Une Vie, by Guy de Maupassant

Chapter 6

Disenchantment

The family and servants were awaiting them outside the white gate with brick supports. The post-chaise drew up and there were long and affectionate greetings. Little mother wept; Jeanne, affected, wiped away some tears; father nervously walked up and down.

Then, as the baggage was being unloaded, they told of their travels beside the parlor fire. Jeanne’s words flowed freely, and everything was told, everything, in a half hour, except, perhaps, a few little details forgotten in this rapid account.

The young wife then went to undo her parcels. Rosalie, also greatly affected, assisted her. When this was finished and everything had been put away, the little maid left her mistress, and Jeanne, somewhat fatigued, sat down.

She asked herself what she was now going to do, seeking some occupation for her mind, some work for her hands. She did not care to go down again into the drawing-room, where her mother was asleep, and she thought she would take a walk. But the country seemed so sad that she felt a weight at her heart on only looking out of the window.

Then it came to her that she had no longer anything to do, never again anything to do. All her young life at the convent had been preoccupied with the future, busied with dreams. The constant excitement of hope filled her hours at that time, so that she was not aware of their flight. Then hardly had she left those austere walls, where her illusions had unfolded, than her expectations of love were at once realized. The longed-for lover, met, loved and married within a few weeks, as one marries on these sudden resolves, had carried her off in his arms, without giving her time for reflection.

But now the sweet reality of the first days was to become the everyday reality, which closed the door on vague hopes, on the enchanting worries of the unknown. Yes, there was nothing more to look forward to. And there was nothing more to do, today, to-morrow, never. She felt all this vaguely as a certain disillusion, a certain crumbling of her dreams.

She rose and leaned her forehead against the cold window panes.

Then, after gazing for some time at the sky across which dark clouds were passing, she decided to go out.

Was this the same country, the same grass, the same trees as in May? What had become of the sunlit cheerfulness of the leaves and the poetry of the green grass, where dandelions, poppies and moon daisies bloomed and where yellow butterflies fluttered as though held by invisible wires? And this intoxication of the air teeming with life, with fragrance, with fertilizing pollen, existed no longer!

The avenues, soaked by the constant autumnal downpours, were covered with a thick carpet of fallen leaves which extended beneath the shivering bareness of the almost leafless poplars. She went as far as the shrubbery. It was as sad as the chamber of a dying person. A green hedge which separated the little winding walks was bare of leaves. Little birds flew from place to place with a little chilly cry, seeking a shelter.

The thick curtain of elm trees that formed a protection against the sea wind, the lime tree and the plane tree with their crimson and yellow tints seemed clothed, the one in red velvet and the other in yellow silk.

Jeanne walked slowly up and down petite mère’s avenue, alongside the Couillards’ farm. Something weighed on her spirit like a presentiment of the long boredom of the monotonous life about to begin.

She seated herself on the bank where Julien had first told her of his love and remained there, dreaming, scarcely thinking, depressed to the very soul, longing to lie down, to sleep, in order to escape the dreariness of the day.

All at once she perceived a gull crossing the sky, carried away in a gust of wind, and she recalled the eagle she had seen down there in Corsica, in the gloomy vale of Ota. She felt a spasm at her heart as at the remembrance of something pleasant that is gone by, and she had a sudden vision of the beautiful island with its wild perfume, its sun that ripens oranges and lemons, its mountains with their rosy summits, its azure gulfs and its ravines through which the torrents flowed.

And the moist, severe landscape that surrounded her, with the falling leaves and the gray clouds blown along by the wind, enfolded her in such a heavy mantle of misery that she went back to the house to keep from sobbing.

Her mother was dozing in a torpid condition in front of the fire, accustomed to the melancholy of the long days, and not noticing it any longer. Her father and Julien had gone for a walk to talk about business matters. Night was coming on, filling the large drawing-room with gloom lighted by reflections of light from the fire.

