Master Martin, the Cooper, and his Journeyman, by E. T. A. Hoffmann

How Frederick was driven out of the workshop by Master Martin.

The next day Master Martin was working away at the great cask for the Bishop of Bamberg in moody silence, nor could Frederick, who now felt the full bitterness of parting from Reinhold, utter a word either, still less break out into song. At last Master Martin threw aside his mallet, and crossing his arms, said in a muffled voice, “Well, Reinhold’s gone. He was a distinguished painter, and has only been making a fool of me with his pretence of being a cooper. Oh! that I had only had an inkling of it when he came into my house along with you and bore himself so smart and clever, wouldn’t I just have shown him the door! Such an open honest face, and so much deceit and treachery in his mind! Well, he’s gone, and now you will faithfully and honestly stick to me and my handiwork. Who knows whether you may not become something more to me still — when you have become a skilful master and Rose will have you — well, you understand me, and may try to win Rose’s favour.” Forthwith he took up his mallet and worked away lustily again. Frederick did not know how to account for it, but Master Martin’s words rent his breast, and a strange feeling of anxiety arose in his mind, obscuring every glimmer of hope. After a long interval Rose made a first appearance again in the workshop, but was very reserved, and, as Frederick to his mortification could see, her eyes were red with weeping. She has been weeping for him, she does love him, thus he said within himself, and he was quite unable to raise his eyes to her whom he loved with such an unutterable love.

The mighty cask was finished, and now Master Martin began to be blithe and in good humour again as he regarded this very successful piece of work. “Yes, my son,” said he, clapping Frederick on the shoulder, “yes, my son, I will keep my word: if you succeed in winning Rose’s favour and build a good sound masterpiece, you shall be my son-inlaw. And then you can also join the noble guild of the Meistersinger, and so win you great honour.”

Master Martin’s business now increased so very greatly that he had to engage two other journeymen, clever workmen, but rude fellows, quite demoralised by their long wanderings. Coarse jests now echoed in the workshop instead of the many pleasant talks of former days, and in place of Frederick and Reinhold’s agreeable singing were now heard low and obscene ditties. Rose shunned the workshop, so that Frederick saw her but seldom, and only for a few moments at a time. And then when he looked at her with melancholy longing and sighed, “Oh! if I might talk to you again, dear Rose, if you were only as friendly again as at the time when Reinhold was still with us!” she cast down her eyes in shy confusion and whispered “Have you something to tell me, dear Frederick?” And Frederick stood like a statue, unable to speak a word, and the golden opportunity was quickly past, like a flash of lightning that darts across the dark red glow of the evening, and is gone almost before it is observed.

Master Martin now insisted that Frederick should begin his masterpiece. He had himself sought out the finest, purest oak wood, without the least vein or flaw, which had been over five years in his wood-store, and nobody was to help Frederick except old Valentine. Not only was Frederick put more and more out of taste with his work by the rough journeymen, but he felt a tightness in his throat as he thought that this masterpiece was to decide over his whole life long. The same peculiar feeling of anxiety which he had experienced when Master Martin was praising his faithful devotion to his handiwork now grew into a more and more distinct shape in a quite dreadful way. He now knew that he should fail miserably and disgracefully in his work; his mind, now once more completely taken up with his own art, was fundamentally averse to it. He could not forget Reinhold and Rose’s picture. His own art now put on again her full glory in his eyes. Often as he was working, the crushing sense of the unmanliness of his conduct quite overpowered him, and, alleging that he was unwell, he ran off to St. Sebald’s Church. There he spent hours in studying Peter Fischer’s marvellous monument, and he would exclaim, as if ravished with delight, “Oh, good God! Is there anything on earth more glorious than to conceive and execute such a work?” And when he had to go back again to his staves and hoops, and remembered that in this way only was Rose to be won, he felt as if burning talons were rending his bleeding heart, and as if he must perish in the midst of his unspeakable agony. Reinhold often came to him in his dreams and brought him striking designs for artistic castings, into which Rose’s form was worked in most ingenious ways, now as a flower, now as an angel, with little wings. But there was always something wanting; he discovered that it was Rose’s heart which Reinhold had forgotten, and that he added to the design himself. Then he thought he saw all the flowers and leaves of the work move, singing and diffusing their sweet fragrances, and the precious metals showed him Rose’s likeness in their glittering surface. Then he stretched out his arms longingly after his beloved, but the likeness vanished as if in dim mist, and Rose herself, pretty Rose, pressed him to her loving heart in an ecstasy of passionate love.

His condition with respect to the unfortunate cooperage grew worse and worse, and more and more unbearable, and he went to his old master Johannes Holzschuer to seek comfort and assistance. He allowed Frederick to begin in his shop a piece of work which he, Frederick, had thought out and for which he had for some time been saving up his earnings, so that he could procure the necessary gold and silver. Thus it happened that Frederick was scarcely ever at work in Martin’s shop, and his deathly pale face gave credence to his pretext that he was suffering from a consuming illness. Months went past, and his masterpiece, his great two-tun cask, was not advanced any further. Master Martin was urgent upon him that he should at least do as much as his strength would allow, and Frederick really saw himself compelled to go to the hated cutting block again and take the adze in hand. Whilst he was working, Master Martin drew near and examined the staves at which he was working; and he got quite red in the face and cried, “What do you call this? What work is this, Frederick? Has a journeyman been preparing these staves for his ‘mastership,’ or a stupid apprentice who only put his nose into the workshop three days ago? Pull yourself together, lad: what devil has entered into you that you are making a bungle of things like this? My good oak wood — and this your masterpiece! Oh! you awkward, imprudent boy!” Overmastered by the torture and agony which raged within him, Frederick was unable to contain himself any longer; so, throwing the adze from him he said, “Master, it’s all over; no, even though it cost me my life, though I perish in unutterable misery, I cannot work any longer — no, I cannot work any longer at this coarse trade. An irresistible power is drawing me back to my own glorious art. Your daughter Rose I love unspeakably, more than anybody else on earth can ever love her. It is only for her sake that I ever entered upon this hateful work. I have now lost her, I know, and shall soon die of grief for love of her; but I can’t help it, I must go back to my own glorious art, to my excellent old master, Johannes Holzschuer, whom I so shamefully deserted.” Master Martin’s eyes blazed like flashing candles. Scarce able to speak for rage, he stammered, “What! you too! Deceit and treachery! Dupe me like this! coarse trade — cooperage! Out of my eyes, you disgraceful fellow; begone with you!” And therewith he laid hold of poor Frederick by the shoulders and threw him out of the shop, which the rude journeymen and apprentices greeted with mocking laughter. But old Valentine folded his hands, and gazing thoughtfully before him, said, “I’ve noticed, that I have, the good fellow had something higher in his mind than our casks.” Dame Martha shed many tears, and her boys cried and screamed for Frederick, who had often played kindly with them and brought them several lots of sweets.

http://ebooks.adelaide.edu.au/h/hoffmann/eta/martin/chapter10.html

Last updated Saturday, March 1, 2014 at 20:38