accompanied by a Constitutional Priest in Lay dress; escorted by numerous detachments of infantry and cavalry. These, and the double row of troops all along her road, she appeared to regard with indifference. On her countenance there was visible neither abashment nor pride. To the cries of Vive la Republique and Down with Tyranny, which attended her all the way, she seemed to pay no heed. She spoke little to her Confessor. The tricolor Streamers on the housetops occupied her attention, in the Streets du Roule and Saint–Honore; she also noticed the Inscriptions on the house-fronts. On reaching the Place de la Revolution, her looks turned towards the Jardin National, whilom Tuileries; her face at that moment gave signs of lively emotion. She mounted the Scaffold with courage enough; at a quarter past Twelve, her head fell; the Executioner shewed it to the people, amid universal long-continued cries of ‘Vive la Republique.’ (Deux Amis, xi. 301.)
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