The baron presently appeared, followed by Julien. As soon as the vicomte entered the room he rang the bell, saying: “Quick, quick, let us have some light! It is gloomy in here.”

And he sat down before the fire. While his wet shoes were steaming in the warmth and the mud was drying on his soles, he rubbed his hands cheerfully as he said: “I think it is going to freeze; the sky is clearing in the north, and it is full moon to-night; we shall have a stinger to-night.”

Then turning to his daughter: “Well, little one, are you glad to be back again in your own country, in your own home, with the old folks?”

This simple question upset Jeanne. She threw herself into her father’s arms, her eyes full of tears, and kissed him nervously, as though asking pardon, for in spite of her honest attempt to be cheerful, she felt sad enough to give up altogether. She recalled the joy she had promised herself at seeing her parents again, and she was surprised at the coldness that seemed to numb her affection, just as if, after constantly thinking of those one loves, when at a distance and unable to see them at any moment, one should feel, on seeing them again, a sort of check of affection, until the bonds of their life in common had been renewed.

Dinner lasted a long time. No one spoke much. Julien appeared to have forgotten his wife.

In the drawing-room Jeanne sat before the fire in a drowsy condition, opposite little mother, who was sound asleep. Aroused by the voices of the men, Jeanne asked herself, as she tried to rouse herself, if she, too, was going to become a slave to this dreary lethargy of habit that nothing varies.

The baron approached the fire, and holding out his hands to the glowing flame, he said, smiling: “Ah, that burns finely this evening. It is freezing, children; it is freezing.” Then, placing his hand on Jeanne’s shoulder and pointing to the fire, he said: “See here, little daughter, that is the best thing in life, the hearth, the hearth, with one’s own around one. Nothing else counts. But supposing we retire. You children must be tired out.”

When she was in her room, Jeanne asked herself how she could feel so differently on returning a second time to the place that she thought she loved. Why did she feel as though she were wounded? Why did this house, this beloved country, all that hitherto had thrilled her with happiness, now appear so distressing?

Her eyes suddenly fell on her clock. The little bee was still swinging from left to right and from right to left with the same quick, continuous motion above the scarlet blossoms. All at once an impulse of tenderness moved her to tears at sight of this little piece of mechanism that seemed to be alive. She had not been so affected on kissing her father and mother. The heart has mysteries that no arguments can solve.

For the first time since her marriage she was alone, Julien, under pretext of fatigue, having taken another room.

She lay awake a long time, unaccustomed to being alone and disturbed by the bleak north wind which beat against the roof.

She was awakened the next morning by a bright light that flooded her room. She put on a dressing gown and ran to the window and opened it.

An icy breeze, sharp and bracing, streamed into the room, making her skin tingle and her eyes water. The sun appeared behind the trees on a crimson sky, and the earth, covered with frost and dry and hard, rang out beneath one’s footsteps. In one night all the leaves had blown off the trees, and in the distance beyond the level ground was seen the long green line of water, covered with trails of white foam.

Jeanne dressed herself and went out, and for the sake of an object she went to call on the farmers.

The Martins held up their hands in surprise, and Mrs. Martin kissed her on both cheeks, and then they made her drink a glass of noyau. She then went to the other farm. The Couillards also were surprised. Mrs. Couillard pecked her on the ears and she had to drink a glass of cassis. Then she went home to breakfast.

The day went by like the previous day, cold instead of damp. And the other days of the week resembled these two days, and all the weeks of the month were like the first week.

Little by little, however, she ceased to regret far-off lands. The force of habit was covering her life with a layer of resignation similar to the lime-stone formation deposited on objects by certain springs. And a kind of interest for the thousand-and-one little insignificant things of daily life, a care for the simple, ordinary everyday occupations, awakened in her heart. A sort of pensive melancholy, a vague disenchantment with life was growing up in her mind. What did she lack? What did she want? She did not know. She had no worldly desires, no thirst for amusement, no longing for permissible pleasures. What then? Just as old furniture tarnishes in time, so everything was slowly becoming faded to her eyes, everything seemed to be fading, to be taking on pale, dreary shades.

Her relations with Julien had completely changed. He seemed to be quite different since they came back from their honeymoon, like an actor who has played his part and resumes his ordinary manner. He scarcely paid any attention to her or even spoke to her. All trace of love had suddenly disappeared, and he seldom came into her room at night.

He had taken charge of the money and of the house, changed the leases, worried the peasants, cut down expenses, and having adopted the costume of a gentleman farmer, he had lost his polish and elegance as a fiancé.

He always wore the same suit, although it was covered with spots. It was an old velveteen shooting jacket with brass buttons, that he had found among his former wardrobe, and with the carelessness that is frequent with those who no longer seek to please, he had given up shaving, and his long beard, badly cut, made an incredible change for the worse in his appearance. His hands were never cared for, and after each meal he drank four or five glasses of brandy.

Jeanne tried to remonstrate with him gently, but he had answered her so abruptly: “Won’t you let me alone!” that she never ventured to give him any more advice.

She had adapted herself to these changes in a manner that surprised herself. He had become a stranger to her, a stranger whose mind and heart were closed to her. She constantly thought about it, asking herself how it was that after having met, loved, married in an impulse of affection, they should all at once find themselves almost as much strangers as though they had never shared the same room.

And how was it that she did not feel this neglect more deeply? Was this life? Had they deceived themselves? Did the future hold nothing further for her?

If Julien had remained handsome, carefully dressed, elegant, she might possibly have suffered more deeply.

It had been agreed that after the new year the young couple should remain alone and that the father and mother should go back to spend a few months at their house in Rouen. The young people were not to leave the “Poplars” that winter, so as to get thoroughly settled and to become accustomed to each other and to the place where all their life would be passed. They had a few neighbors to whom Julien would introduce his wife. These were the Brisevilles, the Colteliers and the Fourvilles.

But the young people could not begin to pay calls because they had not as yet been able to get a painter to alter the armorial bearings on the carriage.

The old family coach had been given up to his son-in-law by the baron, and nothing would have induced him to show himself at the neighboring châteaux if the coat-of-arms of the De Lamares were not quartered with those of the Le Perthuis des Vauds.

There was only one man in the district who made a specialty of heraldic designs, a painter of Bolbec, called Bataille, who was in demand at all the Norman castles in turn to make these precious designs on the doors of carriages.

At length one morning in December, just as they were finishing breakfast, they saw an individual open the gate and walk toward the house. He was carrying a box on his back. This was Bataille.

They offered him some breakfast, and, while he was eating, the baron and Julien made sketches of quarterings. The baroness, all upset as soon as these things were discussed, gave her opinion. And even Jeanne took part in the discussion, as though some mysterious interest had suddenly awakened in her.

Bataille, while eating, gave his ideas, at times taking the pencil and tracing a design, citing examples, describing all the aristocratic carriages in the countryside, and seemed to have brought with him in his ideas, even in his voice, a sort of atmosphere of aristocracy.

As soon as he had finished his coffee, they all went to the coach house. They took off the cover of the carriage and Bataille examined it. He then gravely gave his views as to the size he considered suitable for the design, and after an exchange of ideas, he set to work.

Notwithstanding the cold, the baroness had her chair brought out so as to watch him working, and then her foot-stove, for her feet were freezing. She then began to chat with the painter, on all the recent births, deaths and marriages of which she had not heard, thus adding to the genealogical tree which she carried in her memory.

Julien sat beside her, astride on a chair. He was smoking, spitting on the ground, listening and following with his glances the emblazoning of his rank.

Presently old Simon, who was on his way to the vegetable garden, his spade on his shoulder, stopped to look at the work; and as Bataille’s arrival had become known at the two farms, the farmers’ wives soon put in an appearance. They went into raptures, standing one at either side of the baroness, exclaiming: “My! it requires some cleverness all the same to fix up those things.”

The two doors could not be finished before the next day about eleven o’clock. Every one was on hand; and they dragged the carriage outside so as to get a better view of it.

It was perfect. Bataille was complimented, and went off with his box on his back. They all agreed that the painter had great ability, and if circumstances had been favorable would doubtless have been a great artist.

Julien, by way of economy, had introduced great reforms which necessitated making some changes. The old coachman had been made gardener, Julien undertaking to drive himself, having sold the carriage horses to avoid buying feed for them. But as it was necessary to have some one to hold the horses when he and his wife got out of the carriage, he had made a little cow tender named Marius into a groom. Then in order to get some horses, he introduced a special clause into the Couillards’ and Martins’ leases, by which they were bound to supply a horse each, on a certain day every month, the date to be fixed by him; and this would exempt them from their tribute of poultry.

So the Couillards brought a big yellow horse, and the Martins a small white animal with long, unclipped coat, and the two were harnessed up together. Marius, buried in an old livery belonging to old Simon, led the carriage up to the front door.

Julien, looking clean and brushed up, looked a little like his former self; but his long beard gave him a common look in spite of all. He looked over the horses, the carriage, and the little groom, and seemed satisfied, the only really important thing to him being the newly painted escutcheon.

The baroness came down leaning on her husband’s arm and got into the carriage. Then Jeanne appeared. She began to laugh at the horses, saying that the white one was the son of the yellow horse; then, perceiving Marius, his face buried under his hat with its cockade, his nose alone preventing it from covering his face altogether, his hands hidden in his long sleeves, and the tail of his coat forming a skirt round his legs, his feet encased in immense shoes showing in a comical manner beneath it, and then when he threw his head back so as to see, and lifted up his leg to walk as if he were crossing a river, she burst into a fit of uncontrollable laughter.

The baron turned round, glanced at the little bewildered groom and he, too, burst out laughing, calling to his wife: “Look at Ma-Ma-Marius! Is he not comical? Heavens, how funny he looks!”

The baroness, looking out of the carriage window, was also convulsed, so that the carriage shook on its springs.

But Julien, pale with anger, asked: “What makes you laugh like that? Are you crazy?”

Jeanne, quite convulsed and unable to stop laughing, sat down on the doorstep; the baron did the same, while, in the carriage, spasmodic sneezes, a sort of constant chuckling, told that the baroness was choking. Presently there was a motion beneath Marius’ livery. He had, doubtless, understood the joke, for he was shaking with laughter beneath his hat.

Julien darted forward in exasperation. With a box on the ear he sent the boy’s hat flying across the lawn; then, turning toward his father-in-law, he stammered in a voice trembling with rage: “It seems to me that you should be the last to laugh. We should not be where we are now if you had not wasted your money and ruined your property. Whose fault is it if you are ruined?”

The laughter ceased at once, and no one spoke. Jeanne, now ready to cry, got into the carriage and sat beside her mother. The baron, silent and astonished, took his place opposite the two ladies, and Julien sat on the box after lifting to the seat beside him the weeping boy, whose face was beginning to swell.

The road was dreary and appeared long. The occupants of the carriage were silent. All three sad and embarrassed, they would not acknowledge to one another what was occupying their thoughts. They felt that they could not talk on indifferent subjects while these thoughts had possession of them, and preferred to remain silent than to allude to this painful subject.

They drove past farmyards, the carriage jogging along unevenly with the ill-matched animals, putting to flight terrified black hens who plunged into the bushes and disappeared, occasionally followed by a barking wolf-hound.

At length they entered a wide avenue of pine trees, at the end of which was a white, closed gate. Marius ran to open it, and they drove in round an immense grass plot, and drew up before a high, spacious, sad-looking building with closed shutters.

The hall door opened abruptly, and an old, paralyzed servant wearing a black waistcoat with red stripes partially covered by his working apron slowly descended the slanting steps. He took the visitors’ names and led them into an immense reception room, and opened with difficulty the Venetian blinds which were always kept closed. The furniture had covers on it, and the clock and candelabra were wrapped in white muslin. An atmosphere of mildew, an atmosphere of former days, damp and icy, seemed to permeate one’s lungs, heart and skin with melancholy.

They all sat down and waited. They heard steps in the hall above them that betokened unaccustomed haste. The hosts were hurriedly dressing. The baroness, who was chilled, sneezed constantly. Julien paced up and down. Jeanne, despondent, sat beside her mother. The baron leaned against the marble mantelpiece with his head bent down.

Finally, one of the tall doors opened, and the Vicomte and Vicomtesse de Briseville appeared. They were both small, thin, vivacious, of no age in particular, ceremonious and embarrassed.

After the first greetings, there seemed to be nothing to say. So they began to congratulate each other for no special reason, and hoped that these friendly relations would be kept up. It was a treat to see people when one lived in the country the year round.

The icy atmosphere pierced to their bones and made their voices hoarse. The baroness was coughing now and had stopped sneezing. The baron thought it was time to leave. The Brisevilles said: “What, so soon? Stay a little longer.” But Jeanne had risen in spite of Julien’s signals, for he thought the visit too short.

They attempted to ring for the servant to order the carriage to the door, but the bell would not ring. The host started out himself to attend to it, but found that the horses had been put in the stable.

They had to wait. Every one tried to think of something to say. Jeanne, involuntarily shivering with cold, inquired what their hosts did to occupy themselves all the year round. The Brisevilles were much astonished; for they were always busy, either writing letters to their aristocratic relations, of whom they had a number scattered all over France, or attending to microscopic duties, as ceremonious to one another as though they were strangers, and talking grandiloquently of the most insignificant matters.

At last the carriage passed the windows with its ill-matched team. But Marius had disappeared. Thinking he was off duty until evening, he had doubtless gone for a walk.

Julien, perfectly furious, begged them to send him home on foot, and after a great many farewells on both sides, they set out for the “Poplars.”

As soon as they were inside the carriage, Jeanne and her father, in spite of Julien’s brutal behavior of the morning which still weighed on their minds, began to laugh at the gestures and intonations of the Brisevilles. The baron imitated the husband, and Jeanne the wife. But the baroness, a little touchy in these particulars, said: “You are wrong to ridicule them thus; they are people of excellent family.” They were silent out of respect for little mother, but nevertheless, from time to time, Jeanne and her father began again. The baroness could not forbear smiling in her turn, but she repeated: “It is not nice to laugh at people who belong to our class.”

Suddenly the carriage stopped, and Julien called out to someone behind it. Then Jeanne and the baron, leaning out, saw a singular creature that appeared to be rolling along toward them. His legs entangled in his flowing coattails, and blinded by his hat which kept falling over his face, shaking his sleeves like the sails of a windmill, and splashing into puddles of water, and stumbling against stones in the road, running and bounding, Marius was following the carriage as fast as his legs could carry him.

As soon as he caught up with it, Julien, leaning over, seized him by the collar of his coat, sat him down beside him, and letting go the reins, began to shower blows on the boy’s hat, which sank down to his shoulders with the reverberations of a drum. The boy screamed, tried to get away, to jump from the carriage, while his master, holding him with one hand, continued beating him with the other.

Jeanne, dumfounded, stammered: “Father — oh, father!” And the baroness, wild with indignation, squeezed her husband’s arm. “Stop him, Jack!” she exclaimed. The baron quickly lowered the front window, and seizing hold of his son-in-law’s sleeve, he sputtered out in a voice trembling with rage: “Have you almost finished beating that child?”

Julien turned round in astonishment: “Don’t you see what a condition his livery is in?”

But the baron, placing his head between them, said: “Well, what do I care? There is no need to be brutal like that!”

Julien got angry again: “Let me alone, please; this is not your affair!” And he was raising his hand again when his father-in-law caught hold of it and dragged it down so roughly that he knocked it against the wood of the seat, and he roared at him so loud: “If you do not stop, I shall get out, and I will see that you stop it, myself,” that Julien calmed down at once, and shrugging his shoulders without replying, he whipped up the horses, who set out at a quick trot.

The two women, pale as death, did not stir, and one could hear distinctly the thumping of the baroness’ heart.

At dinner Julien was more charming than usual, as though nothing had occurred. Jeanne, her father, and Madame Adelaide, pleased to see him so amiable, fell in with his mood, and when Jeanne mentioned the Brisevilles, he laughed at them himself, adding, however: “All the same, they have the grand air.”

They made no more visits, each one fearing to revive the Marius episode. They decided, to send New Year’s cards, and to wait until the first warm days of spring before paying any more calls.

At Christmas they invited the curé, the mayor and his wife to dinner, and again on New Year’s Day. These were the only events that varied the monotony of their life. The baron and his wife were to leave “The Poplars” on the ninth of January. Jeanne wanted to keep them, but Julien did not acquiesce, and the baron sent for a post-chaise from Rouen, seeing his son-in-law’s coolness.

The day before their departure, as it was a clear frost, Jeanne and her father decided to go to Yport, which they had not visited since her return from Corsica. They crossed the wood where she had strolled on her wedding-day, all wrapped up in the one whose lifelong companion she had become; the wood where she had received her first kiss, trembled at the first breath of love, had a presentiment of that sensual love of which she did not become aware until she was in the wild vale of Ota beside the spring where they mingled their kisses as they drank of its waters. The trees were now leafless, the climbing vines dead.

They entered the little village. The empty, silent streets smelled of the sea, of wrack, of fish. Huge brown nets were still hanging up to dry outside the houses, or stretched out on the shingle. The gray, cold sea, with its eternal roaring foam, was going out, uncovering the green rocks at the foot of the cliff toward Fécamp.

Jeanne and her father, motionless, watched the fishermen setting out in their boats in the dusk, as they did every night, risking their lives to keep from starving, and so poor, nevertheless, that they never tasted meat.

The baron, inspired at the sight of the ocean, murmured: “It is terrible, but it is beautiful. How magnificent this sea is on which the darkness is falling, and on which so many lives are in peril, is it not, Jeannette?”

She replied with a cold smile: “It is nothing to the Mediterranean.”

Her father, indignant, exclaimed: “The Mediterranean! It is oil, sugar water, bluing water in a washtub. Look at this sea, how terrible it is with its crests of foam! And think of all those men who have set out on it, and who are already out of sight.”

Jeanne assented with a sigh: “Yes, if you think so.” But this name, “Mediterranean,” had wrung her heart afresh, sending her thoughts back to those distant lands where her dreams lay buried.

Instead of returning home by the woods, they walked along the road, mounting the ascent slowly. They were silent, sad at the thought of the approaching separation. As they passed along beside the farmyards an odor of crushed apples, that smell of new cider which seems to pervade the atmosphere in this season all through Normandy, rose to their nostrils, or else a strong smell of the cow stables. A small lighted window at the end of the yard indicated the farmhouse.

It seemed to Jeanne that her mind was expanding, was beginning to understand the psychic meaning of things; and these little scattered gleams in the landscape gave her, all at once, a keen sense of the isolation of all human lives, a feeling that everything detaches, separates, draws one far away from the things they love.

She said, in a resigned tone: “Life is not always cheerful.”

The baron sighed: “How can it be helped, daughter? We can do nothing.”

The following day the baron and his wife went away, and Jeanne and Julien were left alone.

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Last updated Friday, March 7, 2014 at 23:09